the Prado to me, with her cap and the little black silk apron on,
and with that marked
personality of her own, which had been
concealed so
perfectly in the dowdy walking dress, very much to the
fore.
"I have given Madame the message," she said in her
contained voice,
swinging the door wide open. Then after relieving me of my hat and
coat she announced me with the simple words: "Voile Monsieur," and
hurried away. Directly I appeared Dona Rita, away there on the
couch, passed the tips of her fingers over her eyes and
holding her
hands up palms outwards on each side of her head, shouted to me
down the whole length of the room: "The dry season has set in." I
glanced at the pink tips of her fingers perfunctorily and then drew
back. She let her hands fall negli
gently as if she had no use for
them any more and put on a serious expression.
"So it seems," I said, sitting down opposite her. "For how long, I
wonder."
"For years and years. One gets so little
encouragement. First you
bolt away from my tears, then you send an impertinent message, and
then when you come at last you
pretend to
behave respectfully,
though you don't know how to do it. You should sit much nearer the
edge of the chair and hold yourself very stiff, and make it quite
clear that you don't know what to do with your hands."
All this in a
fascinating voice with a
ripple of badinage that
seemed to play upon the sober surface of her thoughts. Then seeing
that I did not answer she altered the note a bit.
"Amigo George," she said, "I take the trouble to send for you and
here I am before you, talking to you and you say nothing."
"What am I to say?"
"How can I tell? You might say a thousand things. You might, for
instance, tell me that you were sorry for my tears."
"I might also tell you a thousand lies. What do I know about your
tears? I am not a
susceptible idiot. It all depends upon the
cause. There are tears of quiet happiness. Peeling onions also
will bring tears."
"Oh, you are not
susceptible," she flew out at me. "But you are an
idiot all the same."
"Is it to tell me this that you have written to me to come?" I
asked with a certain animation.
"Yes. And if you had as much sense as the talking
parrot I owned
once you would have read between the lines that all I wanted you
here for was to tell you what I think of you."
"Well, tell me what you think of me."
"I would in a moment if I could be half as impertinent as you are."
"What
unexpected modesty," I said.
"These, I suppose, are your sea manners."
"I wouldn't put up with half that
nonsense from anybody at sea.
Don't you remember you told me yourself to go away? What was I to
do?"
"How
stupid you are. I don't mean that you
pretend. You really
are. Do you understand what I say? I will spell it for you. S-t-
u-p-i-d. Ah, now I feel better. Oh, amigo George, my dear fellow-
conspirator for the king - the king. Such a king! Vive le Roi!
Come, why don't you shout Vive le Roi, too?"
"I am not your
parrot," I said.
"No, he never sulked. He was a
charming, good-mannered bird,
accustomed to the best society,
whereas you, I suppose, are nothing
but a heartless
vagabond like myself."
"I daresay you are, but I suppose nobody had the
insolence to tell
you that to your face."
"Well, very nearly. It was what it amounted to. I am not
stupid.
There is no need to spell out simple words for me. It just came
out. Don Juan struggled
desperately to keep the truth in. It was
most
pathetic. And yet he couldn't help himself. He talked very
much like a
parrot."
"Of the best society," I suggested.
"Yes, the most
honourable of
parrots. I don't like
parrot-talk.
It sounds so
uncanny. Had I lived in the Middle Ages I am certain
I would have believed that a talking bird must be possessed by the
devil. I am sure Therese would believe that now. My own sister!
She would cross herself many times and simply quake with terror."
"But you were not terrified," I said. "May I ask when that
interesting
communication took place?"
"Yesterday, just before you blundered in here of all days in the
year. I was sorry for him."
"Why tell me this? I couldn't help noticing it. I regretted I
hadn't my
umbrella with me."
"Those unforgiven tears! Oh, you simple soul! Don't you know that
people never cry for anybody but themselves? . . . Amigo George,
tell me - what are we doing in this world?"
"Do you mean all the people, everybody?"
"No, only people like you and me. Simple people, in this world
which is eaten up with charlatanism of all sorts so that even we,
the simple, don't know any longer how to trust each other."
"Don't we? Then why don't you trust him? You are dying to do so,
don't you know?"
She dropped her chin on her breast and from under her straight
eyebrows the deep blue eyes remained fixed on me, impersonally, as
if without thought.
"What have you been doing since you left me yesterday?" she asked.
"The first thing I remember I abused your sister
horribly this
morning."
"And how did she take it?"
"Like a warm
shower in spring. She drank it all in and unfolded
her petals."
"What
poetical expressions he uses! That girl is more perverted
than one would think possible,
considering what she is and whence
she came. It's true that I, too, come from the same spot."
"She is
slightly crazy. I am a great favourite with her. I don't
say this to boast."
"It must be very comforting."
"Yes, it has cheered me
immensely. Then after a morning of
delightful musings on one thing and another I went to lunch with a
charming lady and spent most of the afternoon talking with her."
Dona Rita raised her head.
"A lady! Women seem such
mysterious creatures to me. I don't know
them. Did you abuse her? Did she - how did you say that? - unfold
her petals, too? Was she really and truly . . .?"
"She is simply
perfection in her way and the conversation was by no
means banal. I fancy that if your late
parrot had heard it, he
would have fallen off his perch. For after all, in that Allegre
Pavilion, my dear Rita, you were but a crowd of glorified
bourgeois."
She was
beautifullyanimated now. In her
motionless blue eyes like
melted sapphires, around those red lips that almost without moving
could breathe enchanting sounds into the world, there was a play of
light, that
mysteriousripple of
gaiety that seemed always to run
and
faintlyquiver under her skin even in her gravest moods; just
as in her rare moments of
gaiety its
warmth and
radiance seemed to
come to one through
infinitesadness, like the
sunlight of our life
hiding the invincible darkness in which the
universe must work out
its impenetrable destiny.
"Now I think of it! . . . Perhaps that's the reason I never could
feel
perfectly serious while they were demolishing the world about
my ears. I fancy now that I could tell
beforehand what each of
them was going to say. They were repeating the same words over and
over again, those great clever men, very much like
parrots who also