NORTHANGER ABBEY
by
Jane Austen
(1803)
ADVERTISEMENT BY THE AUTHORESS, TO NORTHANGER ABBEY
THIS little work was finished in the year 1803, and intended
for immediate
publication. It was disposed of to a bookseller,
it was even advertised, and why the business proceeded
no farther, the author has never been able to learn.
That any bookseller should think it worth-while to
purchase what he did not think it worth-while to publish
seems
extraordinary. But with this, neither the author
nor the public have any other concern than as some
observation is necessary upon those parts of the work
which thirteen years have made
comparatively obsolete.
The public are entreated to bear in mind that thirteen
years have passed since it was finished, many more
since it was begun, and that during that period,
places, manners, books, and opinions have undergone
considerable changes.
CHAPTER 1
No one who had ever seen Catherine Morland in her
infancy would have
supposed her born to be an
heroine.
Her situation in life, the
character of her father and mother,
her own person and
disposition, were all
equally against her.
Her father was a
clergyman, without being neglected,
or poor, and a very
respectable man, though his name
was Richard--and he had never been handsome. He had a
considerable
independence besides two good livings--and he
was not in the least addicted to locking up his daughters.
Her mother was a woman of useful plain sense, with a
good
temper, and, what is more
remarkable, with a
good
constitution. She had three sons before Catherine
was born; and instead of dying in bringing the latter
into the world, as anybody might expect, she still lived
on--lived to have six children more--to see them growing
up around her, and to enjoy excellent health herself.
A family of ten children will be always called a fine family,
where there are heads and arms and legs enough for the number;
but the Morlands had little other right to the word,
for they were in general very plain, and Catherine,
for many years of her life, as plain as any. She had
a thin
awkward figure, a sallow skin without colour,
dark lank hair, and strong features--so much for her person;
and not less unpropiteous for
heroism seemed her mind.
She was fond of all boy's plays, and greatly preferred
cricket not merely to dolls, but to the more
heroicenjoyments of
infancy, nursing a dormouse, feeding a
canary-bird, or watering a rose-bush. Indeed she had no
taste for a garden; and if she gathered flowers at all,
it was
chiefly for the pleasure of mischief--at least so it
was conjectured from her always preferring those which she
was
forbidden to take. Such were her propensities--her
abilities were quite as
extraordinary. She never could
learn or understand anything before she was taught;
and sometimes not even then, for she was often inattentive,
and
occasionallystupid. Her mother was three months
in teaching her only to repeat the "Beggar's Petition";
and after all, her next sister, Sally, could say it
better than she did. Not that Catherine was always
stupid--by no means; she
learnt the fable of "The Hare
and Many Friends" as quickly as any girl in England.
Her mother wished her to learn music; and Catherine was
sure she should like it, for she was very fond of tinkling
the keys of the old
forlorn spinner; so, at eight years
old she began. She
learnt a year, and could not bear it;
and Mrs. Morland, who did not insist on her daughters
being
accomplished in spite of incapacity or distaste,
allowed her to leave off. The day which dismissed the
music-master was one of the happiest of Catherine's life.
Her taste for
drawing was not superior; though
whenevershe could
obtain the outside of a letter from her mother
or seize upon any other odd piece of paper, she did
what she could in that way, by
drawing houses and trees,
hens and chickens, all very much like one another.
Writing and accounts she was taught by her father; French by
her mother: her proficiency in either was not
remarkable,
and she shirked her lessons in both
whenever she could.
What a strange, unaccountable
character!--for with all
these symptoms of profligacy at ten years old, she had
neither a bad heart nor a bad
temper, was seldom stubborn,
scarcely ever quarrelsome, and very kind to the little ones,
with few interruptions of
tyranny; she was
moreover noisy
and wild, hated
confinement and
cleanliness, and loved nothing
so well in the world as rolling down the green slope at the
back of the house.
Such was Catherine Morland at ten. At fifteen,
appearances were mending; she began to curl her hair
and long for balls; her
complexion improved, her features
were softened by plumpness and colour, her eyes gained
more animation, and her figure more consequence.
Her love of dirt gave way to an
inclination for finery,
and she grew clean as she grew smart; she had now the
pleasure of sometimes
hearing her father and mother
remark on her personal
improvement. "Catherine grows
quite a
good-looking girl--she is almost pretty today,"
were words which caught her ears now and then;
and how
welcome were the sounds! To look almost pretty
is an
acquisition of higher delight to a girl who has
been looking plain the first fifteen years of her life
than a beauty from her
cradle can ever receive.
Mrs. Morland was a very good woman, and wished
to see her children everything they ought to be;
but her time was so much occupied in lying-in and teaching
the little ones, that her elder daughters were inevitably
left to shift for themselves; and it was not very wonderful
that Catherine, who had by nature nothing
heroic about her,
should prefer
cricket,
baseball, riding on horseback,
and
running about the country at the age of fourteen,
to books--or at least books of information--for, provided
that nothing like useful knowledge could be gained
from them, provided they were all story and no reflection,
she had never any
objection to books at all. But from
fifteen to seventeen she was in training for a
heroine;
she read all such works as
heroines must read to supply
their memories with those quotations which are so serviceable
and so soothing in the vicissitudes of their eventful lives.
From Pope, she
learnt to
censure those who
"bear about the
mockery of woe."
From Gray, that
"Many a flower is born to blush unseen,
"And waste its
fragrance on the desert air."
From Thompson, that
--"It is a
delightful task
"To teach the young idea how to shoot."
And from Shakespeare she gained a great store of information--
amongst the rest, that
--"Trifles light as air,
"Are, to the
jealous,
confirmation strong,
"As proofs of Holy Writ."
That
"The poor
beetle, which we tread upon,
"In
corporal sufferance feels a pang as great