Austin: "You're a rock star, Mayer."



He goes over to her bed and lies down on it.



Gabrielle's House



Carlos comes down the stairs and sees Gabrielle in the living room putting on makeup.



Gabrielle: "Carlos. No Trishelle tonight?"



Carlos: "Ah, no. About her. I have a confession to make."



Gabrielle: "Does her pimp want the rest of the money? You know, there is some cash in my purse."



Carlos: "Look, I know I crossed a line bringing her here, all right? But I was trying to make you jealous, like the way you made me feel when you said you slept with John Rowland again."



Gabrielle: "Well, I think it's more than that. I think you really hate me."



Carlos: "That's not true."



Gabrielle: "Oh, I think it is. You know, introducing your spouse to someone you're about to have sex with? There's only one reason to do that: pure hatred."



Carlos: "You don't know what you're talking about."



A man comes out of the kitchen holding two glasses of wine.



Gabrielle: "Oh, I think I do. Phil, come meet my basically ex-husband."



Phil comes out of the kitchen and hands her a drink.



Gabrielle: "Thank you. Carlos. Carlos, this is my new friend, Phil Lopez."



Carlos: "We've met, Gaby."



Gabrielle: "Really? Well, that's weird. When?"



Carlos: "Fairview Chamber of Commerce. The annual dinner."



Gabrielle: "Oh, my God! That's right! That's right! You were up for the Latino Businessman of the Year award that Phil won."



Phil: "Well, actually, I beat him out twice."



Gabrielle: "No! Ooh, I remember. Carlos was so annoyed. What did you say, hon? "He may have that trophy, but I've got you." Ain't life funny?"



Carlos: "Gaby, can we talk for a sec?"



Gabrielle: "Mmm, not right now. Phil and I are getting in the hot tub. Ooh, Phil, did you bring your suit?"



Phil: "You said I didn't have to."



Gabrielle: "Not in front of Arlos-cay! Go outside. I'll meet you there."



Phil leaves.



Carlos: "Phil Lopez? You brought home Phil Lopez? I had no idea you hated me that much!"



Gabrielle: "Well, now you know."



She leaves.



Carlos: "Aah!"



Lynette's House



Tom: "Hey, good news. My realtor found me some sweet locations."



Lynette: "That's great. Hey, can we talk about this restaurant thing for a second?"



Tom: "Yeah. What's up?"



Lynette: "I don't know if you noticed, but when you first pitched the whole pizza concept, I was a wee bit skeptical."



Tom: "Yeah, I sensed that."



Lynette: "Of course you did, 'cause you're a smart guy, which is also why you are gonna jump on the idea I have to make the whole thing work."



Tom: "Okay, so you're not bailing on me?"



Lynette: "No. No, no, no, I am totally on board."



Tom: "Oh, good! You had me scared there for a second. Okay, so, well, what is this great idea?"



Lynette: "I'm thinking catering company."



Tom: "Huh?"



Lynette: "Start small, have an Italian theme, create some cash flow, and then later on, expand into the pizza thing."



Tom: "But that's not my dream."



Lynette: "Well, think about it. You're gonna do all these fun parties. People will start talking. "Hey, this is great food. This guy should open a restaurant." "Yeah, yeah, I'd eat there," and then wham! Five short years later, you have a built-in customer base."



Tom: "But I said it's not my dream. Pizza is my dream."



Lynette: "I know, I know. Catering's how you get there."



Tom: "So why can't I just skip the catering and go straight to the pizza?"



Lynette: "Because you'll fail! I'm sorry! God. I shouldn't have said that. But you're gambling with our life savings and you have no experience."



Tom: "You said that you'd support me."



Lynette: "I'm trying to. I am trying to. But are you aware that ninety percent of restaurants tank in their first year?



Tom: "Which means that ten percent of them make it! Why don't you ever think that I would be one of them? No! No, do me a favor. Don't answer that."



He gets up and leaves the room.



Gabrielle's House



Gabrielle and Phil, both wearing robes, enter the kitchen. Carlos is in the living room.



Gabrielle: "Yoo-hoo! Carlos! I'm making a snack for Phil. Do you want something to eat? Some sour grapes, perhaps? Maybe a little crow?"



Carlos leaves the house, slamming the door behind him. Gabrielle grabs Phil's hand and pulls him upstairs to the bedroom.



Gabrielle (referring to the bed): "Okay, we need to move this over there."



Phil: "Why?"



Gabrielle: "Uh, Feng Shui. I don't know. Don't just stand there. Help me!"



The two of them push the bed to a new position. Later, Gabrielle starts jumping on the newly-moved bed and rattling the bed frame. Carlos, in the guest room, listens to the pounding on the wall.



Gabrielle: "Yes! Yes!"



Phil: "Hey, don't start without me."



