Chapter 46
Stop Him!
Darkness rests upon Tom-all-Alone's. Dilating and dilating
since the sun went down last night, it has gradually
swelled until it fills every void in the place. For a time
there were some
dungeon lights burning, as the lamp of Life burns
in Tom-all-Alone's, heavily, heavily, in the nauseous air, and
winking-as that lamp, too, winks in Tom-all-Alone's-at many
horrible things. But they are blotted out. The moon has eyed Tom
with a dull cold stare, as admitting some puny emulation of herself
in his desert region unfit for life and blasted by
volcanic fires; but
she has passed on, and is gone. The blackest
nightmare in the
infernal stables grazes on Tom-all-Alone's, and Tom is fast asleep.
Much
mighty speech-making there has been, both in and out of
Parliament,
concerning Tom, and much wrathful disputation how
Tom shall be got right. Whether he shall be put into the main road
by constables, or by beadles, or by bell-ringing, or by force of
figures, or by correct principles of taste, or by high church, or by
low church, or by no church; whether he shall be set to splitting
trusses of polemical straws with the
crooked knife of his mind, or
whether he shall be put to stone-breaking instead. In the midst of
which dust and noise, there is but one thing
perfectly clear, to wit,
that Tom only may and can, or shall and will, be reclaimed
according to somebody's theory but nobody's practice. And, in the
hopeful meantime, Tom goes to perdition head
foremost in his old
determined spirit.
But he has his revenge. Even the winds are his messengers, and
they serve him in these hours of darkness. There is not a drop of
Tom's corrupted blood but propagates
infection and contagion
somewhere. It shall
pollute, this very night, the choice stream (in
which chemists on analysis would find the
genuine nobility) of a
Norman house, and his Grace shall not be able to say Nay to the
infamous alliance. There is not an atom of Tom's slime, not a cubic
inch of any pestilential gas in which he lives, not one obscenity or
degradation about him, not an ignorance, not a wickedness, not a
brutality of his committing, but shall work its retribution, through
every order of society, up to the proudest of the proud, and to the
highest of the high. Verily, what with tainting, plundering, and
spoiling, Tom has his revenge.
It is a moot point whether Tom-all-Alone's be uglier by day or
by night; but on the argument that the more that is seen of it the
more
shocking it must be, and that no part of it left to the
imagination is at all likely to be made so bad as the reality, day
carries it. The day begins to break now; and in truth it might be
better for the national glory even that the sun should sometimes
set upon the British dominions, than that it should ever rise upon
so vile a wonder as Tom.
A brown sunburnt gentleman, who appears in some inaptitude
for sleep to be wandering abroad rather than counting the hours
on a restless pillow, strolls hitherward at this quiet time. Attracted
by curiosity, he often pauses and looks about him, up and down
the miserable byways. Nor is he merely curious, for in his bright
dark eye there is
passionate" title="a.有同情心的 vt.同情">
compassionate interest; and as he looks here and
there, he seems to understand such wretchedness, and to have
studied it before.On the banks of the
stagnant channel of mud which is the main
street of Tom-all-Alone's, nothing is to be seen but the crazy
houses, shut up and silent. No waking creature save himself
appears, except in one direction, where he sees the
solitary figure
of a woman sitting on a
doorstep. He walks that way. Approaching,
he observes that she has journeyed a long distance, and is footsore
and travel-stained. She sits on the
doorstep in the manner of one
who is waiting, with her elbow on her knee and her head upon her
hand. Beside her is a canvas bag, or bundle, she has carried. She is
dozing probably, for she gives no heed to his steps as he comes
toward her.
The broken footway is so narrow, that when Allan Woodcourt
comes to where the woman sits, he has to turn into the road to
pass her. Looking down at her face, his eye meets hers, and he
stops.
"What is the matter?"
"Nothing sir."
"Can't you make them hear? Do you want to be let in?"
"I'm waiting till they get up at another house-a lodging-
house-not here," the woman
patiently returns. "I'm waiting here
because there will be sun here presently to warm me."
"I am afraid you are tired. I am sorry to see you sitting in the
street."
"Thank you sir. It don't matter."
A habit in him of
speaking to the poor, and of avoiding
patronage or condescension, or childishness (which is the
favourite device, many people deeming it quite a
subtlety to talk to
them like little spelling books), has put him on good terms with the
woman easily."Let me look at your forehead," he says, bending down. "I am a
doctor. Don't be afraid. I wouldn't hurt you for the world."
