The kings of the old time are dead;
The
wandering earth herself may be
Only a sudden
flaming word,
In clanging space a moment heard,
Troubling the endless reverie.
Then nowise
worship dusty deeds,
Nor seek, for this is also sooth,
To
hungerfiercely after truth,
Lest all thy toiling only breeds
New dreams, new dreams; there is no truth
Saving in thine own heart. Seek, then,
No
learning from the
starry men,
Who follow with the optic glass
The whirling ways of stars that pass --
Seek, then, for this is also sooth,
No word of
theirs -- the cold star-bane
Has cloven and rent their hearts in twain,
And dead is all their human truth.
Go gather by the humming sea
Some twisted, echo-harbouring shell.
And to its lips thy story tell,
And they thy comforters will be.
Rewording in melodious guile
Thy
fretful words a little while,
Till they shall singing fade in ruth
And die a pearly brotherhood;
For words alone are certain good:
Sing, then, for this is also sooth.
I must be gone: there is a grave
Where
daffodil and lily wave,
And I would please the
hapless faun,
Buried under the
sleepy ground,
With mirthful songs before the dawn.
His shouting days with mirth were crowned;
And still I dream he treads the lawn,
Walking
ghostly in the dew,
Pierced by my glad singing through,
My songs of old earth's
dreamy youth:
But ah! she dreams not now; dream thou!
For fair are poppies on the brow:
Dream, dream, for this is also sooth.
THE HARP OF AENGUS
Edain came out of Midhir's hill, and lay
Beside young Aengus in his tower of glass,
Where time is drowned in odour-laden winds
And Druid moons, and murmuring of boughs,
And
sleepy boughs, and boughs where apples made
Of opal and ruhy and pale chrysolite
Awake unsleeping fires; and wove seven strings,
Sweet with all music, out of his long hair,
Because her hands had been made wild by love.
When Midhir's wife had changed her to a fly,
He made a harp with Druid apple-wood
That she among her winds might know he wept;
And from that hour he has watched over none
But
faithful lovers.
HE BIDS HIS BELOVED BE AT PEACE
I HEAR the Shadowy Horses, their long manes a-shake,
Their hoofs heavy with
tumult, their eyes glimmering
white;
The North unfolds above them clinging, creeping
night,
The East her
hidden joy before the morning break,
The West weeps in pale dew and sighs passing away,
The South is pouring down roses of
crimson fire:
O
vanity of Sleep, Hope, Dream, endless Desire,
The Horses of Disaster
plunge in the heavy clay:
Beloved, let your eyes half close, and your heart beat
Over my heart, and your hair fall over my breast,
Drowning love's
lonely hour in deep
twilight of rest,
And hiding their tossing manes and their
tumultuous
feet.
HE HEARS THE CRY OF THE SEDGE
I WANDER by the edge
Of this
desolate lake
Where wind cries in the sedge:
i{Until the axle break
That keeps the stars in their round,
And hands hurl in the deep
The banners of East and West,
And the
girdle of light is unhound,
Your breast will not lie by the breast
Of your
beloved in sleep.}
HE REMEMBERS FORGOTTEN BEAUTY
WHEN my arms wrap you round I press
My heart upon the loveliness
That has long faded from the world;
The jewelled crowns that kings have hurled
In
shadowy pools, when armies fled;
The love-tales
wrought with
silken thread
By dreaming ladies upon cloth
That has made fat the
murderous moth;
The roses that of old time were
Woven by ladies in their hair,
The dew-cold lilies ladies bore
Through many a
sacred corridor
Where such grey clouds of
incense rose
That only God's eyes did not close:
For that pale breast and lingering hand
Come from a more dream-heavy land,
A more dream-heavy hour than this;
And when you sigh from kiss to kiss
I hear white Beauty sighing, too,
For hours when all must fade like dew.
But flame on flame, and deep on deep,
Throne over
throne where in half sleep,
Their swords upon their iron knees,
Brood her high
lonely mysteries.
HE TELLS OF A VALLEY FULL OF LOVERS
I DREAMED that I stood in a
valley, and amid sighs,
For happy lovers passed two by two where I stood;
And I dreamed my lost love came
stealthily out of the
wood
With her cloud-pale eyelids falling on dream-dimmed
eyes:
I cried in my dream, O i{women, bid the young men lay}
i{Their heads on your knees, and drown their eyes with your fair,}
i{Or remembering hers they will find no other face fair}
i{Till all the
valleys of the world have been withered away.}
HE THINKS OF HIS PAST GREATNESS WHEN A PART OF THE CONSTELLATIONS OF HEAVEN
I HAVE drunk ale from the Country of the Young
And weep because I know all things now:
I have been a hazel-tree, and they hung
The Pilot Star and the Crooked Plough
Among my leaves in times out of mind:
I became a rush that horses tread:
I became a man, a hater of the wind,
Knowing one, out of all things, alone, that his head
May not lie on the breast nor his lips on thc hair
Of the woman that he loves, until he dies.
O beast of the
wilderness, bird of the air,
Must I
endure your amorous cries?
HE WISHES FOR THE CLOTHS OF HEAVEN
HAD I the heavens' embroidered cloths,
En
wrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half-light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread
softly because you tread on my dreams.
HIGH TALK
PROCESSIONS that lack high stilts have nothing that
catches the eye.
What if my great-granddad had a pair that were
twenty foot high,
And mine were but fifteen foot, no modern Stalks
upon higher,
Some rogue of the world stole them to patch up a fence
or a fire.
Because piebald ponies, led bears, caged lions, ake
but poor shows,
Because children demand Daddy-long-legs upon This
timber toes,
Because women in the upper storeys demand a face at
the pane,
That patching old heels they may
shriek, I take to
chisel and plane.
Malachi Stilt-Jack am I,
whatever I
learned has run wild,
From
collar to
collar, from stilt to stilt, from father to child.
All metaphor, Malachi, stilts and all. A barnacle goose
Far up in the stretches of night; night splits and the
dawn breaks loose;
I, through the terrible
novelty of light, stalk on, stalk on;
Those great sea-horses bare their teeth and laugh at the dawn.
HIS PHOENIX
THERE is a queen in China, or maybe it's in Spain,
And birthdays and holidays such praises can be heard
Of her un
blemished lineaments, a whiteness with no
stain,
That she might be that
sprightly girl trodden by a
bird;
And there's a score of duchesses, surpassing woma-
kind,
Or who have found a
painter to make them so for pay
And smooth out stain and
blemish with the elegance
of his mind:
I knew a phoenix in my youth, so let them have their
day.
The young men every night
applaud their Gaby's
laughing eye,
And Ruth St. Denis had more charm although she had
poor luck;
From nineteen hundred nine or ten, Pavlova's had the
cry
And there's a
player in the States who gathers up her
cloak
And flings herself out of the room when Juliet would
be bride
With all a woman's
passion, a child's
imperious way,
And there are -- but no matter if there are scores beside:
I knew a phoenix in my youth, so let them have their
day.
There's Margaret and Marjorie and Dorothy and Nan,
A Daphne and a Mary who live in privacy;
One's had her fill of lovers, another's had but one,
Another boasts, "I pick and choose and have but two
or three.'
If head and limb have beauty and the instep's high and
light
They can spread out what sail they please for all I have