over a
sumptuous dinner, Jerome-Nicolas Sechard, after copious
potations, began with a "Now for business," a remark so singularly
misplaced between two hiccoughs, that David begged his parent to
postpone serious matters until the
morrow. But the old "bear" was by
no means inclined to put off the long-expected battle; he was too well
prepared to turn his tipsiness to good
account. He had dragged the
chain these fifty years, he would not wear it another hour; to-
morrowhis son should be the "gaffer."
Perhaps a word or two about the business premises may be said here.
The printing-house had been established since the reign of Louis XIV.
in the angle made by the Rue de Beaulieu and the Place du Murier; it
had been
devoted to its present purposes for a long time past. The
ground floor consisted of a single huge room lighted on the side next
the street by an
old-fashionedcasement, and by a large sash window
that gave upon the yard at the back. A passage at the side led to the
private office; but in the provinces the processes of typography
excite such a
lively interest, that customers usually preferred to
enter by way of the glass door in the street front, though they at
once descended three steps, for the floor of the
workshop lay below
the level of the street. The gaping
newcomer always failed to note the
perils of the passage through the shop; and while staring at the
sheets of paper strung in groves across the ceiling, ran against the
rows of cases, or knocked his hat against the tie-bars that secured
the presses in position. Or the customer's eyes would follow the agile
movements of a compositor, picking out type from the hundred and
fifty-two compartments of his case,
reading his copy, verifying the
words in the composing-stick, and leading the lines, till a ream of
damp paper weighted with heavy slabs, and set down in the middle of
the gangway, tripped up the bemused
spectator, or he caught his hip
against the angle of a bench, to the huge delight of boys, "bears,"
and "monkeys." No wight had ever been known to reach the further end
without accident. A couple of glass-windowed cages had been built out
into the yard at the back; the
foreman sat in state in the one, the
master
printer in the other. Out in the yard the walls were agreeably
decorated by trellised vines, a
tempting bit of color,
considering the
owner's
reputation. On the one side of the space stood the kitchen, on
the other the woodshed, and in a ramshackle penthouse against the hall
at the back, the paper was trimmed and damped down. Here, too, the
forms, or, in ordinary language, the masses of set-up type, were
washed. Inky streams issuing
thence blended with the ooze from the
kitchen sink, and found their way into the
kennel in the street
outside; till peasants coming into the town of a market day believed
that the Devil was
taking a wash inside the establishment.
As to the house above the printing office, it consisted of three rooms
on the first floor and a couple of attics in the roof. The first room
did duty as dining-room and lobby; it was exactly the same length as
the passage below, less the space taken up by the
old-fashionedwoodenstaircase; and was lighted by a narrow
casement on the street and a
bull's-eye window looking into the yard. The chief
characteristic of
the
apartment was a cynic
simplicity, due to money-making greed. The
bare walls were covered with plain whitewash, the dirty brick floor
had never been scoured, the furniture consisted of three rickety
chairs, a round table, and a sideboard stationed between the two doors
of a bedroom and a sitting-room. Windows and doors alike were dingy
with accumulated grime. Reams of blank paper or printed matter usually
encumbered the floor, and more frequently than not the remains of
Sechard's dinner, empty bottles and plates, were lying about on the
packages.
The bedroom was lighted on the side of the yard by a window with
leaded panes, and hung with the old-world
tapestry that decorated
house fronts in
provincial towns on Corpus Christi Day. For furniture
it boasted a vast four-post bedstead with
canopy, valances and quilt
of
crimson serge, a couple of worm-eaten armchairs, two
tapestry-
covered chairs in
walnut wood, an aged
bureau, and a timepiece on the
mantel-shelf. The Seigneur Rouzeau, Jerome-Nicolas' master and
predecessor, had furnished the
homely old-world room; it was just as
he had left it.
The sitting-room had been
partly modernized by the late Mme. Sechard;
the walls were adorned with a wainscot,
fearful to behold, painted the
color of powder blue. The panels were decorated with wall-paper--
Oriental scenes in sepia tint--and for all furniture, half-a-dozen
chairs with lyre-shaped backs and blue leather cushions were ranged
round the room. The two
clumsyarched windows that gave upon the Place
du Murier were curtainless; there was neither clock nor candle sconce
nor mirror above the mantel-shelf, for Mme. Sechard had died before
she carried out her
scheme of
decoration; and the "bear,"
unable to
conceive the use of
improvements that brought in no return in money,
had left it at this point.
Hither, pede titubante, Jerome-Nicolas Sechard brought his son, and
pointed to a sheet of paper lying on the table--a
valuation of plant
drawn up by the
foreman under his direction.
"Read that, my boy," said Jerome-Nicolas, rolling a
drunken eye from
the paper to his son, and back to the paper. "You will see what a
jewel of a printing-house I am giving you."
" 'Three
wooden presses, held in position by iron tie-bars, cast-iron
plates----' "
"An
improvement of my own," put in Sechard senior.
" '----Together with all the implements, ink-tables, balls, benches,
et cetera, sixteen hundred francs!' Why, father," cried David, letting
the sheet fall, "these presses of yours are old sabots not worth a
hundred crowns; they are only fit for firewood."
"Sabots?" cried old Sechard, "SABOTS? There, take the inventory and
let us go
downstairs. You will soon see whether your paltry iron-work
contrivances will work like these solid old tools, tried and trusty.
You will not have the heart after that to
slander honest old presses
that go like mail coaches, and are good to last you your lifetime
without needing repairs of any sort. Sabots! Yes, sabots that are like
to hold salt enough to cook your eggs with--sabots that your father
has plodded on with these twenty years; they have helped him to make
you what you are."
The father, without coming to grief on the way, lurched down the worn,
knotty
staircase that shook under his tread. In the passage he opened
the door of the
workshop, flew to the nearest press (artfully oiled
and cleaned for the occasion) and
pointed out the strong oaken cheeks,
polished up by the
apprentice.
"Isn't it a love of a press?"
A
weddingannouncement lay in the press. The old "bear" folded down
the frisket upon the tympan, and the tympan upon the form, ran in the
carriage, worked the lever, drew out the
carriage, and lifted the
frisket and tympan, all with as much agility as the youngest of the
tribe. The press, handled in this sort, creaked aloud in such fine
style that you might have thought some bird had dashed itself against
the window pane and flown away again.
"Where is the English press that could go at that pace?" the parent
asked of his astonished son.
Old Sechard
hurried to the second, and then to the third in order,
repeating the
manoeuvre with equal
dexterity. The third presenting to
his wine-troubled eye a patch overlooked by the
apprentice, with a
notable oath he rubbed it with the skirt of his
overcoat, much as a
horse-dealer polishes the coat of an animal that he is
trying to sell.
"With those three presses, David, you can make your nine thousand
francs a year without a
foreman. As your future
partner, I am opposed
to your replacing these presses by your cursed cast-iron machinery,
that wears out the type. You in Paris have been making such a to-do
over that
damned Englishman's invention--a
foreigner, an enemy of
France who wants to help the ironfounders to a fortune. Oh! you wanted
Stanhopes, did you? Thanks for your Stanhopes, that cost two thousand
five hundred francs
apiece, about twice as much as my three jewels put