with posters, "Burlesque of OTHELLO," and the
contrast blazed up in
my mind like a bonfire. An unforgettable look it gave me into that
kind man's soul. His
acquaintance was indeed a
liberal and pious
education. All the humanities were taught in that bare dining-room
beside his gouty footstool. He was a piece of good advice; he was
himself the
instance that
pointed and adorned his various talk.
Nor could a young man have found
elsewhere a place so set apart
from envy, fear,
discontent, or any of the passions that debase; a
life so honest and
composed; a soul like an ancient
violin, so
subdued to
harmony, responding to a touch in music - as in that
dining-room, with Mr. Hunter chatting at the eleventh hour, under
the shadow of
eternity,
fearless and gentle.
The second class of old people are not anecdotic; they are rather
hearers than talkers, listening to the young with an amused and
critical attention. To have this sort of
intercourse to
perfection, I think we must go to old ladies. Women are better
hearers than men, to begin with; they learn, I fear in
anguish, to
bear with the
tedious and infantile
vanity of the other sex; and we
will take more from a woman than even from the oldest man in the
way of
bitingcomment. Biting
comment is the chief part, whether
for profit or
amusement, in this business. The old lady that I
have in my eye is a very caustic
speaker, her tongue, after years
of practice, in
absolute command, whether for silence or attack.
If she chance to
dislike you, you will be tempted to curse the
malignity of age. But if you chance to please even
slightly, you
will be listened to with a particular laughing grace of sympathy,
and from time to time chastised, as if in play, with a parasol as
heavy as a pole-axe. It requires a
singular art, as well as the
vantage-ground of age, to deal these stunning
corrections among the
coxcombs of the young. The pill is disguised in sugar of wit; it
is administered as a
compliment - if you had not pleased, you would
not have been censured; it is a personal affair - a hyphen, A TRAIT
D'UNION, between you and your censor; age's philandering, for her
pleasure and your good. Incontestably the young man feels very
much of a fool; but he must be a perfect Malvolio, sick with self-
love, if he cannot take an open
buffet and still smile. The
correction of silence is what kills; when you know you have
transgressed, and your friend says nothing and avoids your eye. If
a man were made of gutta-percha, his heart would quail at such a
moment. But when the word is out, the worst is over; and a fellow
with any good-humour at all may pass through a perfect hail of
witty
criticism, every bare place on his soul hit to the quick with
a
shrewd missile, and
reappear, as if after a dive, tingling with a
fine moral
reaction, and ready, with a shrinking
readiness, one-
third loath, for a
repetition of the discipline.
There are few women, not well sunned and ripened, and perhaps
toughened, who can thus stand apart from a man and say the true
thing with a kind of
genialcruelty. Still there are some - and I
doubt if there be any man who can return the
compliment. The class
of man represented by Vernon Whitford in THE EGOIST says, indeed,
the true thing, but he says it stockishly. Vernon is a noble
fellow, and makes, by the way, a noble and
instructivecontrast to
Daniel Deronda; his conduct is the conduct of a man of honour; but
we agree with him, against our consciences, when he remorsefully
considers "its
astonishing dryness." He is the best of men, but
the best of women manage to
combine all that and something more.
Their very faults
assist them; they are helped even by the
falseness of their position in life. They can
retire into the
fortified camp of the proprieties. They can touch a subject and
suppress it. The most adroit employ a somewhat
elaborate reserve
as a means to be frank, much as they wear gloves when they shake
hands. But a man has the full
responsibility of his freedom,
cannot evade a question, can
scarce be silent without rudeness,
must answer for his words upon the moment, and is not seldom left
face to face with a damning choice, between the more or less
dishonourable wriggling of Deronda and the
downright woodenness of
Vernon Whitford.
But the
superiority of women is perpetually menaced; they do not
sit throned on infirmities like the old; they are suitors as well
as sovereigns; their
vanity is engaged, their affections are too
apt to follow; and hence much of the talk between the sexes
degenerates into something
unworthy of the name. The desire to
please, to shine with a certain
softness of lustre and to draw a
fascinating picture of oneself, banishes from conversation all that
is
sterling and most of what is
humorous. As soon as a strong
current of
mutualadmiration begins to flow, the human interest
triumphs entirely over the
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intellectual, and the
commerce of words,
consciously or not, becomes
secondary to the commencing of eyes.
