Nor ever could.
And those of us who live herein
Are most as dead as seraphim
Though not as good.
My
guardian angel is asleep
At least he doth no vigil keep
But far doth roam.
Then give me back my
lonely farm
Where none alive did wish me harm,
Dear
childhood home!
Dear Mother,--I am thrilling with unhappyness
this morning. I got that out of Cora The
Doctor's Wife whose husband's mother was very
cross and unfealing to her like Aunt M. to me. I
wish Hannah had come instead of me for it was
Hannah that was wanted and she is better than
I am and does not answer back so quick. Are
there any peaces of my buff
calico. Aunt J. wants
enough to make a new waste
button behind so I
wont look so outlandish. The stiles are quite pretty
in Riverboro and those at Meeting quite ellergant
more so than in Temperance.
This town is stilish, gay and fair,
And full of wellthy
riches rare,
But I would pillow on my arm
The thought of my sweet Brookside Farm.
School is pretty good. The Teacher can answer
more questions than the Temperance one but not so
many as I can ask. I am smarter than all the girls
but one but not so smart as two boys. Emma Jane
can add and
subtract in her head like a streek of
lightning and knows the speling book right through
but has no thoughts of any kind. She is in the
Third Reader but does not like stories in books. I
am in the Sixth Reader but just because I cannot
say the seven
multiplication Table Miss Dearborn
threttens to put me in the baby primer class with
Elijah and Elisha Simpson little twins.
Sore is my heart and bent my
stubborn pride,
With Lijah and with Lisha am I tied,
My soul recoyles like Cora Doctor's Wife,
Like her I feer I cannot bare this life.
I am going to try for the speling prize but fear
I cannot get it. I would not care but wrong speling
looks
dreadful in
poetry. Last Sunday when I
found seraphim in the dictionary I was
ashamed I
had made it serrafim but seraphim is not a word you
can guess at like another long one outlandish in this
letter which spells itself. Miss Dearborn says use
the words you CAN spell and if you cant spell seraphim
make angel do but angels are not just the same
as seraphims. Seraphims are brighter whiter and
have bigger wings and I think are older and longer
dead than angels which are just
freshly dead and
after a long time in heaven around the great white
throne grow to be seraphims.
I sew on brown
gingham dresses every afternoon
when Emma Jane and the Simpsons are playing
house or
running on the Logs when their mothers
do not know it. Their mothers are afraid they will
drown and Aunt M. is afraid I will wet my clothes
so will not let me either. I can play from half past
four to supper and after supper a little bit and Saturday
afternoons. I am glad our cow has a calf and it
is spotted. It is going to be a good year for apples
and hay so you and John will be glad and we can
pay a little more morgage. Miss Dearborn asked us
what is the object of edducation and I said the object
of mine was to help pay off the morgage. She told
Aunt M. and I had to sew extra for
punishment because
she says a morgage is
disgrace like stealing
or
smallpox and it will be all over town that we have
one on our farm. Emma Jane is not morgaged nor
Richard Carter nor Dr. Winship but the Simpsons
are.
Rise my soul,
strain every nerve,
Thy morgage to remove,
Gain thy mother's heartfelt thanks
Thy family's
grateful love.
Pronounce family QUICK or it won't sound right
Your
loving little friend
Rebecca
Dear John,--You remember when we tide the
new dog in the barn how he bit the rope and
howled I am just like him only the brick house is
the barn and I can not bite Aunt M. because I
must be
grateful and edducation is going to be the
making of me and help you pay off the morgage
when we grow up. Your
lovingBecky.
V
WISDOM'S WAYS
The day of Rebecca's
arrival had been
Friday, and on the Monday following she
began her education at the school which
was in Riverboro Centre, about a mile distant.
