"John is fastidious, too," began Mrs. Blunt again. "Of course you
wouldn't suppose anything
vulgar in his resistances to a very real
sentiment. One has got to understand his
psychology. He can't
leave himself in peace. He is
exquisitelyabsurd."
I recognized the
phrase. Mother and son talked of each other in
identical terms. But perhaps "
exquisitelyabsurd" was the Blunt
family
saying? There are such
sayings in families and generally
there is some truth in them. Perhaps this old woman was simply
absurd. She continued:
"We had a most
painfuldiscussion all this morning. He is angry
with me for suggesting the very thing his whole being desires. I
don't feel
guilty. It's he who is
tormenting himself with his
infinite scrupulosity."
"Ah," I said, looking at the mangled dummy like the model of some
atrocious murder. "Ah, the fortune. But that can be left alone."
"What nonsense! How is it possible? It isn't contained in a bag,
you can't throw it into the sea. And
moreover, it isn't her fault.
I am astonished that you should have thought of that
vulgarhypocrisy. No, it isn't her fortune that cheeks my son; it's
something much more subtle. Not so much her history as her
position. He is
absurd. It isn't what has happened in her life.
It's her very freedom that makes him
torment himself and her, too -
as far as I can understand."
I suppressed a groan and said to myself that I must really get away
from there.
Mrs. Blunt was fairly launched now.
"For all his
superiority he is a man of the world and shares to a
certain
extent its current opinions. He has no power over her.
She intimidates him. He wishes he had never set eyes on her. Once
or twice this morning he looked at me as if he could find it in his
heart to hate his old mother. There is no doubt about it - he
loves her, Monsieur George. He loves her, this poor, luckless,
perfect homme du monde."
The silence lasted for some time and then I heard a murmur: "It's
a matter of the
utmostdelicacy between two beings so
sensitive, so
proud. It has to be managed."
I found myself suddenly on my feet and
saying with the
utmostpoliteness that I had to beg her
permission to leave her alone as I
had an
engagement; but she motioned me simply to sit down - and I
sat down again.
"I told you I had a request to make," she said. "I have understood
from Mr. Mills that you have been to the West Indies, that you have
some interests there."
I was astounded. "Interests! I certainly have been there," I
said, "but . . ."
She caught me up. "Then why not go there again? I am
speaking to
you
frankly because . . ."
"But, Madame, I am engaged in this affair with Dona Rita, even if I
had any interests
elsewhere. I won't tell you about the importance
of my work. I didn't
suspect it but you brought the news of it to
me, and so I needn't point it out to you."
And now we were
frankly arguing with each other.
"But where will it lead you in the end? You have all your life
before you, all your plans, prospects, perhaps dreams, at any rate
your own tastes and all your life-time before you. And would you
sacrifice all this to - the Pretender? A mere figure for the front
page of illustrated papers."'
"I never think of him," I said curtly, "but I suppose Dona Rita's
feelings, instincts, call it what you like - or only her
chivalrousfidelity to her mistakes - "
"Dona Rita's presence here in this town, her withdrawal from the
possible complications of her life in Paris has produced an
excellent effect on my son. It simplifies
infinite difficulties, I
mean moral as well as material. It's
extremely to the
advantage of
her
dignity, of her future, and of her peace of mind. But I am
thinking, of course,
mainly of my son. He is most exacting."
I felt
extremely sick at heart. "And so I am to drop everything
and vanish," I said, rising from my chair again. And this time
Mrs. Blunt got up, too, with a lofty and inflexible manner but she
didn't
dismiss me yet.
"Yes," she said
distinctly" target="_blank" title="ad.清楚地,明晰地">
distinctly. "All this, my dear Monsieur George, is
such an accident. What have you got to do here? You look to me
like somebody who would find adventures
wherever he went as
interesting and perhaps less dangerous than this one."
She slurred over the word dangerous but I picked it up.
"What do you know of its dangers, Madame, may I ask?" But she did
not
condescend to hear.
"And then you, too, have your
chivalrous feelings," she went on,
unswerving,
distinct, and
tranquil. "You are not
absurd. But my
son is. He would shut her up in a
convent for a time if he could."
"He isn't the only one," I muttered.
"Indeed!" she was startled, then lower, "Yes. That woman must be
the centre of all sorts of passions," she mused audibly. "But what
have you got to do with all this? It's nothing to you."
She waited for me to speak.
"Exactly, Madame," I said, "and
therefore I don't see why I should
concern myself in all this one way or another."
"No," she assented with a weary air, "except that you might ask
yourself what is the good of
tormenting a man of noble feelings,
however
absurd. His Southern blood makes him very violent
sometimes. I fear - " And then for the first time during this
conversation, for the first time since I left Dona Rita the day
before, for the first time I laughed.
"Do you mean to hint, Madame, that Southern gentlemen are dead
shots? I am aware of that - from novels."
I spoke looking her straight in the face and I made that exquisite,
aristocratic old woman
positively blink by my directness. There
was a faint flush on her
delicate old cheeks but she didn't move a
muscle of her face. I made her a most
respectful bow and went out
of the studio.
CHAPTER IV
Through the great
arched window of the hall I saw the hotel
brougham
waiting at the door. On passing the door of the front
room (it was
originally meant for a drawing-room but a bed for
Blunt was put in there) I banged with my fist on the panel and
shouted: "I am obliged to go out. Your mother's
carriage is at
the door." I didn't think he was asleep. My view now was that he
was aware
beforehand of the subject of the conversation, and if so
I did not wish to appear as if I had slunk away from him after the
interview. But I didn't stop - I didn't want to see him - and
before he could answer I was already half way up the stairs running
noiselessly up the thick
carpet which also covered the floor of the
landing. Therefore
opening the door of my sitting-room quickly I
caught by surprise the person who was in there watching the street
half concealed by the window curtain. It was a woman. A totally
unexpected woman. A perfect stranger. She came away quickly to
meet me. Her face was veiled and she was dressed in a dark walking
costume and a very simple form of hat. She murmured: "I had an
idea that Monsieur was in the house," raising a gloved hand to lift
her veil. It was Rose and she gave me a shock. I had never seen
her before but with her little black silk apron and a white cap
with ribbons on her head. This outdoor dress was like a disguise.
I asked
anxiously:
"What has happened to Madame?"
"Nothing. I have a letter," she murmured, and I saw it appear
between the fingers of her
extended hand, in a very white envelope
which I tore open
impatiently. It consisted of a few lines only.