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RESPECTABILITY
IF YOU HAVE lived in cities and have walked in the

park on a summer afternoon, you have perhaps
seen, blinking in a corner of his iron cage, a huge,

grotesque kind of monkey, a creature with ugly, sag-
ging, hairless skin below his eyes and a bright pur-

ple underbody. This monkey is a true monster. In
the completeness of his ugliness he achieved a kind

of perverted beauty. Children stopping before the
cage are fascinated, men turn away with an air of

disgust, and women linger for a moment, trying per-
haps to remember which one of their male acquain-

tances the thing in some faint way resembles.
Had you been in the earlier years of your life a

citizen of the village of Winesburg, Ohio, there
would have been for you no mystery in regard to

the beast in his cage. "It is like Wash Williams," you
would have said. "As he sits in the corner there, the

beast is exactly like old Wash sitting on the grass in
the station yard on a summer evening after he has

closed his office for the night."
Wash Williams, the telegraphoperator of Wines-

burg, was the ugliest thing in town. His girth was
immense, his neck thin, his legs feeble. He was

dirty. Everything about him was unclean. Even the
whites of his eyes looked soiled.

I go too fast. Not everything about Wash was un-
clean. He took care of his hands. His fingers were

fat, but there was something sensitive and shapely
in the hand that lay on the table by the instrument

in the telegraph office. In his youth Wash Williams
had been called the best telegraphoperator in the

state, and in spite of his degradement to the obscure
office at Winesburg, he was still proud of his ability.

Wash Williams did not associate with the men of
the town in which he lived. "I'll have nothing to do

with them," he said, looking with bleary eyes at the
men who walked along the station platform past the

telegraph office. Up along Main Street he went in
the evening to Ed Griffith's saloon, and after drink-

ing unbelievable quantities of beer staggered off to
his room in the New Willard House and to his bed

for the night.
Wash Williams was a man of courage. A thing

had happened to him that made him hate life, and
he hated it wholeheartedly, with the abandon of a

poet. First of all, he hated women. "Bitches," he
called them. His feeling toward men was somewhat

different. He pitied them. "Does not every man let
his life be managed for him by some bitch or an-

other?" he asked.
In Winesburg no attention was paid to Wash Wil-

liams and his hatred of his fellows. Once Mrs.
White, the banker's wife, complained to the tele-

graph company, saying that the office in Winesburg
was dirty and smelled abominably, but nothing

came of her complaint. Here and there a man re-
spected the operator. Instinctively the man felt in

him a glowing resentment" target="_blank" title="n.不满;怨恨;忿恨">resentment of something he had not
the courage to resent. When Wash walked through

the streets such a one had an instinct to pay him
homage, to raise his hat or to bow before him. The

superintendent who had supervision over the tele-
graph operators on the railroad that went through

Winesburg felt that way. He had put Wash into the
obscure office at Winesburg to avoid discharging

him, and he meant to keep him there. When he
received the letter of complaint from the banker's

wife, he tore it up and laughed unpleasantly. For
some reason he thought of his own wife as he tore

up the letter.
Wash Williams once had a wife. When he was still

a young man he married a woman at Dayton, Ohio.
The woman was tall and slender and had blue eyes

and yellow hair. Wash was himself a comely youth.
He loved the woman with a love as absorbing as the

hatred he later felt for all women.
In all of Winesburg there was but one person who

knew the story of the thing that had made ugly the
person and the character of Wash Williams. He once

told the story to George Willard and the telling of
the tale came about in this way:

George Willard went one evening to walk with
Belle Carpenter, a trimmer of women's hats who

worked in a millinery shop kept by Mrs. Kate
McHugh. The young man was not in love with the

woman, who, in fact, had a suitor who worked as
bartender in Ed Griffith's saloon, but as they walked

about under the trees they occasionally embraced.
The night and their own thoughts had aroused

something in them. As they were returning to Main
Street they passed the little lawn beside the railroad

station and saw Wash Williams apparently asleep on
the grass beneath a tree. On the next evening the

operator and George Willard walked out together.
Down the railroad they went and sat on a pile of

decaying railroad ties beside the tracks. It was then
that the operator told the young reporter his story

of hate.
Perhaps a dozen times George Willard and the

strange, shapeless man who lived at his father's
hotel had been on the point of talking. The young

