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cannot help hating the sight of these people, just as we do that of

physical deformities, we gradually eliminate them from our society,
- we love them, but open the window and let them go. By the time

decent people reach middle age they have weeded their circle pretty
well of these unfortunates, unless they have a taste for such

animals; in which case, no matter what their position may be, there
is something, you may be sure, in their natures akin to that of

their wretched parasites.
- The divinity-student wished to know what I thought of affinities,

as well as of antipathies; did I believe in love at first sight?
Sir, - said I, - all men love all women. That is the PRIMA-FACIE

aspect of the case. The Court of Nature assumes the law to be,
that all men do so; and the individual man is bound to show cause

why he does not love any particular woman. A man, says one of my
old black-letter law-books, may show divers good reasons, as thus:

He hath not seen the person named in the indictment; she is of
tender age, or the reverse of that; she hath certain personal

disqualifications, - as, for instance, she is a blackamoor, or hath
an ill-favored countenance; or, his capacity of loving being

limited, his affections are engrossed by a previous comer; and so
of other conditions. Not the less is it true that he is bound by

duty and inclined by nature to love each and every woman.
Therefore it is that each woman virtually summons every man to show

cause why he doth not love her. This is not by written document,
or direct speech, for the most part, but by certain signs of silk,

gold, and other materials, which say to all men, - Look on me and
love, as in duty bound. Then the man pleadeth his special

incapacity, whatsoever that may be, - as, for instance,
impecuniosity, or that he hath one or many wives in his household,

or that he is of mean figure, or small capacity; of which reasons
it may be noted, that the first is, according to late decisions, of

chiefest authority. - So far the old law-book. But there is a note
from an older authority, saying that every woman doth also love

each and every man, except there be some good reason to the
contrary; and a very observing friend of mine, a young unmarried

clergyman, tells me, that, so far as his experience goes, he has
reason to think the ancient author had fact to justify his

statement.
I'll tell you how it is with the pictures of women we fall in love

with at first sight.
- We a'n't talking about pictures, - said the landlady's daughter,

- we're talking about women.
I understood that we were speaking of love at sight, - I remarked,

mildly. - Now, as all a man knows about a woman whom he looks at is
just what a picture as big as a copper, or a "nickel," rather, at

the bottom of his eye can teach him, I think I am right in saying
we are talking about the pictures of women. - Well, now, the reason

why a man is not desperately in love with ten thousand women at
once is just that which prevents all our portraits being distinctly

seen upon that wall. They all ARE painted there by reflection from
our faces, but because ALL of them are painted on each spot, and

each on the same surface, and many other objects at the same time,
no one is seen as a picture. But darken a chamber and let a single

pencil of rays in through a key-hole, then you have a picture on
the wall. We never fall in love with a woman in distinction from

women, until we can get an image of her through a pin-hole; and
then we can see nothing else, and nobody but ourselves can see the

image in our mental camera-obscura.
- My friend, the Poet, tells me he has to leave town whenever the

anniversaries come round.
What's the difficulty? - Why, they all want him to get up and make

speeches, or songs, or toasts; which is just the very thing he
doesn't want to do. He is an old story, he says, and hates to show

on these occasions. But they tease him, and coax him, and can't do
without him, and feel all over his poor weak head until they get

their fingers on the FONTANELLE, (the Professor will tell you what
this means, - he says the one at the top of the head always remains

open in poets,) until, by gentle pressure on that soft pulsating
spot, they stupefy him to the point of acquiescence.

There are times, though, he says, when it is a pleasure, before
going to some agreeable meeting, to rush out into one's garden and

clutch up a handful of what grows there, - weeds and violets
together, - not cutting them off, but pulling them up by the roots

with the brown earth they grow in sticking to them. That's his
idea of a post-prandial performance. Look here, now. These verses

I am going to read you, he tells me, were pulled up by the roots
just in that way, the other day. - Beautiful entertainment, - names

there on the plates that flow from all English-speaking tongues as
familiarly as AND or THE; entertainers known wherever good poetry

and fair title-pages are held in esteem; guest a kind-hearted,
modest, genial, hopeful poet, who sings to the hearts of his

countrymen, the British people, the songs of good cheer which the
better days to come, as all honest souls trust and believe, will

turn into the prose of common life. My friend, the Poet, says you
must not read such a string of verses too literally. If he trimmed

it nicely below, you wouldn't see the roots, he says, and he likes
to keep them, and a little of the soil clinging to them.