He knows that by
touching her with his skilful and accustomed
hand, he can
soothe her yet more readily. She makes a slight
objection,
saying, "It's nothing;" but he has scarcely laid his
fingers on the wounded place when she lifts it up to the light.
"Aye! A bad
bruise, and the skin sadly broken. This must be
very sore."
"It do ache a little, sir," returns the woman, with a started tear
upon her cheek.
"Let me try to make it more comfortable. My handkerchief
won't hurt you."
"O dear no, sir, I'm sure of that!"
He cleanses the injured place and dries it; and having carefully
examined it and gently pressed it with the palm of his hand, takes
a small case from his pocket, dresses it, and binds it up. While he
is thus employed, he says, after laughing at his establishing a
surgery in the street:
"And so your husband is a brickmaker?"
"How you know that, sir?" asked the woman, astonished.
"Why, I suppose so, from the colour of the clay upon your bag
and on your dress. And I know brickmakers go about working at
piecework in places. And I am sorry to say I have known them
cruel to their wives too."
The woman hastily lifts up her eyes, as if she would deny that
her injury is referable to such a cause. But feeling the hand upon
her forehead, and
seeing his busy and
composed face, she quietly
drops them again.
"Where is he now?" asks the surgeon."He got into trouble last night, sir; but he'll look for me at the
lodging-house."
"He will get into worse trouble if he often misuses his large and
heavy hand as he has misused it here. But you forgive him, brutal
as he is, and I say no more of him, except that I wish he deserved
it. You have no young child?"
The woman shakes her head. "One as I calls mine, sir, but it's
Liz's."
"Your own is dead. I see! Poor little thing!"
By this time he has finished, and is putting up his case. "I
suppose you have some settled home. Is it far from here?" he asks,
good-humouredly making light of what he has done, as she gets up
and curtseys.
"It's a good two or three-and-twenty mile from here, sir. At
Saint Albans. You know Saint Albans, sir? I thought you gave a
start like, as if you did?"
"Yes, I know something of it. And now I will ask you a question
in return. Have you money for your lodging?"
"Yes, sir," she says, "really and truly." And she shows it. He
tells her, in acknowledgement of her many subdued thanks, that
she is very welcome, gives her good day, and walks away. Tom-all-
Alone's is still asleep, and nothing is astir.
Yes, something is! As he retraces his way to the point from
which he descried the woman at a distance sitting on the step, he
sees a
ragged figure coming very
cautiously along, crouching close
to the soiled walls-which the wretchedest figure might as well
avoid-and furtively thrusting a hand before it. It is the figure of a
youth, whose face is hollow, and whose eyes have an emaciated
glare. He is so intent on getting along
unseen, that even the
apparition of a stranger in whole garments does not tempt him to
look back. He shades his face with his
ragged elbow as he passes
on the other side of the way, and goes shrinking and creeping on,
with his anxious hand before him, and his
shapeless clothes
hanging in shreds. Clothes made for what purpose, or of what
material, it would be impossible to say. They look, in colour and in
substance, like a bundle of rank leaves of swampy growth, that
rotted long ago.
Allan Woodcourt pauses to look after him and note all this, with
a
shadowy belief that he has seen the boy before. He cannot recall
how, or where; but there is some association in his mind with such
a form. He imagines that he must have seen it in some hospital or
refuge; still, cannot make out why it comes with any special force
on his remembrance.
He is gradually emerging from Tom-all-Alone's in the morning
light, thinking about it, when he hears running feet behind him;
and looking round, sees the boy, scouring towards him at great
speed, followed by the woman.
"Stop him, stop him!" cries the woman, almost breathless.
"Stop him, sir!"
He darts across the road into the boy's path, but the boy is
quicker than he-makes a curve-ducks-dives under his hands-
comes up half-a-dozen yards beyond him, and scours away again.
Still, the woman follows, crying, "Stop him, sir, pray stop him!"
Allan, not knowing but that he has just robbed her of her money,
follows in chase, and runs so hard, that he runs the boy down a
dozen times; but each time he repeats the curve, the duck, the
dive, and scours away again. To strike at him, on any of these
occasions, would be to fell and
disable him; but the
pursuer cannot resolve to do that; and so the
grimlyridiculous pursuit continues.
