looked upon Lucien as the
benefactor whom he could never repay.
Any one may guess how the ruling thoughts and inner life of this pair
of friends unfitted them for carrying on the business of a printing
house. So far from making fifteen to twenty thousand francs, like
Cointet Brothers,
printers and publishers to the diocese, and
proprietors of the Charente Chronicle (now the only newspaper in the
department)--Sechard & Son made a bare three hundred francs per month,
out of which the
foreman's salary must be paid, as well as Marion's
wages and the rent and taxes; so that David himself was scarcely
making twelve hundred francs per annum. Active and
industrious men of
business would have bought new type and new machinery, and made an
effort to secure orders for cheap printing from the Paris book trade;
but master and
foreman, deep in absorbing
intellectual interests, were
quite content with such orders as came to them from their remaining
customers.
In the long length the Cointets had come to understand David's
character and habits. They did not
slander him now; on the contrary,
wise
policy required that they should allow the business to flicker
on; it was to their interest indeed to
maintain it in a small way,
lest it should fall into the hands of some more
formidable competitor;
they made a practice of sending prospectuses and circulars--job-
printing, as it is called--to the Sechard's
establishment. So it came
about that, all unwittingly, David owed his
existence, commercially
speaking, to the
cunning schemes of his competitors. The Cointets,
well pleased with his "craze," as they called it, behaved to all
appearance both fairly and handsomely; but, as a matter of fact, they
were adopting the
tactics of the mail-coach owners who set up a sham
opposition coach to keep bona fide rivals out of the field.
Inside and outside, the condition of the Sechard printing
establishment bore
testimony to the
sordidavarice of the old "bear,"
who never spent a penny on repairs. The old house had stood in sun and
rain, and borne the brunt of the weather, till it looked like some
venerable tree trunk set down at the entrance of the alley, so riven
it was with seams and cracks of all sorts and sizes. The house front,
built of brick and stone, with no pretensions to symmetry, seemed to
be bending beneath the weight of a worm-eaten roof covered with the
curved pantiles in common use in the South of France. The decrepit
casements were fitted with the heavy, unwieldy shutters necessary in
that
climate, and held in place by
massive iron cross bars. It would
have puzzled you to find a more dilapidated house in Angouleme;
nothing but sheer tenacity of
mortar kept it together. Try to picture
the
workshop, lighted at either end, and dark in the middle; the walls
covered with handbills and begrimed by
friction of all the
workmen who
had rubbed past them for thirty years; the
cobweb of cordage across
the ceiling, the stacks of paper, the
old-fashioned presses, the pile
of slabs for weighting the damp sheets, the rows of cases, and the two
dens in the far corners where the master
printer and
foreman sat--and
you will have some idea of the life led by the two friends.
One day early in May, 1821, David and Lucien were
standing together by
the window that looked into the yard. It was nearly two o'clock, and
the four or five men were going out to dinner. David waited until the
apprentice had shut the street door with the bell fastened to it; then
he drew Lucien out into the yard as if the smell of paper, ink, and
presses and old
woodwork had grown
intolerable to him, and together
they sat down under the vines, keeping the office and the door in
view. The sunbeams, playing among the trellised vine-shoots, hovered
over the two poets, making, as it were, an aureole about their heads,
bringing the
contrast between their faces and their
characters into a