encouraging report."
"These flights are well known," muttered Mr. Blunt. "You shall see
her all right."
"Yes. They told me that you . . . "
I broke in: "You mean to say that you expect a woman to arrange
that sort of thing for you?"
"A
trifle, for her," Mr. Blunt remarked
indifferently" target="_blank" title="ad.不关心地;冷淡地">
indifferently. "At that
sort of thing women are best. They have less scruples."
"More audacity," interjected Mr. Mills almost in a whisper.
Mr. Blunt kept quiet for a moment, then: "You see," he addressed
me in a most
refined tone, "a mere man may suddenly find himself
being kicked down the stairs."
I don't know why I should have felt shocked by that statement. It
could not be because it was
untrue. The other did not give me time
to offer any remark. He inquired with
extremepoliteness what did
I know of South American
republics? I confessed that I knew very
little of them. Wandering about the Gulf of Mexico I had a look-in
here and there; and
amongst others I had a few days in Haiti which
was of course
unique, being a negro
republic. On this Captain
Blunt began to talk of negroes at large. He talked of them with
knowledge,
intelligence, and a sort of
contemptuousaffection. He
generalized, he particularized about the blacks; he told anecdotes.
I was interested, a little
incredulous, and
considerably surprised.
What could this man with such a boulevardier
exterior that he
looked
positively like, an exile in a
provincial town, and with his
drawing-room manner - what could he know of negroes?
Mills, sitting silent with his air of
watchfulintelligence, seemed
to read my thoughts, waved his pipe
slightly and explained: "The
Captain is from South Carolina."
"Oh," I murmured, and then after the slightest of pauses I heard
the second of Mr. J. K. Blunt's declarations.
"Yes," he said. "Je suis Americain, catholique et gentil-homme,"
in a tone contrasting so
strongly with the smile, which, as it
were, underlined the uttered words, that I was at a loss whether to
return the smile in kind or
acknowledge the words with a grave
little bow. Of course I did neither and there fell on us an odd,
equivocal silence. It marked our final
abandonment of the French
language. I was the one to speak first, proposing that my
companions should sup with me, not across the way, which would be
riotous with more than one "infernal" supper, but in another much
more select
establishment in a side street away from the
Cannebiere. It flattered my
vanity a little to be able to say that
I had a corner table always reserved in the Salon des Palmiers,
otherwise Salon Blanc, where the
atmosphere was legitimist and
extremely decorous besides - even in Carnival time. "Nine tenths
of the people there," I said, "would be of your political opinions,
if that's an
inducement. Come along. Let's be
festive," I
encouraged them.
I didn't feel particularly
festive. What I wanted was to remain in
my company and break an
inexplicable feeling of constraint of which
I was aware. Mills looked at me
steadily with a faint, kind smile.
"No," said Blunt. "Why should we go there? They will be only
turning us out in the small hours, to go home and face insomnia.
Can you imagine anything more disgusting?"
He was smiling all the time, but his deep-set eyes did not lend
themselves to the expression of whimsical
politeness which he tried
to
achieve. He had another
suggestion to offer. Why shouldn't we
adjourn to his rooms? He had there materials for a dish of his own
invention for which he was famous all along the line of the Royal
Cavalry outposts, and he would cook it for us. There were also a
few bottles of some white wine, quite possible, which we could
drink out of Venetian cut-glass
goblets. A bivouac feast, in fact.
And he wouldn't turn us out in the small hours. Not he. He
couldn't sleep.
Need I say I was fascinated by the idea? Well, yes. But somehow I
hesitated and looked towards Mills, so much my
senior. He got up
without a word. This was
decisive; for no obscure premonition, and
of something
indefinite at that, could stand against the example of
his
tranquilpersonality.
CHAPTER II
The street in which Mr. Blunt lived presented itself to our eyes,
narrow, silent, empty, and dark, but with enough gas-lamps in it to
disclose its most
striking feature: a quantity of flag-poles
sticking out above many of its closed portals. It was the street
of Consuls and I remarked to Mr. Blunt that coming out in the
morning he could
survey the flags of all nations almost - except
his own. (The U. S. consulate was on the other side of the town.)
He mumbled through his teeth that he took good care to keep clear
of his own consulate.
"Are you afraid of the consul's dog?" I asked jocularly. The
consul's dog weighed about a pound and a half and was known to the
whole town as exhibited on the consular fore-arm in all places, at
all hours, but
mainly at the hour of the
fashionablepromenade on
the Prado.
But I felt my jest misplaced when Mills growled low in my ear:
"They are all Yankees there."
I murmured a confused "Of course."
Books are nothing. I discovered that I had never been aware before
that the Civil War in America was not printed matter but a fact
only about ten years old. Of course. He was a South Carolinian
gentleman. I was a little
ashamed of my want of tact. Meantime,
looking like the
conventionalconception of a
fashionable reveller,
with his opera-hat pushed off his
forehead, Captain Blunt was
having some slight difficulty with his latch-key; for the house
before which we had stopped was not one of those many-storied
houses that made up the greater part of the street. It had only
one row of windows above the ground floor. Dead walls abutting on
to it indicated that it had a garden. Its dark front presented no
marked
architecturalcharacter, and in the flickering light of a
street lamp it looked a little as though it had gone down in the
world. The greater then was my surprise to enter a hall paved in
black and white
marble and in its dimness appearing of palatial
proportions. Mr. Blunt did not turn up the small
solitary gas-jet,
but led the way across the black and white
pavement past the end of
the
staircase, past a door of gleaming dark wood with a heavy
bronze handle. It gave
access to his rooms he said; but he took us
straight on to the
studio at the end of the passage.
It was rather a small place tacked on in the manner of a lean-to to
the garden side of the house. A large lamp was burning brightly
there. The floor was of mere flag-stones but the few rugs
scattered about though
extremely worn were very
costly. There was
also there a beautiful sofa upholstered in pink figured silk, an
enormous divan with many cushions, some splendid arm-chairs of
various shapes (but all very
shabby), a round table, and in the
midst of these fine things a small common iron stove. Somebody
must have been attending it
lately, for the fire roared and the
warmth of the place was very
grateful after the bone-searching cold
blasts of mistral outside.
Mills without a word flung himself on the divan and, propped on his
arm, gazed
thoughtfully at a distant corner where in the shadow of
a
monumental carved
wardrobe an articulated dummy without head or
hands but with
beautifully shaped limbs
composed in a shrinking
attitude, seemed to be embarrassed by his stare.
As we sat enjoying the bivouac
hospitality (the dish was really
excellent and our host in a
shabby grey
jacket still looked the
accomplished man-about-town) my eyes kept on straying towards that
corner. Blunt noticed this and remarked that I seemed to be
attracted by the Empress.
"It's disagreeable," I said. "It seems to lurk there like a shy
skeleton at the feast. But why do you give the name of Empress to
that dummy?"
"Because it sat for days and days in the robes of a Byzantine
Empress to a
painter. . . I wonder where he discovered these
priceless stuffs. . . You knew him, I believe?"
Mills lowered his head slowly, then tossed down his
throat some
wine out of a Venetian
goblet.