At last the
fugitive, hard-pressed, takes to a narrow passage, and a
court which has no
thoroughfare. Here, against a hoarding of
decaying timber, he is brought to bay, and tumbles down, lying
gasping at his
pursuer, who stands and gasps at him until the
woman comes up.
"O you, Jo!" cries the woman. "What? I have found you at last!"
"Jo," repeats Allan, looking at him with attention. "Jo! Stay. To
be sure! I
recollect this lad some time ago being brought before
the coroner."
"Yes, I see you once afore at the Inkwhich," whimpers Jo.
"What of that? Can't you never let such an unfortnet as me alone?
An't I unfortnet enough for you yet? How unfortnet do you want
me for to be? Iv'e been a-chivied and a-chivied, fust by one on you
and nixt by another on you, till I'm worritted to skins and bones.
The Inkwhich warn't my fault. I done nothink. He wos wery good
to me he wos; he wos the only one I know'd to speak to, as ever
come across my crossing. It ain't wery likely I should want him to
be Inkwhich'd. I only wish I wos, myself. I don't know why I don't
go and make a hole in the water, I'm sure I don't.
He says it with such a pitiable air, and his grimy tears appear so
real, and he lies in the corner up against the hoarding so like a
growth of
fungus or any unwholesome excresence produced there
in neglect and
impurity, that Allan Woodcourt is softened towards
him. He says to the woman, "Miserable creature, what has he
done?"
To which she only replies, shaking her head at the prostrate
figure more amazedly than
angrily: "Oh you, Jo, you Jo. I have
found you at last!"Bleak House 868
"What has he done?" says Allan. "Has he robbed you?"
"No sir, no. Robbed me? He did nothing but what was kind-
hearted by me, and that's the wonder of it."
Allan looks from Jo to the woman, and from the woman to Jo,
waiting for one of them to unravel the riddle.
"But he was along with me, sir," says the woman,-"O you
Jo!-he was along with me, sir, down at Saint Albans, ill, and a
young lady, Lord bless her for a good friend to me, took pity on
him when I durstn't, and took him home-" Allan shrinks back
from him with a sudden horror.
"Yes sir, yes. Took him home, and made him comfortable, and
like a thankless monster he ran away in the night, and never has
been seen or heard of since, till I set eyes on him just now. And
that young lady that was such a pretty dear, caught his illness, lost
her beautiful looks, and wouldn't hardly be known for the same
young lady now, if it wasn't for her angel temper, and her pretty
shape, and her sweet voice. Do you know it? You ungrateful
wretch, do you know that this is all along of you and of her
goodness to you?" demands the woman, beginning to rage at him
as she recalls it, and breaking into
passionate tears.
The boy, in rough sort stunned by what he hears, falls to
smearing his dirty forehead with his dirty palm, and to staring at
the ground, and to shaking from head to foot until the crazy
hoarding against which he leans, rattles.
Allan restrains the woman, merely by a quiet gesture, but
effectually.
"Richard told me," he falters, "-I mean I have heard of this-
don't mind me for a moment, I will speak presently."
He turns away, and stands for a while looking out at the covered passage. When he comes back, he has recovered his
composure; except that he contends against an avoidance of the
boy, which is so very remarkable, that it absorbs the woman's
attention.
"You hear what she says. But get up, get up!"
Jo, shaking and chattering, slowly rises, and stands, after the
manner of his tribe in a difficulty, sideways against the hoarding,
resting one of his high shoulders against it, and covertly rubbing
his right hand over his left, and his left foot over his right.
"You hear what she says, and I know it's true. Have you been
here ever since?"
"Whishermaydie if I seen Tom-all-Alone's till this blessed
morning," replies Jo, hoarsely.
"Why have you come here now?"
Jo looks all round the confined court, looks at his questioner no
higher than the knees, and finally answers:
"I don't know how to do nothink, and I can't get nothink to do.
I'm wery poor and ill, and I thought I'd come back here when
there warn't nobody about, and lay down and hide somewheres as
I knows on till after dark, and then go and beg a trifle of Mr
Sangsby. He wos allus willin fur to give me sumthink he wos,
though Mrs Sangsby she wus allus a-chivying on me-like
everybody everywheres."
"Where have you come from?"