Gabrielle: "Oh, no, no, let's get something straight. You and I are not gonna have sex tonight."



Phil: "What?"



Gabrielle: "I'm sorry. No offense, you're a nice guy. I'm just not into you that way. Oh, God, Phil! Yes, yes, give it to me!"



Phil: "Okay. Oh, okay."



Gabrielle: "No, no, I'm not talking to you. Back off!"



Phil: "What, but I thought, I mean, you know, the hot tub, we were..."



Gabrielle: "Yes, you saw my boobs, and you're gonna have that mental snapshot to use as you wish for the rest of your life, but that is all you're getting!"



Phil: "Wait, wait, so you're just using me? You're unbelievable."



Gabrielle: "I'm what?"



Phil: "You are unbelievable!"



Gabrielle: "Really? Oh, so are you, big boy! Yes!"



Carlos storms out of bed. Later, Phil leaves and walks past Carlos, who's sitting on the porch.



Phil: "No wonder you're divorcing her. She's a straight-up loon. Oh, crap. She's blocking my car!"



Carlos: "Always happy to help a brother out. Hold on."



Carlos opens the front door and can still hear the pounding going on upstairs.



Gabrielle: "Oh, God, yes! Oh, ride 'em, cowboy! Oh, yes, God! Take me home, Philly! You should wear a saddle! Yes! Yes!"



Carlos goes upstairs to where Gabrielle is sitting on the bed banging the headboard with one hand and turning the pages of a magazine with the other. Carlos taps her on the shoulder and she swats him away without turning around.



Gabrielle: "Stop it, Phil. I told you to beat it. No means no!"



Carlos: "I need your car keys. You're blocking the stallion's hatchback."



Later...



Carlos: "Oh, yes, yes, Phil! Fill me with Phil!"



Gabrielle: "I never said that."



Carlos: "And you moved the bed. What were you thinking?"



Gabrielle: "Shut up."



Carlos: "You know, if you were trying to hurt me, that's not the way to do it."



Gabrielle: "Well, then enlighten me. How can I hit you so hard that you will never recover?"



Carlos: "You can't."



Gabrielle: "Oh, I have to, Carlos. I need you to give up on us. We're not good for each other, and I can't keep doing this."



Carlos: "But I can. You proved something tonight. You had a rich, good-looking guy in your bed, and you couldn't pull the trigger. That means you still care, and as long as I know that, I can take anything that you can dish out."



Gabrielle: "You know what? I'm tired. Can we talk about this in the morning?"



Carlos: "Sure."



Gabrielle: "But you're bringing me breakfast in bed or no deal."



Carlos: "It's a date."



Wisteria Lane - Nighttime



Julie puts her plates in the sink when she notices something outside the window. She goes outside and walks towards Sarah's car, which is parked on Wisteria Lane.



Julie: "Sarah? What are you--oh!"



Inside are Sarah and Austin, making out.



Sarah: "Oh, Julie! Thank God it's you. We totally thought you were the cops."



Austin: "Oh, hey, Julie. What are you, on buzz kill patrol tonight?"



Julie: "This is why you couldn't go to the movies with me?"



Sarah: "Sorry, I thought you weren't that into him. But, you know, if you are..."



Julie: "I'm not! I'm just, I'm mad that you blew me off."



Sarah: "Well, I would totally understand if you wanted to blow me off for a date."



Julie: "You call this a date? Getting mauled in a car?"



Austin: "Hey, you wanna talk about this later? I'm losing altitude here."



Julie: "Ugh, you are disgusting! Enjoy the rest of your date."



She walks back to her house and sees Susan sitting at the kitchen table.



Susan: "Julie, there you are. I think I found a way to get through to Mike."



Julie: "Let it go! He's not into you!"



She runs upstairs.



Gabrielle's House



Carlos: "Gaby, rise and shine. I made you some waffles."



Carlos walks into Gabrielle's bedroom carrying a tray with food on it. He stops when he sees that a man is sleeping next to her in the bed.



Gabrielle: "I got a second wind last night, so I went to a bar. That's where I met Jason. We spent the whole night how did you put it? Pulling the trigger. So did I hurt you, or should I keep trying?"



Hospital - Mike's Room



Edie: "You kicked ass in rehab today."



Mike: "Yeah, I raised my arm over my head. Sign me up for the Olympics."



Edie: "Oh, be patient. It takes time."



Nurse: "Ms. Britt?"



Edie: "Hmm?"



Nurse: "Phone call for you at the nurses' station."



Edie: "For me? Huh. I'll be right back."



She walks around the corner, going to the nurses' station. Off to the side is Susan, wearing a hat pulled down low over her face and a pair of sunglasses. She's holding her cell phone to her ear.



Edie: "There's a phone call for me?"



Susan sneaks over to Mike.



