winter streets she was lovely. Her back was straight,
her shoulders square, and her features were as the
features of a tiny
goddess on a
pedestal in a garden
in the dim light of a summer evening.
During the afternoon the school teacher had been
to see Doctor Welling
concerning her health. The
doctor had scolded her and had declared she was in
danger of losing her
hearing. It was foolish for Kate
Swift to be
abroad in the storm, foolish and perhaps
dangerous.
The woman in the streets did not remember the
words of the doctor and would not have turned back
had she remembered. She was very cold but after
walking for five minutes no longer
minded the cold.
First she went to the end of her own street and then
across a pair of hay scales set in the ground before
a feed barn and into Trunion Pike. Along Trunion
Pike she went to Ned Winters' barn and turning east
followed a street of low frame houses that led over
Gospel Hill and into Sucker Road that ran down
a
shallowvalley past Ike Smead's chicken farm to
Waterworks Pond. As she went along, the bold, ex-
cited mood that had
driven her out of doors passed
and then returned again.
There was something
biting and forbidding in the
character of Kate Swift. Everyone felt it. In the
schoolroom she was silent, cold, and stern, and yet
in an odd way very close to her pupils. Once in a
long while something seemed to have come over
her and she was happy. All of the children in the
schoolroom felt the effect of her happiness. For a
time they did not work but sat back in their chairs
and looked at her.
With hands clasped behind her back the school
teacher walked up and down in the
schoolroom and
talked very rapidly. It did not seem to matter what
subject came into her mind. Once she talked to the
children of Charles Lamb and made up strange, inti-
mate little stories
concerning the life of the dead
writer. The stories were told with the air of one who
had lived in a house with Charles Lamb and knew
all the secrets of his private life. The children were
somewhat confused, thinking Charles Lamb must be
someone who had once lived in Winesburg.
On another occasion the teacher talked to the chil-
dren of Benvenuto Cellini. That time they laughed.
What a bragging, blustering, brave,
lovable fellow
she made of the old artist! Concerning him also she
invented anecdotes. There was one of a German
music teacher who had a room above Cellini's lodg-
ings in the city of Milan that made the boys guffaw.
Sugars McNutts, a fat boy with red cheeks, laughed
so hard that he became dizzy and fell off his seat
and Kate Swift laughed with him. Then suddenly
she became again cold and stern.
On the winter night when she walked through
the deserted snow-covered streets, a
crisis had come
into the life of the school teacher. Although no one
in Winesburg would have suspected it, her life had
been very
adventurous. It was still
adventurous.
Day by day as she worked in the
schoolroom or
walked in the streets, grief, hope, and desire fought
within her. Behind a cold
exterior the most extraor-
dinary events transpired in her mind. The people of
the town thought of her as a confirmed old maid
and because she spoke
sharply and went her own
way thought her
lacking in all the human feeling
that did so much to make and mar their own lives.
In
reality she was the most
eagerlypassionate" target="_blank" title="a.易动情的;易怒的">
passionate soul
among them, and more than once, in the five years
since she had come back from her travels to settle in
Winesburg and become a school teacher, had been
compelled to go out of the house and walk half
through the night fighting out some battle raging
within. Once on a night when it rained she had
stayed out six hours and when she came home had
a quarrel with Aunt Elizabeth Swift. "I am glad
you're not a man," said the mother
sharply. "More
than once I've waited for your father to come home,
not
knowing what new mess he had got into. I've
had my share of
uncertainty and you cannot blame
me if I do not want to see the worst side of him
reproduced in you."
Kate Swift's mind was ablaze with thoughts of
George Willard. In something he had written as a
school boy she thought she had recognized the
spark of
genius and wanted to blow on the spark.
One day in the summer she had gone to the Eagle
office and
finding the boy
unoccupied had taken
him out Main Street to the Fair Ground, where the
two sat on a
grassy bank and talked. The school
teacher tried to bring home to the mind of the boy
some
conception of the difficulties he would have to
face as a
writer. "You will have to know life," she
declared, and her voice trembled with
earnestness.
She took hold of George Willard's shoulders and
turned him about so that she could look into his
eyes. A passer-by might have thought them about
to
embrace. "If you are to become a
writer you'll
have to stop fooling with words," she explained. "It
would be better to give up the notion of writing
until you are better prepared. Now it's time to be
living. I don't want to
frighten you, but I would like
to make you understand the
import of what you
think of attempting. You must not become a mere
peddler of words. The thing to learn is to know
what people are thinking about, not what they say."