This is the farewell my friend, the Poet, read to his and our
friend, the Poet:-

A GOOD TIME GOING!
BRAVE singer of the coming time,

Sweet minstrel of the joyous present,
Crowned with the noblest wreath of rhyme,

The holly-leaf of Ayrshire's peasant,
Good-bye! Good-bye! - Our hearts and hands,

Our lips in honest Saxon phrases,
Cry, God be with him, till he stands

His feet among the English daisies!
'Tis here we part; - for other eyes

The busy deck, the flattering streamer,
The dripping arms that plunge and rise,

The waves in foam, the ship in tremor,
The kerchiefs waving from the pier,

The cloudy pillar gliding o'er him,
The deep blue desert, lone and drear,

With heaven above and home before him!
His home! - the Western giant smiles,

And twirls the spotty globe to find it; -
This little speck the British Isles?

'Tis but a freckle, - never mind it! -
He laughs, and all his prairies roll,

Each gurgling cataract roars and chuckles,
And ridges stretched from pole to pole

Heave till they crack their iron knuckles!
But memory blushes at the sneer,

And Honor turns with frown defiant,
And Freedom, leaning on her spear,

Laughs louder than the laughing giant:-
"An islet is a world," she said,

"When glory with its dust has blended,
And Britain kept her noble dead

Till earth and seas and skies are rended!"
Beneath each swinging forest-bough

Some arm as stout in death reposes, -
From wave-washed foot to heaven-kissed brow

Her valor's life-blood runs in roses;
Nay, let our brothers of the West

Write smiling in their florid pages,
One-half her soil has walked the rest

In poets, heroes, martyrs, sages!
Hugged in the clinging billow's clasp,

From sea-weed fringe to mountain heather,
The British oak with rooted grasp

Her slenderhandful holds together; -
With cliffs of white and bowers of green,

And Ocean narrowing to caress her,
And hills and threaded streams between, -

Our little mother isle, God bless her!
In earth's broad temple where we stand,

Fanned by the eastern gales that brought us,
We hold the missal in our hand,

Bright with the lines our Mother taught us;
Where'er its blazoned page betrays

The glistening links of gilded fetters,
Behold, the half-turned leaf displays

Her rubric stained in crimson letters!
Enough! To speed a parting friend

'Tis vain alike to speak and listen; -
Yet stay, - these feeble accents blend

With rays of light from eyes that glisten.
Good-bye! once more, - and kindly tell

In words of peace the young world's story, -
And say, besides, - we love too well

Our mother's soil, our father's glory!
When my friend, the Professor, found that my friend, the Poet, had

been coming out in this full-blown style, he got a little excited,
as you may have seen a canary, sometimes, when another strikes up.

The Professor says he knows he can lecture, and thinks he can write
verses. At any rate, he has often tried, and now he was determined

to try again. So when some professional friends of his called him
up, one day, after a feast of reason and a regular "freshet" of

soul which had lasted two or three hours, he read them these
verses. He introduced them with a few remarks, he told me, of

which the only one he remembered was this: that he had rather
write a single line which one among them should think worth

remembering than set them all laughing with a string of epigrams.
It was all right, I don't doubt; at any rate, that was his fancy

then, and perhaps another time he may be obstinately hilarious;
however, it may be that he is growing graver, for time is a fact so

long as clocks and watches continue to go, and a cat can't be a
kitten always, as the old gentleman opposite said the other day.

You must listen to this seriously, for I think the Professor was
very much in earnest when he wrote it.

THE TWO ARMIES.
As Life's unending column pours,

Two marshalled hosts are seen,-
Two armies on the trampled shores

That Death flows black between.
One marches to the drum-beat's roll,

The wide-mouthed clarion's bray,
And bears upon a crimson scroll,

"Our glory is to slay."
One moves in silence by the stream,

With sad, yet watchful eyes,
Calm as the patient planet's gleam

That walks the clouded skies.
Along its front no sabres shine,

No blood-red pennons wave;
Its banner bears the single line,

"Our duty is to save."
For those no death-bed's lingering shade;

At Honor's trumpet-call,
With knitted brow and lifted blade

In Glory's arms they fall.
For these no clashing falchions bright,

No stirring battle-cry;
The bloodless stabber calls by night, -

Each answers, "Here am I!"
For those the sculptor's laurelled bust,

The builder's marble piles,
The anthems pealing o'er their dust



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