to hide it in a
napkin. Remember that of your own
gifts, Rebecca; they may not be praised of men, but
they may cheer,
console,
inspire, perhaps, when and
where you least expect. The brimming glass that
overflows its own rim moistens the earth about it."
"Did you ever hear of The Rose of Joy?" asked
Rebecca, after a long silence.
"Yes, of course; where did you see it?"
"On the outside of a book in the library."
"I saw it on the inside of a book in the library,"
smiled Miss Maxwell. "It is from Emerson, but
I'm afraid you haven't quite grown up to it,
Rebecca, and it is one of the things impossible to
explain."
"Oh, try me, dear Miss Maxwell!" pleaded
Rebecca. "Perhaps by thinking hard I can guess a
little bit what it means."
"`In the actual--this
painful kingdom of time
and chance--are Care, Canker, and Sorrow; with
thought, with the Ideal, is
immortal hilarity--the
rose of Joy; round it all the Muses sing,'" quoted
Miss Maxwell.
Rebecca
repeated it over and over again until she
had
learned it by heart; then she said, "I don't
want to be
conceited, but I almost believe I do
understand it, Miss Maxwell. Not
altogether, perhaps,
because it is puzzling and difficult; but a little,
enough to go on with. It's as if a splendid shape
galloped past you on
horseback; you are so surprised
and your eyes move so slowly you cannot
half see it, but you just catch a
glimpse as it whisks
by, and you know it is beautiful. It's all settled.
My essay is going to be called The Rose of Joy.
I've just
decided. It hasn't any
beginning, nor any
middle, but there will be a thrilling ending,
something like this: let me see; joy, boy, toy, ahoy,
decoy, alloy:--
Then come what will of weal or woe
(Since all gold hath alloy),
Thou 'lt bloom unwithered in this heart,
My Rose of Joy!
Now I'm going to tuck you up in the shawl and
give you the fir pillow, and while you sleep I am
going down on the shore and write a fairy story for
you. It's one of our `supposing' kind; it flies far,
far into the future, and makes beautiful things happen
that may never really all come to pass; but
some of them will,--you'll see! and then you'll
take out the little fairy story from your desk and
remember Rebecca."
"I wonder why these young things always choose
subjects that would tax the powers of a great
essayist!" thought Miss Maxwell, as she tried to sleep.
"Are they dazzled, captivated, taken possession of,
by the
splendor of the theme, and do they fancy
they can write up to it? Poor little
innocents, hitch-
ing their toy wagons to the stars! How pretty this
particular
innocent looks under her new sunshade!"
Adam Ladd had been driving through Boston
streets on a cold spring day when nature and the
fashion-mongers were
holding out promises which
seemed far from
performance. Suddenly his
visionwas assailed by the sight of a rose-colored parasol
gayly unfurled in a shop window, signaling the
passer-by and
setting him to dream of summer
sunshine. It reminded Adam of a New England apple-
tree in full bloom, the outer covering of deep pink
shining through the thin white
lining, and a fluffy,
fringe-like edge of mingled rose and cream dropping
over the green handle. All at once he remembered
one of Rebecca's early confidences,--the little pink
sunshade that had given her the only peep into the
gay world of fashion that her
childhood had ever
known; her
adoration of the flimsy bit of finery and
its
tragic and sacrificial end. He entered the shop,
bought the
extravagant bauble, and expressed it to
Wareham at once, not a single doubt of its
appropriateness crossing the darkness of his masculine
mind. He thought only of the joy in Rebecca's
eyes; of the poise of her head under the apple-blossom
canopy. It was a
trifle embarrassing to return
an hour later and buy a blue parasol for Emma Jane
Perkins, but it seemed
increasingly difficult, as the
years went on, to remember her
existence at all
the proper times and seasons.
This is Rebecca's fairy story, copied the next day
and given to Emily Maxwell just as she was going to
her room for the night. She read it with tears in her
eyes and then sent it to Adam Ladd, thinking he had
earned a share in it, and that he deserved a
glimpseof the girl's budding
imagination, as well as of her
grateful young heart.
A FAIRY STORY
There was once a tired and rather poverty-
stricken Princess who dwelt in a
cottage on the
great
highway between two cities. She was not as
unhappy as thousands of others; indeed, she had
much to be
grateful for, but the life she lived and
the work she did were full hard for one who was
fashioned slenderly.
