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There are songs all written out in my soul, which I could read, if

the flash might pass through them, - but the fire must come down
from heaven. Ah! but what if the stormy NIMBUS of youthful passion

has blown by, and one asks for lightning from the ragged CIRRUS of
dissolving aspirations, or the silvered CUMULUS of sluggish

satiety? I will call on her whom the dead poets believed in, whom
living ones no longer worship, - the immortal maid, who, name her

what you will, - Goddess, Muse, Spirit of Beauty, - sits by the
pillow of every youthful poet, and bends over his pale forehead

until her tresses lie upon his cheek and rain their gold into his
dreams.

MUSA.
O MY lost Beauty! - hast thou folded quite

Thy wings of morning light
Beyond those iron gates

Where Life crowds hurrying to the haggard Fates,
And Age upon his mound of ashes waits

To chill our fiery dreams,
Hot from the heart of youth plunged in his icy streams?

Leave me not fading in these weeds of care,
Whose flowers are silvered hair! -

Have I not loved thee long,
Though my young lips have often done thee wrong

And vexed thy heaven-tuned ear with careless song?
Ah, wilt thou yet return,

Bearing thy rose-hued torch, and bid thine altar burn?
Come to me! - I will flood thy silent shine

With my soul's sacred wine,
And heap thy marble floors

As the wild spice-trees waste their fragrant stores
In leafy islands walled with madrepores

And lapped in Orient seas,
When all their feathery palm toss, plume-like, in the breeze.

Come to me! - thou shalt feed on honied words,
Sweeter than song of birds; -

No wailing bulbul's throat,
No melting dulcimer's melodious note,

When o'er the midnight wave its murmurs float,
Thy ravished sense might soothe

With flow so liquid-soft, with strain so velvet-smooth.
Thou shalt be decked with jewels, like a queen,

Sought in those bowers of green
Where loop the clustered vines

And the close-clinging dulcamara twines, -
Pure pearls of Maydew where the moonlight shines,

And Summer's fruited gems,
And coral pendants shorn from Autumn's berried stems.

Sit by me drifting on the sleepy waves, -
Or stretched by grass-grown graves,

Whose gray, high-shouldered stones,
Carved with old names Life's time-worn roll disowns,

Lean, lichen-spotted, o'er the crumbled bones
Still slumbering where they lay

While the sad Pilgrim watched to scare the wolf away.
Spread o'er my couch thy visionary wing!

Still let me dream and sing, -
Dream of that winding shore

Where scarlet cardinals bloom, - for me no more, -
The stream with heaven beneath its liquid floor,

And clustering nenuphars
Sprinkling its mirrored blue like golden-chaliced stars!

Come while their balms the linden-blossoms shed! -
Come while the rose is red, -

While blue-eyed Summer smiles
On the green ripples round you sunken piles

Washed by the moon-wave warm from Indian isles,
And on the sultry air

The chestnuts spread their palms like holy men in prayer!
Oh, for thy burning lips to fire my brain

With thrills of wild sweet pain! -
On life's autumnal blast,

Like shrivelled leaves, youth's, passion-flowers are cast, -
Once loving thee, we love thee to the last! -

Behold thy new-decked shrine,
And hear once more the voice that breathed "Forever thine!"

CHAPTER XI.
[THE company looked a little flustered one morning when I came in,

- so much so, that I inquired of my neighbor, the divinity-
student,) what had been going on. It appears that the young fellow

whom they call John had taken advantage of my being a little late
(I having been rather longer than usual dressing that morning) to

circulate several questions involving a quibble or play upon words,
- in short, containing that indignity to the human understanding,

condemned in the passages from the distinguished moralist of the
last century and the illustrioushistorian of the present, which I

cited on a former occasion, and known as a PUN. After breakfast,
one of the boarders handed me a small roll of paper containing some

of the questions and their answers. I subjoin two or three of
them, to show what a tendency there is to frivolity and meaningless

talk in young persons of a certain sort, when not restrained by the
presence of more reflective natures. - It was asked, "Why tertian

and quartan fevers were like certain short-lived insects." Some
interesting physiological relation would be naturally suggested.

The inquirer blushes to find that the answer is in the paltry
equivocation, that they SKIP a day or two. - "Why an Englishman

must go to the Continent to weaken his grog or punch." The answer
proves to have no relation whatever to the temperance-movement, as

no better reason is given than that island- (or, as it is absurdly
written, ILE AND) water won't mix. - But when I came to the next

question and its answer, I felt that patience ceased to be a
virtue. "Why an onion is like a piano" is a query that a person of

sensibility would be slow to propose; but that in an educated
community an individual could be found to answer it in these words,

- "Because it smell odious," QUASI, it's melodious, - is not
credible, but too true. I can show you the paper.