Jo looks all round the court again, looks at his questioner's
knees again, and concludes by laying his
profile against the
hoarding in a sort of
resignation.
"Did you hear me ask you where you have come from?"
"Tramp then," says Jo."Now, tell me," proceeds Allen, making a strong effort to
overcome his repugnance, going very near to him, and leaning
over him with an expression of confidence, "tell me how it came
about that you left that house, when the good young lady had been
so unfortunate as to pity you, and take you home."
Jo suddenly comes out of his
resignation, and excitedly
declares, addressing the woman, that he never known about the
young lady, that he never heern about it, that he never went fur to
hurt her, that he would sooner have hurt his own self, that he'd
sooner have had his unfortnet ed chopped off than ever gone a-
nigh her, and that she wos wery good to him, she wos. Conducting
himself throughout as if in his poor fashion he really meant it, and
winding up with some very miserable sobs.
Allan Woodcourt sees that this is not a sham. He constrains
himself to touch him. "Come Jo. Tell me."
"No. I dustn't," says Jo, relapsing into the
profile state. "I
dustn't, or I would."
"But I must know," returns the other, "all the same. Come Jo."
After two or three of such adjurations, Jo lifts up his head
again, looks round the court again, and says in a low voice, "Well,
I'll tell you something. I wos took away. There!"
"Took away? In the night?"
"Ah!" Very
apprehensive of being overheard, Jo looks about
him, and even glances up some ten feet at the top of the hoarding,
and through the cracks in it, lest the object of his
distrust should
be looking over, or hidden on the other side.
"Who took you away?"
"I dustn't name him," says Jo. "I dustn't do it, sir."
"But I want, in the young lady's name, to know. You may trust me. No one else shall hear."
"Ah, but I don't know," replies Jo, shaking his head fearfully,
"as he don't hear."
"Why, he is not in this place."
"Oh, ain't he though?" says Jo. "He's in all manner of places, all
at wanst."
Allan looks at him in
perplexity, but discovers some real
meaning and good faith at the bottom of this bewildering reply. He
patiently awaits an explicit answer; and Jo, more baffled by his
patience than by anything else, at last
desperately whispers a
name in his ear.
"Ay!" says Allan. "Why, what had you been doing?"
"Nothink, sir. Never done nothink to get myself into no trouble,
'sept in not moving on and the Inkwhich. But I'm a moving on
now. I'm a moving on to the berryin ground-that's the move as
I'm up to."
"No, no, we will try to prevent that. But what did he do with
you?"
"Put me in a horsepittle," replied Jo, whispering, "till I was
discharged, then give me a little money-four half bulls, wot you
may call half-crowns-and ses 'Hook it! Nobody wants you here,'
he ses. 'You hook it. You go and tramp,' he ses. 'You move on,' he
ses. 'Don't let me ever see you nowheres within forty mile of
London, or you'll
repent it.' So I shall, if ever he does see me, and
he'll see me if I'm above ground," concludes Jo, nervously
repeating all his former precautions and investigations.
Allan considers a little: then remarks, turning to the woman,
but keeping an encouraging eye on Jo; "He is not so ungrateful as
you supposed. He had a reason for going away, though it was an
insufficient one."
"Thank'ee, sir, thank'ee!" exclaims Jo. "There now! See how
hard you wos upon me. But ony you tell the young lady wot the
genlmn ses, and it's all right. For you wos wery good to me, and I
knows too it."
"Now, Jo," says Allan, keeping his eye upon him, "come with
me, and I will find you a better place than this to lie down and hide
in. If I take one side of the way and you the other to avoid
observation, you will not run away, I know very well, if you make
me a promise."
"I won't not unless I wos to see him a-coming, sir."
"Very well. I take your word. Half the town is getting up by this
time, and the whole town will be broad awake in another hour.
Come along. Good day again, my good woman," "Good day again,
sir, and I thank you kindly many times again."
She has been sitting on her bag, deeply attentive, and now rises
and takes it up. Jo repeating, "Ony you tell the young lady as I
never went fur to hurt her and wot the genlmn ses!" nods and
shambles and shivers, and smears and blinks, and half laughs and
half cries, a farewell to her, and takes his creeping way along after
Allan Woodcourt, close to the houses on the opposite side of the
street. In this order, the two come up out of Tom-all-Alone's into
the broad rays of the sunlight and the purer air.
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