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falls along that river, and how many young hearts

dreamed out their futures leaning over the bridge
rail, seeing "the vision splendid" reflected there and

often, too, watching it fade into "the light of
common day."

Rebecca never went across the bridge without
bending over the rail to wonder and to ponder, and

at this special moment she was putting the finishing
touches on a poem.

Two maidens by a river strayed
Down in the state of Maine.

The one was called Rebecca,
The other Emma Jane.

"I would my life were like the stream,"
Said her named Emma Jane,

"So quiet and so very smooth,
So free from every pain."

"I'd rather be a little drop
In the great rushing fall!

I would not choose the glassy lake,
'T would not suit me at all!"

(It was the darker maiden spoke
The words I just have stated,

The maidens twain were simply friends
And not at all related.)

But O! alas I we may not have
The things we hope to gain;

The quiet life may come to me,
The rush to Emma Jane!

"I don't like `the rush to Emma Jane,' and I
can't think of anything else. Oh! what a smell of

paint! Oh! it is ON me! Oh! it's all over my best
dress! Oh I what WILL aunt Miranda say!"

With tears of self-reproach streaming from her
eyes, Rebecca flew up the hill, sure of sympathy,

and hoping against hope for help of some sort.
Mrs. Cobb took in the situation at a glance, and

professed herself able to remove almost any stain
from almost any fabric; and in this she was

corroborated by uncle Jerry, who vowed that mother
could git anything out. Sometimes she took the

cloth right along with the spot, but she had a sure
hand, mother had!

The damaged garment was removed and partially
immersed in turpentine, while Rebecca graced the

festal board clad in a blue calico wrapper of Mrs.
Cobb's.

"Don't let it take your appetite away," crooned
Mrs. Cobb. "I've got cream biscuit and honey for

you. If the turpentine don't work, I'll try French
chalk, magneshy, and warm suds. If they fail, father

shall run over to Strout's and borry some of the
stuff Marthy got in Milltown to take the currant pie

out of her weddin' dress."
"I ain't got to understandin' this paintin' accident

yet," said uncle Jerry jocosely, as he handed
Rebecca the honey. "Bein' as how there's `Fresh

Paint' signs hung all over the breedge, so 't a blind
asylum couldn't miss 'em, I can't hardly account

for your gettin' int' the pesky stuff."
"I didn't notice the signs," Rebecca said

dolefully. "I suppose I was looking at the falls."
"The falls has been there sence the beginnin'

o' time, an' I cal'late they'll be there till the end
on 't; so you needn't 'a' been in sech a brash to git

a sight of 'em. Children comes turrible high, mother,
but I s'pose we must have 'em!" he said, winking

at Mrs. Cobb.
When supper was cleared away Rebecca insisted

on washing and wiping the dishes, while Mrs. Cobb
worked on the dress with an energy that plainly

showed the gravity of the task. Rebecca kept leaving
her post at the sink to bend anxiously over

the basin and watch her progress, while uncle Jerry
offered advice from time to time.

"You must 'a' laid all over the breedge, deary,"
said Mrs. Cobb; "for the paint 's not only on your

elbows and yoke and waist, but it about covers
your front breadth."

As the garment began to look a little better
Rebecca's spirits took an upward turn, and at length

she left it to dry in the fresh air, and went into the
sitting-room.

"Have you a piece of paper, please?" asked
Rebecca. "I'll copy out the poetry I was making

while I was lying in the paint."
Mrs. Cobb sat by her mending basket, and uncle

Jerry took down a gingham bag of strings and occupied
himself in taking the snarls out of them,--a

favorite evening amusement with him.
Rebecca soon had the lines copied in her round

schoolgirl hand, making such improvements as
occurred to her on sober second thought.

