An Ideal Husband
by Oscar Wilde
THE PERSONS OF THE PLAY
THE EARL OF CAVERSHAM, K.G.
VISCOUNT GORING, his Son
SIR ROBERT CHILTERN, Bart., Under-Secretary for Foreign Affairs
VICOMTE DE NANJAC, Attache at the French Embassy in London
MR. MONTFORD
MASON, Butler to Sir Robert Chiltern
PHIPPS, Lord Goring's Servant
JAMES }
HAROLD } Footmen
LADY CHILTERN
LADY MARKBY
THE COUNTESS OF BASILDON
MRS. MARCHMONT
MISS MABEL CHILTERN, Sir Robert Chiltern's Sister
MRS. CHEVELEY
THE SCENES OF THE PLAY
ACT I. The Octagon Room in Sir Robert Chiltern's House in Grosvenor
Square.
ACT II. Morning-room in Sir Robert Chiltern's House.
ACT III. The Library of Lord Goring's House in Curzon Street.
ACT IV. Same as Act II.
TIME: The Present
PLACE: London.
The action of the play is completed within twenty-four hours.
THEATRE ROYAL, HAYMARKET
Sole Lessee: Mr. Herbert Beerbohm Tree
Managers: Mr. Lewis Waller and Mr. H. H. Morell
January 3rd, 1895
THE EARL OF CAVERSHAM, Mr. Alfred Bishop.
VISCOUNT GORING, Mr. Charles H. Hawtrey.
SIR ROBERT CHILTERN, Mr. Lewis Waller.
VICOMTE DE NANJAC, Mr. Cosmo Stuart.
MR. MONTFORD, Mr. Harry Stanford.
PHIPPS, Mr. C. H. Brookfield.
MASON, Mr. H. Deane.
JAMES, Mr. Charles Meyrick.
HAROLD, Mr. Goodhart.
LADY CHILTERN, Miss Julia Neilson.
LADY MARKBY, Miss Fanny Brough.
COUNTESS OF BASILDON, Miss Vane Featherston.
MRS. MARCHMONT, Miss Helen Forsyth.
MISS MABEL CHILTERN, Miss Maud Millet.
MRS. CHEVELEY, Miss Florence West.
FIRST ACT
SCENE
The octagon room at Sir Robert Chiltern's house in Grosvenor Square.
[The room is
brilliantly lighted and full of guests. At the top of
the
staircase stands LADY CHILTERN, a woman of grave Greek beauty,
about twenty-seven years of age. She receives the guests as they
come up. Over the well of the
staircase hangs a great chandelier
with wax lights, which illumine a large eighteenth-century French
tapestry - representing the Triumph of Love, from a design by Boucher
- that is stretched on the
staircase wall. On the right is the
entrance to the music-room. The sound of a string quartette is
faintly heard. The entrance on the left leads to other reception-
rooms. MRS. MARCHMONT and LADY BASILDON, two very pretty women, are
seated together on a Louis Seize sofa. They are types of exquisite
fragility. Their affectation of manner has a
delicate charm.
Watteau would have loved to paint them.]
MRS. MARCHMONT. Going on to the Hartlocks' to-night, Margaret?
LADY BASILDON. I suppose so. Are you?
MRS. MARCHMONT. Yes. Horribly
tedious parties they give, don't
they?
LADY BASILDON. Horribly
tedious! Never know why I go. Never know
why I go
anywhere.
MRS. MARCHMONT. I come here to be educated
LADY BASILDON. Ah! I hate being educated!
MRS. MARCHMONT. So do I. It puts one almost on a level with the
commercial classes, doesn't it? But dear Gertrude Chiltern is always
telling me that I should have some serious purpose in life. So I
come here to try to find one.
LADY BASILDON. [Looking round through her lorgnette.] I don't see
anybody here to-night whom one could possibly call a serious purpose.
The man who took me in to dinner talked to me about his wife the
whole time.
MRS. MARCHMONT. How very
trivial of him!
LADY BASILDON. Terribly
trivial! What did your man talk about?
MRS. MARCHMONT. About myself.
LADY BASILDON. [Languidly.] And were you interested?
MRS. MARCHMONT. [Shaking her head.] Not in the smallest degree.
LADY BASILDON. What martyrs we are, dear Margaret!
MRS. MARCHMONT. [Rising.] And how well it becomes us, Olivia!
[They rise and go towards the music-room. The VICOMTE DE NANJAC, a
young attache known for his neckties and his Anglomania, approaches
with a low bow, and enters into conversation.]
MASON. [Announcing guests from the top of the
staircase.] Mr. and
Lady Jane Barford. Lord Caversham.
[Enter LORD CAVERSHAM, an old gentleman of seventy, wearing the
riband and star of the Garter. A fine Whig type. Rather like a
portrait by Lawrence.]
LORD CAVERSHAM. Good evening, Lady Chiltern! Has my good-for-
nothing young son been here?
LADY CHILTERN. [Smiling.] I don't think Lord Goring has arrived
yet.
MABEL CHILTERN. [Coming up to LORD CAVERSHAM.] Why do you call Lord
Goring good-for-nothing?
[MABEL CHILTERN is a perfect example of the English type of
prettiness, the apple-blossom type. She has all the
fragrance and
freedom of a flower. There is
ripple after
ripple of
sunlight in her
hair, and the little mouth, with its parted lips, is
expectant, like
the mouth of a child. She has the
fascinatingtyranny of youth, and
the
astonishing courage of
innocence. To sane people she is not
reminiscent of any work of art. But she is really like a Tanagra
statuette, and would be rather annoyed if she were told so.]