Miss Sawyer borrowed a neighbor's horse and
wagon and drove her to the
schoolhouse, interviewing
the teacher, Miss Dearborn, arranging for books,
and generally starting the child on the path that
was to lead to
boundless knowledge. Miss Dearborn,
it may be said in passing, had had no special
preparation in the art of teaching. It came to her
naturally, so her family said, and perhaps for this
reason she, like Tom Tulliver's
clergyman tutor,
"set about it with that
uniformity of method and
independence of circumstances which
distinguish the
actions of animals understood to be under the
immediate teaching of Nature." You remember the
beaver which a
naturalist tells us "busied himself
as
earnestly in constructing a dam in a room up
three pair of stairs in London as if he had been laying
his
foundation in a lake in Upper Canada. It
was his
function to build, the
absence of water or of
possible progeny was an accident for which he was
not accountable." In the same manner did Miss
Dearborn lay what she
fondly imagined to be
foundations in the
infant mind.
Rebecca walked to school after the first morning.
She loved this part of the day's programme. When
the dew was not too heavy and the weather was fair
there was a short cut through the woods. She turned
off the main road, crept through uncle Josh Woodman's
bars, waved away Mrs. Carter's cows, trod the
short grass of the
pasture, with its well-worn path
running through gardens of buttercups and white-
weed, and groves of ivory leaves and sweet fern.
She descended a little hill, jumped from stone to
stone across a
woodland brook,
startling the drowsy
frogs, who were always winking and blinking in the
morning sun. Then came the "woodsy bit," with
her feet pressing the
slipperycarpet of brown pine
needles; the "woodsy bit" so full of dewy morning,
surprises,--fungous growths of
brilliant orange and
crimson springing up around the stumps of dead
trees, beautiful things born in a single night; and
now and then the
miracle of a little clump of waxen
Indian pipes, seen just quickly enough to be saved
from her
careless tread. Then she climbed a stile,
went through a
grassymeadow, slid under another
pair of bars, and came out into the road again. having
gained nearly half a mile.
How
delicious it all was! Rebecca clasped her
Quackenbos's Grammar and Greenleaf's Arithmetic
with a
joyful sense of
knowing her lessons. Her
dinner pail swung from her right hand, and she
had a blissful
consciousness of the two soda biscuits
spread with butter and syrup, the baked cup-custard,
the
doughnut, and the square of hard gingerbread.
Sometimes she said
whatever "piece" she was going
to speak on the next Friday afternoon.
"A soldier of the Legion lay dying in Algiers,
There was lack of woman's nursing, there was
dearth of
woman's tears."
How she loved the swing and the
sentiment of it!
How her young voice quivered
whenever she came to
the refrain:--
"But we'll meet no more at Bingen, dear Bingen on the Rhine."
It always sounded beautiful in her ears, as she
sent her tearful little
treble into the clear morning
air. Another early favorite (for we must remember
that Rebecca's only knowledge of the great world
of
poetry consisted of the selections in vogue in
school readers) was:--
"Woodman, spare that tree!
Touch not a single bough!
In youth it sheltered me,
And I'll protect it now."
When Emma Jane Perkins walked through the
"short cut" with her, the two children used to render
this with
appropriatedramatic action. Emma
Jane always chose to be the
woodman because she
had nothing to do but raise on high an imaginary
axe. On the one occasion when she essayed the
part of the tree's
romanticprotector, she represented
herself as feeling "so awful foolish" that she
refused to
undertake it again, much to the secret
delight of Rebecca, who found the
woodman's role
much too tame for her vaulting
ambition. She
reveled in the impassioned
appeal of the poet, and
implored the
ruthlesswoodman to be as
brutal as
possible with the axe, so that she might properly
put greater spirit into her lines. One morning, feeling
more frisky than usual, she fell upon her knees
and wept in the
woodman's
petticoat. Curiously
enough, her sense of
proportion rejected this as
soon as it was done.
"That wasn't right, it was silly, Emma Jane; but
I'll tell you where it might come in--in Give me
Three Grains of Corn. You be the mother, and
I'll be the famishing Irish child. For pity's sake
put the axe down; you are not the
woodman any
longer!"
"What'll I do with my hands, then?" asked
Emma Jane.
"Whatever you like," Rebecca answered wearily;
"you're just a mother--that's all. What does
YOUR mother do with her hands? Now here goes!
"`Give me three grains of corn, mother,
Only three grains of corn,
'T will keep the little life I have