THE TWO WISHES
BY

REBECCA RANDALL
Two maidens by a river strayed,

'T was in the state of Maine.
Rebecca was the darker one,

The fairer, Emma Jane.
The fairer maiden said, "I would

My life were as the stream;
So peaceful, and so smooth and still,

So pleasant and serene."
"I'd rather be a little drop

In the great rushing fall;
I'd never choose the quiet lake;

'T would not please me at all."
(It was the darker maiden spoke

The words we just have stated;
The maidens twain were simply friends,

Not sisters, or related.)
But O! alas! we may not have

The things we hope to gain.
The quiet life may come to me,

The rush to Emma Jane!
She read it aloud, and the Cobbs thought it not only

surpassingly beautiful, but a marvelous production
"I guess if that writer that lived on Congress

Street in Portland could 'a' heard your poetry he'd
'a' been astonished," said Mrs. Cobb. "If you ask

me, I say this piece is as good as that one o' his,
`Tell me not in mournful numbers;' and consid'able

clearer."
"I never could fairly make out what `mournful

numbers' was," remarked Mr. Cobb critically.
"Then I guess you never studied fractions!"

flashed Rebecca. "See here, uncle Jerry and aunt
Sarah, would you write another verse, especially for

a last one, as they usually do--one with `thoughts'
in it--to make a better ending?"

"If you can grind 'em out jest by turnin' the
crank, why I should say the more the merrier; but

I don't hardly see how you could have a better
endin'," observed Mr. Cobb.

"It is horrid!" grumbled Rebecca. "I ought not
to have put that `me' in. I'm writing the poetry.

Nobody ought to know it IS me standing by the
river; it ought to be `Rebecca,' or `the darker

maiden;' and `the rush to Emma Jane' is simply
dreadful. Sometimes I think I never will try poetry,

it's so hard to make it come right; and other times
it just says itself. I wonder if this would be better?

But O! alas! we may not gain
The good for which we pray

The quiet life may come to one
Who likes it rather gay,

I don't know whether that is worse or not. Now for
a new last verse!"

In a few minutes the poetess looked up, flushed
and triumphant. "It was as easy as nothing. Just

hear!" And she read slowly, with her pretty,
pathetic voice:--

Then if our lot be bright or sad,
Be full of smiles, or tears,

The thought that God has planned it so
Should help us bear the years.

Mr. and Mrs. Cobb exchanged dumb glances of
admiration; indeed uncle Jerry was obliged to turn

his face to the window and wipe his eyes furtively
with the string-bag.

"How in the world did you do it?" Mrs. Cobb
exclaimed.

"Oh, it's easy," answered Rebecca; "the hymns
at meeting are all like that. You see there's a

school newspaper printed at Wareham Academy
once a month. Dick Carter says the editor is always

a boy, of course; but he allows girls to try and write
for it, and then chooses the best. Dick thinks I can

be in it."
"IN it!" exclaimed uncle Jerry. "I shouldn't

be a bit surprised if you had to write the whole
paper; an' as for any boy editor, you could lick

him writin', I bate ye, with one hand tied behind ye."
"Can we have a copy of the poetry to keep in

the family Bible?" inquired Mrs. Cobb respectfully.
"Oh! would you like it?" asked Rebecca. "Yes

indeed! I'll do a clean, nice one with violet ink
and a fine pen. But I must go and look at my poor

dress."
The old couple followed Rebecca into the kitchen.

The frock was quite dry, and in truth it had been
helped a little by aunt Sarah's ministrations; but

the colors had run in the rubbing, the pattern was
blurred, and there were muddy streaks here and

there. As a last resort, it was carefully smoothed
with a warm iron, and Rebecca was urged to attire

herself, that they might see if the spots showed as
much when it was on.

They did, most uncompromisingly, and to the
dullest eye. Rebecca gave one searching look, and

then said, as she took her hat from a nail in the
entry, "I think I'll be going. Good-night! If I've

got to have a scolding, I want it quick, and get it
over."

"Poor little onlucky misfortunate thing!" sighed
uncle Jerry, as his eyes followed her down the hill.

"I wish she could pay some attention to the ground
under her feet; but I vow, if she was ourn I'd let

her slop paint all over the house before I could
scold her. Here's her poetry she's left behind.



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