the border line between
harmlessvacancy, with some glimmerings of
sense, and the
excessivestupidity that can neither take in nor give
out any idea. He was
thoroughly impressed with the idea of doing his
duty in society; and, doing his
utmost to be
agreeable, had adopted
the smile of an opera
dancer as his sole method of expression.
Satisfied, he smiled;
dissatisfied, he smiled again. He smiled at good
news and evil
tidings; with slight modifications the smile did duty on
all occasions. If he was
positivelyobliged to express his personal
approval, a complacent laugh reinforced the smile; but he never
vouchsafed a word until
driven to the last
extremity. A tete-a-tete
put him in the one
embarrassment of his vegetative
existence, for then
he was
obliged to look for something to say in the vast blank of his
vacant
interior. He usually got out of the difficulty by a return to
the artless ways of
childhood; he thought aloud, took you into his
confidence
concerning the smallest details of his
existence, his
physical wants, the small sensations which did duty for ideas with
him. He never talked about the weather, nor did he
indulge in the
ordinary commonplaces of conversation--the way of escape provided for
weak intellects; he plunged you into the most
intimate and personal
topics.
"I took veal this morning to please Mme. de Bargeton, who is very fond
of veal, and my
stomach has been very
uneasy since," he would tell
you. "I knew how it would be; it never suits me. How do you explain
it?" Or, very likely--
"I am just about to ring for a glass of eau sucree; will you have some
at the same time?"
Or, "I am going to take a ride to-morrow; I am going over to see my
father-in-law."
These short
observations did not permit of
discussion; a "Yes" or
"No," extracted from his interlocutor, the conversation dropped dead.
Then M. de Bargeton mutely implored his
visitor to come to his
assistance. Turning
westward his old asthmatic pug-dog
countenance, he
gazed at you with big, lustreless eyes, in a way that said, "You were
saying?"
The people whom he loved best were bores
anxious to talk about
themselves; he listened to them with an unfeigned and
delicateinterest which so endeared him to the
species that all the twaddlers
of Angouleme credited M. de Bargeton with more under
standing than he
chose to show, and were of the opinion that he was underrated. So it
happened that when these persons could find nobody else to listen to
them, they went off to give M. de Bargeton the benefit of the rest of
the story,
argument, or what not, sure
beforehand of his eulogistic
smile. Madame de Bargeton's rooms were always
crowded, and generally
her husband felt quite at ease. He interested himself in the smallest
details; he watched those who came in and bowed and smiled, and
brought the new arrivals to his wife; he lay in wait for departing
visitors, and went with them to the door,
taking leave of them with
that
eternal smile. When conversation grew
lively, and he saw that
every one was interested in one thing or another, he stood, happy and
mute, planted like a swan on both feet, listening, to all appearance,
to a political
discussion; or he looked over the card-players' hands
without a notion of what it was all about, for he could not play at
any game; or he walked about and took snuff to
promote digestion.
Anais was the bright side of his life; she made it unspeakably
pleasant for him. Stretched out at full length in his
armchair, he
watched admiringly while she did her part as
hostess, for she talked
for him. It was a pleasure, too, to him to try to see the point in her
remarks; and as it was often a good while before he succeeded, his
smiles appeared after a delay, like the
explosion of a shell which has
entered the earth and worked up again. His respect for his wife,
moreover, almost amounted to
adoration. And so long as we can adore,
is there not happiness enough in life? Anais' husband was as docile as
a child who asks nothing better than to be told what to do; and,
generous and clever woman as she was, she had taken no undue advantage
of his weaknesses. She had taken care of him as you take care of a
cloak; she kept him brushed, neat, and tidy, looked closely after him,
and humored him; and humored, looked after, brushed, kept tidy, and
cared for, M. de Bargeton had come to feel an almost dog-like
affection for his wife. It is so easy to give happiness that costs
nothing! Mme. de Bargeton,
knowing that her husband had no pleasure
but in good cheer, saw that he had good dinners; she had pity upon
him, she had never uttered a word of
complaint; indeed, there were
people who could not understand that a woman might keep silence
through pride, and argued that M. de Bargeton must possess good
qualities
hidden from public view. Mme. de Bargeton had drilled him
into military subordination; he yielded a
passiveobedience to his
wife. "Go and call on Monsieur So-and-So or Madame Such-an-One," she
would say, and he went
forthwith, like a soldier at the word of
command. He stood at attention in her presence, and waited motionless
for his orders.
There was some talk about this time of nominating the mute gentleman
for a
deputy. Lucien as yet had not lifted the veil which hid such an
unimaginable
character; indeed, he had scarcely frequented the house
long enough. M. de Bargeton, spread at full length in his great chair,
appeared to see and understand all that was going on; his silence
added to his
dignity, and his figure inspired Lucien with a prodigious
awe. It is the wont of
imaginative natures to
magnify everything, or
to find a soul to
inhabit every shape; and Lucien took this gentleman,
not for a
granite guard-post, but for a
formidable sphinx, and thought
it necessary to conciliate him.
"I am the first comer," he said, bowing with more respect than people
usually showed the
worthy man.
"That is natural enough," said M. de Bargeton.
Lucien took the remark for an epigram; the lady's husband was jealous,
he thought; he reddened under it, looked in the glass and tried to
give himself a
countenance.
"You live in L'Houmeau," said M. de Bargeton, "and people who live a
long way off always come earlier than those who live near by."
"What is the reason of that?" asked Lucien politely.
"I don't know," answered M. de Bargeton, relapsing into immobility.
"You have not cared to find out," Lucien began again; "any one who
could make an
observation could discover the cause."
"Ah!" said M. de Bargeton, "final causes! Eh! eh! . . ."
The conversation came to a dead stop; Lucien racked his brains to
resuscitate it.
"Mme. de Bargeton is dressing, no doubt," he began, shuddering at the
silliness of the question.
"Yes, she is dressing," her husband naturally answered.
Lucien looked up at the ceiling and
vainly tried to think of something
else to say. As his eyes wandered over the gray painted joists and the
spaces of
plaster between, he saw, not without qualms, that the little
chandelier with the
old-fashioned cut-glass pendants had been stripped
of its gauze covering and filled with wax candles. All the covers had
been removed from the furniture, and the faded flowered silk damask
had come to light. These preparations meant something
extraordinary.
The poet looked at his boots, and misgivings about his
costume arose
in his mind. Grown
stupid with
dismay, he turned and fixed his eyes on
a Japanese jar
standing on a begarlanded
console table of the time of
Louis Quinze; then, recollecting that he must conciliate Mme. de
Bargeton's husband, he tried to find out if the good gentleman had a
hobby of any sort in which he might be humored.
"You seldom leave the city,
monsieur?" he began, returning to M. de
Bargeton.
"Very seldom."
Silence again. M. de Bargeton watched Lucien's slightest movements
like a
suspicious cat; the young man's presence disturbed him. Each
was afraid of the other.
"Can he feel
suspicious of my attentions?" thought Lucien; "he seems
to be anything but friendly."
Lucien was not a little embarrassed by the
uneasy glances that the
other gave him as he went to and fro, when luckily for him, the old
man-servant (who wore
livery for the occasion) announced "M. du
Chatelet." The Baron came in, very much at ease, greeted his friend
Bargeton, and favored Lucien with the little nod then in vogue, which
the poet in his mind called purse-proud impertinence.
Sixte du Chatelet appeared in a pair of dazzling white
trousers with
invisible straps that kept them in shape. He wore pumps and thread