And, in
grateful orisons,
Your blest fortune praise ye!
Be each
virtue of the mind
To thy service given!
Virgin, mother, be thou kind!
Goddess, queen of heaven!
CHORUS MYSTICS.
Each thing of
mortal birth
Is but a type
What was of
feeble worth
Here becomes ripe.
What was a mystery
Here meets the eye;
The ever-womanly
Draws us on high.
(Finis.)
-----
FROM IPHIGENIA IN TAURIS.
ACT IV. SCENE 5.
SONG OF THE FATES.
YE children of
mortals
The deities dread!
The
mastery hold they
In hands all-eternal,
And use them, unquestioned,
What manner they like.
Let him fear them doubly,
Whom they have uplifted!
On cliffs and on clouds, oh,
Round tables all-golden,
he seats are made ready.
When rises contention,
The guests are humid downwards
With shame and dishonor
To deep depths of midnight,
And
vainly await they,
Bound fast in the darkness,
A just condemnation.
But they remain ever
In
firmness unshaken
Round tables all-golden.
On
stride they from mountain
To mountain far distant:
From out the abysses'
Dark jaws, the
breath rises
Of
torment-choked Titans
Up tow'rds them, like incense
In light clouds ascending.
The rulers im
mortalAvert from whole peoples
Their blessing-fraught glances,
And shun, in the children,
To trace the once cherish'd,
Still,
eloquent features
Their ancestors wore.
Thus chanted the Parae;
The old man, the banish'd,
In
gloomy vault lying,
Their song overheareth,
Sons, grandsons remembereth,
And shaketh his head.
-----
FROM GOTZ VON BERLICHINGEN.
ACT II.
LIEBETRAUT plays and sings.
HIS bow and dart bearing,
And torch
brightly flaring,
Dan Cupid on flies;
With
victory laden,
To
vanquish each maiden
He roguishly tries.
Up! up!
On! on!
His arms
rattle loudly,
His wings
rustleproudly,
And flames fill his eyes.
Then finds he each bosom
Defenseless and bare;
They
gladly receive him
And
welcome him there.
The point of his arrows
He lights in the glow;
They clasp him and kiss him
And fondle him so.
He e o! Pap!
FROM EGMONT.
ACT I.
CLARA winds a skein, and sings with Brackenburg.
THE drum gives the signal!
Loud rings the
shrill fife!
My love leads his troops on
Full arm'd for the strife,
While his hand grasps his lance
As they
proudly advance.
My bosom pants wildly!
My blood hotly flows!
Oh had I a doublet,
A
helmet, and hose!
Through the gate with bold
footstepI after him hied,--
Each
province, each country
Explored by his side.
The
coward foe trembled
Then
rattled our shot:
What bliss e'er resembled
A soldier's glad lot!
ACT III.
CLARA sings.
Gladness
And sadness
And pensiveness blending
Yearning
And burning
In
torment ne'er ending;
Sad unto death,
Proudly soaring above;
Happy alone
Is the soul that doth love!
FROM "WILHELM MEISTER'S APPRENTICESHIP."
BOOK II., CHAP. XIII.
WHO never eat with tears his bread,
Who never through night's heavy hours
Sat
weeping on his
lonely bed,--
He knows you not, ye
heavenly powers!
Through you the paths of life we gain,
Ye let poor
mortals go astray,
And then
abandon them to pain,--
E'en here the
penalty we pay,
-----
WHO gives himself to solitude,
Soon
lonely will remain;
Each lives, each loves in
joyous mood,
And leaves him to his pain.
Yes! leave me to my grief!
Were solitude's relief
E'er granted me,
Alone I should not be.
A lover steals, on
footstep light,
To learn if his love's alone;
Thus o'er me steals, by day and night,
Anguish before unknown,
Thus o'er me steals deep grief.
Ah, when I find relief
Within the tomb so
lonely,
Will rest be met with only!
-----
BOOK IV., CHAP. XI.
My grief no
mortals know,
Except the yearning!
Alone, a prey to woe,
All pleasure spurning,
Up tow'rds the sky I throw
A gaze discerning.
He who my love can know
Seems ne'er returning;
With strange and fiery glow
My heart is burning.
My grief no
mortals know,
Except the yearning!
-----
BOOK V., CHAP. X.
SING no more in
mournful tones
Of the
loneliness of night;
For 'tis made, ye
beauteous ones,
For all social pleasures bright.
As of old to man a wife
As his better half was given,
So the night is half our life,
And the fairest under heaven.
How can ye enjoy the day,
Which obstructs our rapture's tide?
Let it waste itself away;
Worthless 'tis for aught beside.
But when in the darkling hours
From the lamp soft rays are glowing,
And from mouth to mouth sweet showers,
Now of jest, now love, are flowing,--
When the
nimble,
wanton boy,
Who so wildly spends his days,
Oft amid light sports with joy
O'er some
trifling gift delays,?
When the
nightingale is singing
Strains the lover holds so dear,
Though like sighs and wailings ringing
In the
mournful captive's ear,--
With what heart-emotion blest
Do ye
hearken to the bell,
Wont of safety and of rest
With twelve
solemn strokes to tell!
Therefore in each heavy hour,
Let this
precept fill your heart:
O'er each day will sorrow loud,
Rapture ev'ry night impart.
-----
EPILOGUE TO SCHILLER'S "SONG OF THE BELL."
[This fine piece, written
originally in 1805, on Schiller's
death, was altered and recast by Goethe in 1815, on the occasion
of the
performance on the stage of the Song of the Bell. Hence
the
allusion in the last verse.]
To this city joy reveal it!
Peace as its first signal peal it!