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to hide it in a napkin. Remember that of your own

gifts, Rebecca; they may not be praised of men, but
they may cheer, console, inspire, perhaps, when and

where you least expect. The brimming glass that
overflows its own rim moistens the earth about it."

"Did you ever hear of The Rose of Joy?" asked
Rebecca, after a long silence.

"Yes, of course; where did you see it?"
"On the outside of a book in the library."

"I saw it on the inside of a book in the library,"
smiled Miss Maxwell. "It is from Emerson, but

I'm afraid you haven't quite grown up to it,
Rebecca, and it is one of the things impossible to

explain."
"Oh, try me, dear Miss Maxwell!" pleaded

Rebecca. "Perhaps by thinking hard I can guess a
little bit what it means."

"`In the actual--this painful kingdom of time
and chance--are Care, Canker, and Sorrow; with

thought, with the Ideal, is immortal hilarity--the
rose of Joy; round it all the Muses sing,'" quoted

Miss Maxwell.
Rebecca repeated it over and over again until she

had learned it by heart; then she said, "I don't
want to be conceited, but I almost believe I do

understand it, Miss Maxwell. Not altogether, perhaps,
because it is puzzling and difficult; but a little,

enough to go on with. It's as if a splendid shape
galloped past you on horseback; you are so surprised

and your eyes move so slowly you cannot
half see it, but you just catch a glimpse as it whisks

by, and you know it is beautiful. It's all settled.
My essay is going to be called The Rose of Joy.

I've just decided. It hasn't any beginning, nor any
middle, but there will be a thrilling ending,

something like this: let me see; joy, boy, toy, ahoy,
decoy, alloy:--

Then come what will of weal or woe
(Since all gold hath alloy),

Thou 'lt bloom unwithered in this heart,
My Rose of Joy!

Now I'm going to tuck you up in the shawl and
give you the fir pillow, and while you sleep I am

going down on the shore and write a fairy story for
you. It's one of our `supposing' kind; it flies far,

far into the future, and makes beautiful things happen
that may never really all come to pass; but

some of them will,--you'll see! and then you'll
take out the little fairy story from your desk and

remember Rebecca."
"I wonder why these young things always choose

subjects that would tax the powers of a great
essayist!" thought Miss Maxwell, as she tried to sleep.

"Are they dazzled, captivated, taken possession of,
by the splendor of the theme, and do they fancy

they can write up to it? Poor little innocents, hitch-
ing their toy wagons to the stars! How pretty this

particular innocent looks under her new sunshade!"
Adam Ladd had been driving through Boston

streets on a cold spring day when nature and the
fashion-mongers were holding out promises which

seemed far from performance. Suddenly his vision
was assailed by the sight of a rose-colored parasol

gayly unfurled in a shop window, signaling the
passer-by and setting him to dream of summer

sunshine. It reminded Adam of a New England apple-
tree in full bloom, the outer covering of deep pink

shining through the thin white lining, and a fluffy,
fringe-like edge of mingled rose and cream dropping

over the green handle. All at once he remembered
one of Rebecca's early confidences,--the little pink

sunshade that had given her the only peep into the
gay world of fashion that her childhood had ever

known; her adoration of the flimsy bit of finery and
its tragic and sacrificial end. He entered the shop,

bought the extravagant bauble, and expressed it to
Wareham at once, not a single doubt of its

appropriateness crossing the darkness of his masculine
mind. He thought only of the joy in Rebecca's

eyes; of the poise of her head under the apple-blossom
canopy. It was a trifle embarrassing to return

an hour later and buy a blue parasol for Emma Jane
Perkins, but it seemed increasingly difficult, as the

years went on, to remember her existence at all
the proper times and seasons.