On the evening before that stormy Thursday night
when the Reverend Curtis Hartman sat in the bell
tower of the church
waiting to look at her body,
young Willard had gone to visit the teacher and to
borrow a book. It was then the thing happened that
confused and puzzled the boy. He had the book
under his arm and was preparing to depart. Again
Kate Swift talked with great
earnestness. Night was
coming on and the light in the room grew dim. As
he turned to go she spoke his name
softly and with
an
impulsivemovement took hold of his hand. Be-
cause the
reporter was rapidly becoming a man
something of his man's
appeal, combined with the
winsomeness of the boy, stirred the heart of the
lonely woman. A
passionate" target="_blank" title="a.易动情的;易怒的">
passionate desire to have him un-
derstand the
import of life, to learn to interpret it
truly and
honestly, swept over her. Leaning for-
ward, her lips brushed his cheek. At the same mo-
ment he for the first time became aware of the
marked beauty of her features. They were both em-
barrassed, and to
relieve her feeling she became
harsh and domineering. "What's the use? It will be
ten years before you begin to understand what I
mean when I talk to you," she cried
passionate" target="_blank" title="a.易动情的;易怒的">
passionately.
On the night of the storm and while the
ministersat in the church
waiting for her, Kate Swift went to
the office of the Winesburg Eagle, intending to have
another talk with the boy. After the long walk in the
snow she was cold,
lonely, and tired. As she came
through Main Street she saw the fight from the
printshop window shining on the snow and on an
impulse opened the door and went in. For an hour
she sat by the stove in the office talking of life. She
talked with
passionate" target="_blank" title="a.易动情的;易怒的">
passionateearnestness. The
impulse that
had
driven her out into the snow poured itself out
into talk. She became inspired as she sometimes did
in the presence of the children in school. A great
eagerness to open the door of life to the boy, who
had been her pupil and who she thought might pos-
sess a
talent for the understanding of life, had pos-
session of her. So strong was her
passion that it
became something
physical. Again her hands took
hold of his shoulders and she turned him about. In
the dim light her eyes blazed. She arose and
laughed, not
sharply as was
customary with her, but
in a queer, hesitating way. "I must be going," she
said. "In a moment, if I stay, I'll be
wanting to kiss
you."
In the newspaper office a
confusion arose. Kate
Swift turned and walked to the door. She was a
teacher but she was also a woman. As she looked
at George Willard, the
passionate" target="_blank" title="a.易动情的;易怒的">
passionate desire to be loved
by a man, that had a thousand times before swept
like a storm over her body, took possession of her.
In the lamplight George Willard looked no longer a
boy, but a man ready to play the part of a man.
The school teacher let George Willard take her into
his arms. In the warm little office the air became
suddenly heavy and the strength went out of her
body. Leaning against a low
counter by the door she
waited. When he came and put a hand on her shoul-
der she turned and let her body fall heavily against
him. For George Willard the
confusion was immedi-
ately increased. For a moment he held the body of
the woman
tightly against his body and then it stiff-
ened. Two sharp little fists began to beat on his face.
When the school teacher had run away and left him
alone, he walked up and down the office swearing
furiously.
It was into this
confusion that the Reverend Curtis
Hartman protruded himself. When he came in
George Willard thought the town had gone mad.
Shaking a bleeding fist in the air, the
minister pro-
claimed the woman George had only a moment be-
fore held in his arms an
instrument of God bearing
a message of truth.
George blew out the lamp by the window and
locking the door of the printshop went home.
Through the hotel office, past Hop Higgins lost in
his dream of the raising of ferrets, he went and up
into his own room. The fire in the stove had gone
out and he undressed in the cold. When he got into
bed the sheets were like blankets of dry snow.
George Willard rolled about in the bed on which
had lain in the afternoon hugging the pillow and
thinking thoughts of Kate Swift. The words of the
minister, who he thought had gone suddenly in-
sane, rang in his ears. His eyes stared about the
room. The
resentment, natural to the baffled male,
passed and he tried to understand what had hap-
pened. He could not make it out. Over and over he
turned the matter in his mind. Hours passed and he
began to think it must be time for another day to
come. At four o'clock he pulled the covers up about