That I have not been,
And yet upon my breast
A
myriad heads have lain.'''
That he might Set at rest
A boy's
turbulent days
Mohini Chatterjee
Spoke these, or words like these,
I add in commentary,
"Old lovers yet may have
All that time denied --
Grave is heaped on grave
That they be satisfied --
Over the blackened earth
The old troops parade,
Birth is heaped on Birth
That such cannonade
May
thunder time away,
Birth-hour and death-hour meet,
Or, as great sages say,
Men dance on deathless feet.' 0084
THE MOTHER OF GOD
THE threefold
terror of love; a fallen flare
Through the hollow of an ear;
Wings
beating about the room;
The
terror of all
terrors that I bore
The Heavens in my womb.
Had I not found content among the shows
Every common woman knows,
Chimney corner, garden walk,
Or rocky
cistern where we tread the clothes
And gather all the talk?
What is this flesh I purchased with my pains,
This fallen star my milk sustains,
This love that makes my heart's blood stop
Or strikes a Sudden chill into my bones
And bids my hair stand up?
A NATIVITY
WHAT woman hugs her
infant there?
Another star has shot an ear.
What made the
draperyglisten so?
Not a man but Delacroix.
What made the ceiling waterproof?
Landor's tarpaulin on the roof
What brushes fly and moth aside?
Irving and his plume of pride.
What hurries out the knaye and dolt?
Talma and his
thunderbolt.
Why is the woman
terror-struck?
Can there be mercy in that look?
NEWS FOR THE DELPHIC ORACLE
THERE all the golden codgers lay,
There the silver dew,
And the great water sighed for love,
And the wind sighed too.
Man-picker Niamh leant and sighed
By Oisin on the grass;
There sighed amid his choir of love
Tall pythagoras.
plotinus came and looked about,
The salt-flakes on his breast,
And having stretched and yawned awhile
Lay sighing like the rest.
Straddling each a dolphin's back
And steadied by a fin,
Those Innocents re-live their death,
Their wounds open again.
The ecstatic waters laugh because
Their cries are sweet and strange,
Through their
ancestral patterns dance,
And the brute dolphins plunge
Until, in some cliff-sheltered bay
Where wades the choir of love
Proffering its
sacredlaurel crowns,
They pitch their burdens off.
NO SECOND TROY
WHY should I blame her that she filled my days
With
misery, or that she would of late
Have taught to
ignorant men most
violent ways,
Or hurled the little streets upon the great.
Had they but courage equal to desire?
What could have made her
peaceful with a mind
That nobleness made simple as a fire,
With beauty like a tightened bow, a kind
That is not natural in an age like this,
Being high and
solitary and most stern?
Why, what could she have done, being what she is?
Was there another Troy for her to burn?
THE MEDITATION OF THE OLD FISHERMAN
YOU waves, though you dance by my feet like children
at play,
Though you glow and you glance, though you purr and
you dart;
In the Junes that were warmer than these are, the waves
were more gay,
i{When I was a boy with never a crack in my heart.}
The
herring are not in the tides as they were of old;
My sorrow! for many a creak gave the creel in the-cart
That carried the take to Sligo town to be sold,
i{When I was a boy with never a crack in my heart.}
And ah, you proud
maiden, you are not so fair when
his oar
Is heard on the water, as they were, the proud and apart,
Who paced in the eve by the nets on the pebbly shore,
i{When} I i{was} a boy i{with never} a i{crack in my heart.}
THE OLD STONE CROSS
A STATESMAN is an easy man,
He tells his lies by rote;
A journalist makes up his lies
And takes you by the throat;
So stay at home' and drink your beer
And let the neighbours' vote,
Said the man in the golden breastplate
Under the old stone Cross.
Because this age and the next age
Engender in the ditch,
No man can know a happy man
From any passing wretch;
If Folly link with Elegance
No man knows which is which,
<1Said the man in the golden breastplate
Under the old stone Cross.>1
But actors
lacking music
Do most
excite my spleen,
They say it is more human
To
shuffle, grunt and groan,
Not
knowing what unearthly stuff
Rounds a
mighty scene,
<1Said the man in the golden breastplate
Under the old stone Cross.>1
ON THOSE THAT HATED "THE PLAYBOY OF THE WESTERN WORLD",
ONCE, when
midnight smote the air,
Eunuchs ran through Hell and met
On every
crowded street to stare
Upon great Juan riding by:
Even like these to rail and sweat
Staring upon his sinewy thigh.
OWEN AHERNE AND HIS DANCERS
A STRANGE thing surely that my Heart, when love had come unsought
Upon the Norman
upland or in that
poplar shade,
Should find no burden but itself and yet should be worn out.
It could not bear that burden and
therefore it went mad.
PARNELL
PARNELL came down the road, he said to a cheering man:
"Ireland shall get her freedom and you still break stone.
FROM A FULL MOON IN MARCH
PARNELL'S FUNERAL
UNDER the Great Comedian's tomb the crowd.
A
bundle of tempestuous cloud is blown
About the sky; where that is clear of cloud
Brightness remains; a brighter star shoots down;
What shudders run through all that animal blood?
What is this sacrifice? Can someone there
Recall the Cretan barb that pierced a star?
Rich
foliage that the
starlight glittered through,
A frenzied crowd, and where the branches sprang
A beautiful seated boy; a
sacred bow;
A woman, and an arrow on a string;
A pierced boy, image of a star laid low.
That woman, the Great Mother imaging,
Cut out his heart. Some master of design
Stamped boy and tree upon Sicilian coin.
An age is the reversal of an age:
When strangers murdered Emmet, Fitzgerald, Tone,
We lived like men that watch a painted stage.
What matter for the scene, the scene once gone:
It had not touched our lives. But popular rage,
i{Hysterica passio} dragged this
quarry down.
None shared our guilt; nor did we play a part
Upon a painted stage when we devoured his heart.
Come, fix upon me that accusing eye.
I
thirst for
accusation. All that was sung.
All that was said in Ireland is a lie
Bred out of the c-ontagion of the throng,
Saving the rhyme rats hear before they die.
Leave nothing but the nothingS that belong
To this bare soul, let all men judge that can
Whether it be an animal or a man.
The rest I pass, one
sentence I unsay.
Had de Valera eaten parnell's heart
No loose-lipped demagogue had won the day.
No civil rancour torn the land apart.
Had Cosgrave eaten parnell's heart, the land's
Imagination had been satisfied,
Or
lacking that, government in such hands.
O'Higgins its sole
statesman had not died.
Had even O'Duffy -- but I name no more --
Their school a crowd, his master solitude;
Through Jonathan Swift's clark grove he passed, and there
plucked bitter
wisdom that enriched his blood.
PEACE
AH, that Time could touch a form
That could show what Homer's age
Bred to be a hero's wage.
"Were not all her life but storm
Would not painters paint a form
Of such noble lines,' I said,
"Such a
delicate high head,
All that sternness amid charm,
All that
sweetness amid strength?'
Ah, but peace that comes at length,
Came when Time had touched her form.