This is Rebecca's fairy story, copied the next day
and given to Emily Maxwell just as she was going to

her room for the night. She read it with tears in her
eyes and then sent it to Adam Ladd, thinking he had

earned a share in it, and that he deserved a glimpse
of the girl's budding imagination, as well as of her

grateful young heart.
A FAIRY STORY

There was once a tired and rather poverty-
stricken Princess who dwelt in a cottage on the

great highway between two cities. She was not as
unhappy as thousands of others; indeed, she had

much to be grateful for, but the life she lived and
the work she did were full hard for one who was

fashioned slenderly.
Now the cottage stood by the edge of a great

green forest where the wind was always singing
in the branches and the sunshinefiltering through

the leaves.
And one day when the Princess was sitting by the

wayside quite spent by her labor in the fields, she
saw a golden chariot rolling down the King's Highway,

and in it a person who could be none other than
somebody's Fairy Godmother on her way to the

Court. The chariot halted at her door, and though
the Princess had read of such beneficent personages,

she never dreamed for an instant that one of them
could ever alight at her cottage.

"If you are tired, poor little Princess, why do you
not go into the cool green forest and rest?" asked

the Fairy Godmother.
"Because I have no time," she answered. "I

must go back to my plough."
"Is that your plough leaning by the tree, and is

it not too heavy?"
"It is heavy," answered the Princess, "but I love

to turn the hard earth into soft furrows and know
that I am making good soil wherein my seeds may

grow. When I feel the weight too much, I try to
think of the harvest."

The golden chariot passed on, and the two talked
no more together that day; nevertheless the King's

messengers were busy, for they whispered one word
into the ear of the Fairy Godmother and another

into the ear of the Princess, though so faintly that
neither of them realized that the King had spoken.

The next morning a strong man knocked at the
cottage door, and doffing his hat to the Princess

said: "A golden chariot passed me yesterday, and
one within it flung me a purse of ducats, saying:

`Go out into the King's Highway and search until
you find a cottage and a heavy plough leaning against

a tree near by. Enter and say to the Princess whom
you will find there: "I will guide the plough and

you must go and rest, or walk in the cool green
forest; for this is the command of your Fairy

Godmother."'"
And the same thing happened every day, and

every day the tired Princess walked in the green
wood. Many times she caught the glitter of the

chariot and ran into the Highway to give thanks
to the Fairy Godmother; but she was never fleet

enough to reach the spot. She could only stand
with eager eyes and longing heart as the chariot

passed by. Yet she never failed to catch a smile,
and sometimes a word or two floated back to her,

words that sounded like: "I would not be thanked.
We are all children of the same King, and I am only

his messenger."
Now as the Princess walked daily in the green

forest, hearing the wind singing in the branches and
seeing the sunlightfilter through the lattice-work of

green leaves, there came unto her thoughts that had
lain asleep in the stifling air of the cottage and the

weariness of guiding the plough. And by and by
she took a needle from her girdle and pricked the

thoughts on the leaves of the trees and sent them
into the air to float hither and thither. And it came

to pass that people began to pick them up, and holding
them against the sun, to read what was written

on them, and this was because the simple little
words on the leaves were only, after all, a part of

one of the King's messages, such as the Fairy Godmother
dropped continually from her golden chariot.

But the miracle of the story lies deeper than all this.
Whenever the Princess pricked the words upon

the leaves she added a thought of her Fairy Godmother,
and folding it close within, sent the leaf out

on the breeze to float hither and thither and fall
where it would. And many other little Princesses

felt the same impulse and did the same thing. And
as nothing is ever lost in the King's Dominion, so

these thoughts and wishes and hopes, being full
of love and gratitude, had no power to die, but took

unto themselves other shapes and lived on forever.
They cannot be seen, our vision is too weak; nor

heard, our hearing is too dull; but they can sometimes
be felt, and we know not what force is stirring

our hearts to nobler aims.
The end of the story is not come, but it may be

that some day when the Fairy Godmother has a message
to deliver in person straight to the King, he will

say: "Your face I know; your voice, your thoughts,
and your heart. I have heard the rumble of your

chariot wheels on the great Highway, and I knew
that you were on the King's business. Here in my

hand is a sheaf of messages from every quarter of
my kingdom. They were delivered by weary and

footsore travelers, who said that they could never
have reached the gate in safety had it not been for

your help and inspiration. Read them, that you
may know when and where and how you sped the

King's service."
And when the Fairy Godmother reads them, it

may be that sweet odors will rise from the pages,
and half-forgotten memories will stir the air; but



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