Mike: "Susan? What are you..."



Susan: "Shh! I thought you could use some fresh air."



As Susan wheels Mike outside, they leave behind Edie still on the phone.



Edie: "Hello? Hello? It's Edie."



Outside, Susan wheels Mike up to a waiting van.



Mike: "What the hell is this? Who's he?"



Susan: "Oh, this is Hank, and he has very kindly offered to take us on a little field trip today for sixty bucks an hour."



Mike: "Where are you taking me?"



Susan: "Uh, just a little jaunt down Memory Lane."



Mike: "Oh, God, you're not taking me to that fish and disco place, are you?"



Susan: "No, no. What we're doing today is a little more low-key. Don't worry. You're totally safe. We're not doing anything wrong."



A hospital security guard comes outside looking around.



Susan: "Punch it!"



Hotel Room



Bree knocks on a hotel room door and Mr. Faladi opens it.



Bree: "Hello."



Mr. Faladi: "Look, Mrs. Hodge, uh, I've only seen your daughter once since the motel. She told me that you backed off."



Bree: "Oh, Mr. Faladi, I'm not here to threaten you. I've come to give you my blessing."



Mr. Faladi: "Your blessing?"



Bree: "Yes, Danielle made it quite clear that I'm powerless to stop this relationship and since she assures me that you love her. You do love her, don't you?"



Mr. Faladi: "Uh, yes, of course."



Bree: "Good. Then we're all set. Here are some of her clothes. I'll bring her CDs and her stuffed animals over tomorrow."



Mr. Faladi: "You want her to stay here? This place is kind of small."



Bree: "Well, that hotel room was small and you seemed happy enough there. Oh, and I trust you to be discreet. You wouldn't want your wife to find out about this and use it against you in your divorce."



Mr. Faladi: "Whoa, whoa, Mrs. Hodge? Things are getting a little bit complicated. Could you please tell Danielle that this is not gonna work out and..."



Bree: "Mr. Faladi, if you want to break my daughter's heart, I can't stop you, but I will not be an accomplice. You'll tell her yourself."



Mr. Faladi: "Right."



Bree: "And don't even think about blaming me, 'cause if you so much as mention that we spoke, I'll phone the police."



Mr. Faladi: "Fine. I will leave you out of it."



Bree starts to leave and then turns around.



Bree: "Oh, and one more thing..."



Mr. Faladi: "Yes?"



Bree: "Danielle is applying to colleges. I do hope she can count on you for a glowing recommendation."



Mr. Faladi: "Sure."



Bree smiles and leaves.



Wisteria Lane



Susan is pushing Mike in his wheelchair down the street they live on.



Susan: "And when I locked myself out of the house, that's where the bush was that you found me in. Naked. Surely you remember that."



Mike: "Nope."



Susan: "Ouch, that hurts. Um, okay, remember this spot? This is where we sat in your truck and had our first kiss."



Mike: "Were you naked then, too?"



Susan: "Mike, why are you being this way?"



Mike: "Because this is pointless. I'm, I'm sorry. I can't. I don't remember being with you."



Susan: "Okay, I know it's hard, but you gotta make an effort, and, you know, if your head is a little foggy, then don't look there. Look in your heart, because I'm in there, just like you're inside mine. Okay, um, this is Mary Alice's house and this is where we first met. I was setting out my macaroni and cheese, and you were invited--Oh! Ow!"



Susan trips over the curb. Mike smiles.



Susan: "I'm good. Finally, a smile."



Mike: "You do that a lot, don't you?"



Susan: "Well, yeah, I've been known to take a spill or two, but, you know, my doctor says it's an inner ear--wait, you remember that?"



Mike: "Yeah, I think I do."



Susan: "Yes! That's progress! See? Oh, it's all gonna come back. We're gonna be us again!"



Mike: "But what about the British guy?"



Susan: "Mike, I don't know what Edie's been telling you, but Ian and I, we're just friends."



Mike: "Just friends?"



Susan: "Yeah. Now. Look, you gotta understand. The doctors were telling me that you would probably never wake up, and I just needed somebody to talk to."



Mike: "And that's what you were doing in the country, talking?"



A hospital van pulls up and a nurse and Edie get out.



Nurse: "Mr. Delfino? Are you okay?"



Mike: "I'm fine."



Nurse: "You can't just discharge a patient without permission!"



Susan: "Oh, but you--I was just trying to help him remember. Tell her, Mike. We were, we were making progress."



Mike: "Take me back to the hospital."



Susan: "Oh, Mike!"



Mike is wheeled back into the van and Edie comes over to Susan.



Edie: "Well, at the risk of stating the obvious, it's over. He's mine now."



Susan: "No, no, no, no! No, no, this, this is not how this ends. No, evil does not triumph over good."



Edie: "That's how you see me?"