Dear reader, I beg your pardon for repeating such things. I know
most conversations reported in books are altogether above such

trivial details, but folly will come up at every table as surely as
purslain and chickweed and sorrel will come up in gardens. This

young fellow ought to have talked philosophy, I know perfectly
well; but he didn't, - he made jokes.]

I am willing, - I said, - to exercise your ingenuity in a rational
and contemplative manner. - No, I do not proscribe certain forms of

philosophical speculation which involve an approach to the absurd
or the ludicrous, such as you may find, for example, in the folio

of the Reverend Father Thomas Sanchez, in his famous Disputations,
"De Sancto Matrimonio." I will therefore turn this levity of yours

to profit by reading you a rhymed problem, wrought out by my friend
the Professor.

THE DEACON'S MASTERPIECE:
OR THE WONDERFUL "ONE-HOSS-SHAY."

A LOGICAL STORY.
HAVE you heard of the wonderful one-shay,

That was built in such a logical way
It ran a hundred years to a day,

And then, of a sudden, it - ah, but stay,
I'll tell you what happened without delay,

Scaring the parson into fits,
Frightening people out of their wits, -

Have you ever heard of that, I say?
Seventeen hundred and fifty-five.

GEORGIUS SECUNDUS was then alive, -
Snuffy old drone from the German hive.

That was the year when Lisbon-town
Saw the earth open and gulp her down,

And Braddock's army was done so brown,
Left without a scalp to its crown.

It was on the terrible Earthquake-day
That the Deacon finished the one-hoss-shay.

Now in building of chaises, I tell you what,
There is always SOMEWHERE a weakest spot, -

In hub, tire, felloe, in spring or thill,
In panel, or crossbar, or floor, or sill,

In screw, bolt, thoroughbrace, - lurking still
Find it somewhere you must and will, -

Above or below, or within or without, -
And that's the reason, beyond a doubt,

A chaise BREASTS DOWN, but doesn't WEAR OUT.
But the Deacon swore (as Deacons do,

With an "I dew vum," or an "I tell YEOU,")
He would build one shay to beat the taown

'n' the keounty 'n' all the kentry raoun';
It should be so built that it COULDN' break daown -

- "Fur," said the Deacon, "'t's mighty plain
Thut the weakes' place mus' stan the strain;

'n' the way t' fix it, uz I maintain,
Is only jest

T' make that place uz strong uz the rest."
So the Deacon inquired of the village folk

Where he could find the strongest oak,
That couldn't be split nor bent nor broke, -

That was for spokes and floor and sills;
He sent for lancewood to make the thills;

The crossbars were ash, from the straightest trees;
The panels of white-wood, that cuts like cheese,

But lasts like iron for things like these;
The hubs of logs from the "Settler's ellum," -

Last of its timber, - they couldn't sell 'em,
Never an axe had seen their chips,

And the wedges flew from between their lips,
Their blunt ends frizzled like celery-tips;

Step and prop-iron, bolt and screw,
Spring, tire, axle, and linchpin too,

Steel of the finest, bright and blue;
Thoroughbrace bison-skin, thick and wide;

Boot, top, dasher, from tough old hide
Found in the pit when the tanner died.

That was the way he "put her through." -
"There!" said the Deacon, "naow she'll dew."

Do! I tell you, I father guess
She was a wonder, and nothing less!

Colts grew horses, beards turned gray,
Deacon and deaconess dropped away,

Children and grand-children - where were they?
But there stood the stout old one-hoss-shay

As fresh as on Lisbon-earthquake-day!
EIGHTEEN HUNDRED; - it came and found

The Deacon's Masterpiece strong and sound.
Eighteen hundred increased by ten; -

"Hahnsum kerridge" they called it then.
Eighteen hundred and twenty came; -

Running as usual; much the same.
Thirty and forty at last arrive,

And then come fifty, and FIFTY-FIVE.
Little of all we value here

Wakes on the morn of its hundredth year
Without both feeling and looking queer.

In fact, there's nothing that keeps its youth,
So far as I know, but a tree and truth.

(This is a moral that runs at large;
Take it. - You're welcome. - No extra charge.)



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