man looked at the hideous, leering face staring
about the hotel dining room and was consumed

with curiosity. Something he saw lurking in the star-
ing eyes told him that the man who had nothing to

say to others had nevertheless something to say to
him. On the pile of railroad ties on the summer eve-

ning, he waited expectantly. When the operator re-
mained silent and seemed to have changed his mind

about talking, he tried to make conversation. "Were
you ever married, Mr. Williams?" he began. "I sup-

pose you were and your wife is dead, is that it?"
Wash Williams spat forth a succession of vile

oaths. "Yes, she is dead," he agreed. "She is dead
as all women are dead. She is a living-dead thing,

walking in the sight of men and making the earth
foul by her presence." Staring into the boy's eyes,

the man became purple with rage. "Don't have fool
notions in your head," he commanded. "My wife,

she is dead; yes, surely. I tell you, all women are
dead, my mother, your mother, that tall dark

woman who works in the millinery store and with
whom I saw you walking about yesterday--all of

them, they are all dead. I tell you there is something
rotten about them. I was married, sure. My wife was

dead before she married me, she was a foul thing
come out a woman more foul. She was a thing sent

to make life unbearable to me. I was a fool, do you
see, as you are now, and so I married this woman.

I would like to see men a little begin to understand
women. They are sent to prevent men making the

world worth while. It is a trick in Nature. Ugh! They
are creeping, crawling, squirming things, they with

their soft hands and their blue eyes. The sight of a
woman sickens me. Why I don't kill every woman

I see I don't know."
Half frightened and yet fascinated by the light

burning in the eyes of the hideous old man, George
Willard listened, afire with curiosity. Darkness came

on and he leaned forward trying to see the face of
the man who talked. When, in the gathering dark-

ness, he could no longer see the purple, bloated face
and the burning eyes, a curious fancy came to him.

Wash Williams talked in low even tones that made
his words seem the more terrible. In the darkness

the young reporter found himself imagining that he
sat on the railroad ties beside a comely young man

with black hair and black shining eyes. There was
something almost beautiful in the voice of Wash Wil-

liams, the hideous, telling his story of hate.
The telegraphoperator of Winesburg, sitting in

the darkness on the railroad ties, had become a poet.
Hatred had raised him to that elevation. "It is because

I saw you kissing the lips of that Belle Carpenter
that I tell you my story," he said. "What happened

to me may next happen to you. I want to put you
on your guard. Already you may be having dreams

in your head. I want to destroy them."
Wash Williams began telling the story of his mar-

ried life with the tall blonde girl with the blue eyes
whom he had met when he was a young operator

at Dayton, Ohio. Here and there his story was
touched with moments of beauty intermingled with

strings of vile curses. The operator had married the
daughter of a dentist who was the youngest of three

sisters. On his marriage day, because of his ability,
he was promoted to a position as dispatcher at an

increased salary and sent to an office at Columbus,
Ohio. There he settled down with his young wife

and began buying a house on the installment plan.
The young telegraphoperator was madly in love.

With a kind of religious fervor he had managed to
go through the pitfalls of his youth and to remain

virginal until after his marriage. He made for George
Willard a picture of his life in the house at Colum-

bus, Ohio, with the young wife. "in the garden back
of our house we planted vegetables," he said, "you

know, peas and corn and such things. We went to
Columbus in early March and as soon as the days

became warm I went to work in the garden. With a
spade I turned up the black ground while she ran

about laughing and pretending to be afraid of the
worms I uncovered. Late in April came the planting.

In the little paths among the seed beds she stood
holding a paper bag in her hand. The bag was filled

with seeds. A few at a time she handed me the
seeds that I might thrust them into the warm, soft

ground."
For a moment there was a catch in the voice of

the man talking in the darkness. "I loved her," he
said. "I don't claim not to be a fool. I love her yet.

There in the dusk in the spring evening I crawled
along the black ground to her feet and groveled be-

fore her. I kissed her shoes and the ankles above
her shoes. When the hem of her garment touched

my face I trembled. When after two years of that life
I found she had managed to acquire three other lov-

ers who came regularly to our house when I was
away at work, I didn't want to touch them or her.

I just sent her home to her mother and said nothing.


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