Now the
cottage stood by the edge of a great
green forest where the wind was always singing
in the branches and the
sunshinefiltering through
the leaves.
And one day when the Princess was sitting by the
wayside quite spent by her labor in the fields, she
saw a golden
chariot rolling down the King's Highway,
and in it a person who could be none other than
somebody's Fairy Godmother on her way to the
Court. The
chariot halted at her door, and though
the Princess had read of such beneficent personages,
she never dreamed for an
instant that one of them
could ever
alight at her
cottage.
"If you are tired, poor little Princess, why do you
not go into the cool green forest and rest?" asked
the Fairy Godmother.
"Because I have no time," she answered. "I
must go back to my
plough."
"Is that your
plough leaning by the tree, and is
it not too heavy?"
"It is heavy," answered the Princess, "but I love
to turn the hard earth into soft furrows and know
that I am making good soil
wherein my seeds may
grow. When I feel the weight too much, I try to
think of the harvest."
The golden
chariot passed on, and the two talked
no more together that day;
nevertheless the King's
messengers were busy, for they whispered one word
into the ear of the Fairy Godmother and another
into the ear of the Princess, though so
faintly that
neither of them realized that the King had spoken.
The next morning a strong man knocked at the
cottage door, and doffing his hat to the Princess
said: "A golden
chariot passed me
yesterday, and
one within it flung me a purse of ducats, saying:
`Go out into the King's Highway and search until
you find a
cottage and a heavy
plough leaning against
a tree near by. Enter and say to the Princess whom
you will find there: "I will guide the
plough and
you must go and rest, or walk in the cool green
forest; for this is the command of your Fairy
Godmother."'"
And the same thing happened every day, and
every day the tired Princess walked in the green
wood. Many times she caught the
glitter of the
chariot and ran into the Highway to give thanks
to the Fairy Godmother; but she was never fleet
enough to reach the spot. She could only stand
with eager eyes and
longing heart as the
chariotpassed by. Yet she never failed to catch a smile,
and sometimes a word or two floated back to her,
words that sounded like: "I would not be thanked.
We are all children of the same King, and I am only
his messenger."
Now as the Princess walked daily in the green
forest,
hearing the wind singing in the branches and
seeing the
sunlightfilter through the lattice-work of
green leaves, there came unto her thoughts that had
lain asleep in the stifling air of the
cottage and the
weariness of guiding the
plough. And by and by
she took a
needle from her
girdle and pricked the
thoughts on the leaves of the trees and sent them
into the air to float
hither and t
hither. And it came
to pass that people began to pick them up, and
holdingthem against the sun, to read what was written
on them, and this was because the simple little
words on the leaves were only, after all, a part of
one of the King's messages, such as the Fairy Godmother
dropped
continually from her golden
chariot.
But the
miracle of the story lies deeper than all this.
Whenever the Princess pricked the words upon
the leaves she added a thought of her Fairy Godmother,
and folding it close within, sent the leaf out
on the
breeze to float
hither and t
hither and fall
where it would. And many other little Princesses
felt the same
impulse and did the same thing. And
as nothing is ever lost in the King's Dominion, so
these thoughts and wishes and hopes, being full
of love and
gratitude, had no power to die, but took
unto themselves other shapes and lived on forever.
They cannot be seen, our
vision is too weak; nor
heard, our
hearing is too dull; but they can sometimes
be felt, and we know not what force is stirring
our hearts to nobler aims.
The end of the story is not come, but it may be
that some day when the Fairy Godmother has a message
to deliver in person straight to the King, he will
say: "Your face I know; your voice, your thoughts,
and your heart. I have heard the
rumble of your
chariot wheels on the great Highway, and I knew
that you were on the King's business. Here in my
hand is a sheaf of messages from every quarter of
my kingdom. They were delivered by weary and
footsore travelers, who said that they could never
have reached the gate in safety had it not been for
your help and
inspiration. Read them, that you
may know when and where and how you sped the
King's service."
And when the Fairy Godmother reads them, it
may be that sweet odors will rise from the pages,
and half-forgotten memories will stir the air; but