spectacle, though not exactly what Prince Alexis wished, was
comical enough to
divert the company immensely.
But the close of the
performance was not upon the programme. The
impatient bear, getting no nearer his
goblet, hugged the man
violently with the other paw,
striking his claws through the thin
shirt. The dance-measure was lost; the legs of the two tangled,
and they fell to the floor, the bear undermost. With a growl of
rage and
disappointment, he brought his teeth together through the
man's arm, and it might have fared badly with the latter, had not
the
goblet been refilled by some one and held to the animal's nose.
Then, releasing his hold, he sat up again, drank another bottle,
and staggered out of the hall.
Now the health of Prince Alexis was drunk,--by the guests on the
floor of the hall in Champagne, by those in the galleries in
kislischi and hydromel. The
orchestra played; a choir of
serfs sang an ode by Simon Petrovitch, in which the
departure of
Prince Boris was mentioned; the tumblers began to
posture; the
jugglers came forth and played their tricks; and the
cannon on the
ramparts announced to all Kinesma, and far up and down the Volga,
that the company were rising from the table.
Half an hour later, the great red slumber-flag floated over the
castle. All slept,--except the serf with the wounded arm, the
nervous Grand Marshal, and Simon Petrovich with his band of
dramatists, guarded by the indefatigable Sasha. All others
slept,--and the curious crowd outside, listening to the music,
stole
silently away; down in Kinesma, the mothers ceased to scold
their children, and the merchants whispered to each other in the
bazaar; the captains of vessels floating on the Volga directed
their men by gestures; the
mechanics laid aside
hammer and axe, and
lighted their pipes. Great silence fell upon the land, and
continued
unbroken so long as Prince Alexis and his guests slept
the sleep of the just and the tipsy.
By night, however, they were all awake and
busily preparing for the
diversions of the evening. The ball-room was illuminated by
thousands of wax-lights, so connected with inflammable threads,
that the wicks could all be kindled in a moment. A pyramid of tar-
barrels had been erected on each side of the castle-gate, and every
hill or mound on the opposite bank of the Volga was similarly
crowned. When, to a
stately march,--the musicians blowing their
loudest,--Prince Alexis and Princess Martha led the way to the
ball-room, the signal was given: candles and tar-barre]s burst
into flame, and not only within the castle, but over the landscape
for five or six versts, around everything was bright and clear in
the fiery day. Then the noises of Kinesma were not only permitted,
but encouraged. Mead and qvass flowed in the very streets, and
the castle trumpets could not be heard for the sound of troikas
and balalaikas.
After the Polonaise, and a few
stately minuets, (copied from the
court of Elizabeth), the company were ushered into the theatre.
The hour of Simon Petrovitch had struck: with the inspiration
smuggled to him by Prince Boris, he had arranged a
performancewhich he felt to be his
masterpiece. Anxiety as to its reception
kept him sober. The overture had ceased, the spectators were all
in their seats, and now the curtain rose. The
background was a
growth of
enormous,
sickly toad-stools,
supposed to be clouds. On
the stage stood a girl of eighteen, (the handsomest in Kinesma), in
hoops and satin
petticoat, powdered hair, patches, and high-heeled
shoes. She held a fan in one hand, and a bunch of marigolds in the
other. After a deep and
graceful curtsy to the company, she came
forward and said,--
"I am the
goddess Venus. I have come to Olympus to ask some
questions of Jupiter."
Thunder was heard, and a car rolled upon the stage. Jupiter sat
therein, in a blue coat, yellow vest, ruffled shirt and three-
cornered hat. One hand held a bunch of thunderbolts, which he
occasionally lifted and shook; the other, a gold-headed cane.
"Here am, I Jupiter," said he; "what does Venus desire?"