Susan: "Damn straight! You lie, you cheat, you scheme! You ruin peoples' relationships! I mean, how do you sleep at night?"



Edie: "Soon with Mike on top of me, if you know what I mean."



Susan: "See? Evil! Evil! "



Edie: "Has it ever occurred to you that maybe Mike and I are meant to end up together?"



Susan: "No! You, Mike? You don't even want him! You're just doing this to hurt me."



Edie: "Wow. How self-absorbed can you be? I have had a thing for Mike since the day he moved in here, and I even backed off when he fell for your little Miss Adorable act. But he's over that. It's my turn now, and I will be better for him than you ever were. And if you do get hurt, well, that's just gravy. All right, maybe that was a little evil."



Police Station



The coroner comes up to the detective.



Detective Ridley: "Finally."



Coroner: "Sorry it took so long. That last digit was barely legible. I thought you'd like to do the honors."



He hands him a piece of paper with a number on it. The detective dials the number and a machine picks up.



Mike's Voice: "You've reached Mike Delfino Plumbing. Please leave a message after the beep."



Susan's Porch - Nighttime



Julie is sitting on the porch, typing on her laptop. Austin comes up and tosses a paper with a big 'D-' written on it.



Julie: "Whoa, a D-minus. That blows."



Austin: "Yeah, it does, especially since it's not the one we did together. You e-mailed me the wrong paper."



Julie: "You didn't even read it before you turned it in?"



Austin: "I didn't think I had to! The one you wrote that night was great."



Julie: "Well, after you left, I decided I really should put it in your words."



Austin: "Is this some weird chick thing you did 'cause you're into me?"



Julie: "Oh, please."



Austin: "No, no. No, it is. You're, uh, pissed 'cause I hooked up with your friend."



Julie: "No, I'm pissed because you told me some sob story so I'd write your paper for you. Now, you owe me fifteen bucks."



Austin: "You know what? Here. Oh, and, uh, I did learn something. Iago betrayed Othello because he was jealous."



Bree's House



Bree and Orson are in the kitchen preparing dinner when Danielle walks in.



Bree: "Oh, Danielle, I thought you'd be with Mr. Faladi tonight."



Danielle: "Oh, you'll be happy to know he dumped me."



Bree: "He dumped you?"



Danielle: "Said it was getting too messy, that I was gonna complicate his divorce. Don't pretend you're sorry."



Bree: "I don't plan to.



Orson: "Well, I hope this doesn't make history class too awkward."



Danielle: "Oh, you don't have to worry about that. I went to the principal and got his ass fired, and then when he called to yell at me for squealing on him, I recorded the call and sent a tape of it to his wife. Thanks to me, he'll be getting nothing in this divorce."



She leaves.



Orson: "Well, I must say that was rather underhanded."



Bree: "Yes. I wonder where she gets it."



Lynette's House



Tom is saying goodbye to Kayla at Nora's apartment.



Kayla: "Bye, Daddy."



Tom: "Bye, my chipmunk. I'll see you guys next Friday, okay?"



Kayla runs off. Tom starts to leave.



Nora: "Kayla said that you're opening a pizza place."



Tom: "Well, maybe. I mean, it's not a done deal yet."



Nora: "Ah, Lynette put the kibosh on it, huh?"



Tom: "What makes you say that?"



Nora: "Well, you know. Lynette."



Tom: "She's probably right. I mean, there's a bunch of dumb schmucks out there trying to open a restaurant, so..."



Nora: "You know, Tom, I've tasted your pizza, and I have to be perfectly honest with you. It was like I died and went to Italy."



Tom: "Really?"



Nora: "Oh, my God. You are born to do this, and I just hate to see you give it up, because, well, man, this is none of my business, but Lynette does bully you sometimes."



Tom: "She doesn't mean to."



Nora: "Then don't let her! You go to the mat on this one. She will respect you a lot more if you grow a pair. I'm not trying to insult you. All I'm saying is that I know what you're capable of and I believe in you."



Tom: "I really needed to hear that. Thanks."



"Sabotage. Everyone is capable of it, but some go about it more ruthlessly than others."



Bree's House



"Like the ones who crave vengeance..."



Danielle lies in bed, smiling.



Hospital - Mike's Room



"...or the ones who hunger for love..."



Edie kisses Mike on the forehead.



Gabrielle's House



"...or the ones who are determined to burn bridges."



Gabrielle lies in bed, awake, with Jason asleep beside her.



Nora's Apartment



Nora tucks Kayla into bed.



"And then there are those who simply want something."



Kayla: "I wish daddy lived here so he could tuck me in, too."



"Something that belongs to someone else."



Nora: "I'm working on it, piglet."



She kisses Kayla's hand.



Nora: "Momma's working on it."



~ The End ~

关键字:绝望主妇第三季

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