But even where this
ridiculous danger is avoided, and a man and
woman
converseequally and
honestly, something in their nature or
their education falsifies the
strain. An
instinct prompts them to
agree; and where that is impossible, to agree to
differ. Should
they
neglect the
warning, at the first
suspicion of an argument,
they find themselves in
different hemispheres. About any point of
business or conduct, any
actual affair demanding settlement, a
woman will speak and listen, hear and answer arguments, not only
with natural
wisdom, but with
candour and
logicalhonesty. But if
the subject of
debate be something in the air, an abstraction, an
excuse for talk, a
logical Aunt Sally, then may the male
debater
instantlyabandon hope; he may employ reason, adduce facts, be
supple, be smiling, be angry, all shall avail him nothing; what the
woman said first, that (unless she has forgotten it) she will
repeat at the end. Hence, at the very junctures when a talk
between men grows brighter and quicker and begins to promise to
bear fruit, talk between the sexes is menaced with dissolution.
The point of
difference, the point of interest, is evaded by the
brilliant woman, under a
shower of irrelevant conversational
rockets; it is bridged by the
discreet woman with a
rustle of silk,
as she passes
smoothly forward to the nearest point of safety. And
this sort of prestidigitation, juggling the dangerous topic out of
sight until it can be reintroduced with safety in an altered shape,
is a piece of
tactics among the true drawing-room queens.
The drawing-room is, indeed, an
artificial place; it is so by our
choice and for our sins. The subjection of women; the ideal
imposed upon them from the
cradle, and worn, like a hair-shirt,
with so much
constancy; their motherly, superior
tenderness to
man's
vanity and self-importance; their managing arts - the arts of
a civilised slave among
good-natured barbarians - are all painful
ingredients and all help to falsify relations. It is not till we
get clear of that
amusingartificial scene that
genuine relations
are founded, or ideas
honestly compared. In the garden, on the
road or the
hillside, or TETE-A-TETE and apart from interruptions,
occasions arise when we may learn much from any single woman; and
nowhere more often than in married life. Marriage is one long
conversation, chequered by disputes. The disputes are valueless;
they but ingrain the
difference; the
heroic heart of woman
prompting her at once to nail her colours to the mast. But in the
intervals, almost
unconsciously and with no desire to shine, the
whole material of life is turned over and over, ideas are struck
out and shared, the two persons more and more adapt their notions
one to suit the other, and in process of time, without sound of
trumpet, they conduct each other into new worlds of thought.
CHAPTER XII. THE CHARACTER OF DOGS
THE civilisation, the manners, and the morals of dog-kind are to a
great
extent subordinated to those of his
ancestral master, man.
This animal, in many ways so superior, has accepted a position of
inferiority, shares the
domestic life, and humours the caprices of
the
tyrant. But the
potentate, like the British in India, pays
small regard to the
character of his
willingclient, judges him
with listless glances, and condemns him in a byword. Listless have
been the looks of his admirers, who have exhausted idle terms of
praise, and buried the poor soul below exaggerations. And yet more
idle and, if possible, more unintelligent has been the attitude of
his express detractors; those who are very fond of dogs "but in
their proper place"; who say "poo' fellow, poo' fellow," and are
themselves far poorer; who whet the knife of the vivisectionist or
heat his oven; who are not
ashamed to admire "the creature's
instinct"; and flying far beyond folly, have dared to resuscitate
the theory of animal machines. The "dog's
instinct" and the
"automaton-dog," in this age of
psychology and science, sound like
strange anachronisms. An automaton he certainly is; a machine
working
independently of his control, the heart, like the mill-
wheel, keeping all in
motion, and the
consciousness, like a person
shut in the mill
garret, enjoying the view out of the window and
shaken by the
thunder of the stones; an automaton in one corner of
which a living spirit is confined: an automaton like man. Instinct
again he certainly possesses. Inherited aptitudes are his,