LORD CAVERSHAM. Because he leads such an idle life.
MABEL CHILTERN. How can you say such a thing? Why, he rides in the
Row at ten o'clock in the morning, goes to the Opera three times a
week, changes his clothes at least five times a day, and dines out
every night of the season. You don't call that leading an idle life,
do you?
LORD CAVERSHAM. [Looking at her with a kindly
twinkle in his eyes.]
You are a very
charming young lady!
MABEL CHILTERN. How sweet of you to say that, Lord Caversham! Do
come to us more often. You know we are always at home on Wednesdays,
and you look so well with your star!
LORD CAVERSHAM. Never go
anywhere now. Sick of London Society.
Shouldn't mind being introduced to my own
tailor; he always votes on
the right side. But object
strongly to being sent down to dinner
with my wife's milliner. Never could stand Lady Caversham's bonnets.
MABEL CHILTERN. Oh, I love London Society! I think it has immensely
improved. It is entirely
composed now of beautiful idiots and
brilliant lunatics. Just what Society should be.
LORD CAVERSHAM. Hum! Which is Goring? Beautiful idiot, or the
other thing?
MABEL CHILTERN. [Gravely.] I have been obliged for the present to
put Lord Goring into a class quite by himself. But he is developing
charmingly!
LORD CAVERSHAM. Into what?
MABEL CHILTERN. [With a little curtsey.] I hope to let you know
very soon, Lord Caversham!
MASON. [Announcing guests.] Lady Markby. Mrs. Cheveley.
[Enter LADY MARKBY and MRS. CHEVELEY. LADY MARKBY is a pleasant,
kindly, popular woman, with gray hair e la marquise and good lace.
MRS. CHEVELEY, who accompanies her, is tall and rather slight. Lips
very thin and highly-coloured, a line of
scarlet on a pallid face.
Venetian red hair, aquiline nose, and long
throat. Rouge accentuates
the natural paleness of her
complexion. Gray-green eyes that move
restlessly. She is in heliotrope, with diamonds. She looks rather
like an orchid, and makes great demands on one's
curiosity. In all
her movements she is
extremelygraceful. A work of art, on the
whole, but showing the influence of too many schools.]
LADY MARKBY. Good evening, dear Gertrude! So kind of you to let me
bring my friend, Mrs. Cheveley. Two such
charming women should know
each other!
LADY CHILTERN. [Advances towards MRS. CHEVELEY with a sweet smile.
Then suddenly stops, and bows rather distantly.] I think Mrs.
Cheveley and I have met before. I did not know she had married a
second time.
LADY MARKBY. [Genially.] Ah, nowadays people marry as often as they
can, don't they? It is most
fashionable. [To DUCHESS OF
MARYBOROUGH.] Dear Duchess, and how is the Duke? Brain still weak,
I suppose? Well, that is only to be expected, is it not? His good
father was just the same. There is nothing like race, is there?
MRS. CHEVELEY. [Playing with her fan.] But have we really met
before, Lady Chiltern? I can't remember where. I have been out of
England for so long.
LADY CHILTERN. We were at school together, Mrs. Cheveley.
MRS. CHEVELEY [Superciliously.] Indeed? I have forgotten all about
my schooldays. I have a vague
impression that they were detestable.
LADY CHILTERN. [Coldly.] I am not surprised!
MRS. CHEVELEY. [In her sweetest manner.] Do you know, I am quite
looking forward to meeting your clever husband, Lady Chiltern. Since
he has been at the Foreign Office, he has been so much talked of in
Vienna. They
actually succeed in
spelling his name right in the
newspapers. That in itself is fame, on the continent.
LADY CHILTERN. I hardly think there will be much in common between
you and my husband, Mrs. Cheveley! [Moves away.]
VICOMTE DE NANJAC. Ah! chere Madame, queue surprise! I have not
seen you since Berlin!
MRS. CHEVELEY. Not since Berlin, Vicomte. Five years ago!
VICOMTE DE NANJAC. And you are younger and more beautiful than ever.
How do you manage it?
MRS. CHEVELEY. By making it a rule only to talk to perfectly
charming people like yourself.
VICOMTE DE NANJAC. Ah! you
flatter me. You butter me, as they say
here.
MRS. CHEVELEY. Do they say that here? How
dreadful of them!
VICOMTE DE NANJAC. Yes, they have a wonderful language. It should
be more widely known.
[SIR ROBERT CHILTERN enters. A man of forty, but looking somewhat
younger. Clean-shaven, with finely-cut features, dark-haired and
dark-eyed. A
personality of mark. Not popular - few personalities
are. But
intensely admired by the few, and deeply respected by the
many. The note of his manner is that of perfect
distinction, with a
slight touch of pride. One feels that he is
conscious of the success
he has made in life. A
nervoustemperament" target="_blank" title="n.气质;性格">
temperament, with a tired look. The
firmly-chiselled mouth and chin
contrast strikingly with the romantic
expression in the deep-set eyes. The variance is
suggestive of an
almost complete
separation of
passion and
intellect, as though
thought and
emotion were each isolated in its own
sphere through some
violence of will-power. There is
nervousness in the nostrils, and in
the pale, thin,
pointed hands. It would be inaccurate to call him
picturesque. Picturesqueness cannot
survive the House of Commons.
But Vandyck would have liked to have painted his head.]
SIR ROBERT CHILTERN. Good evening, Lady Markby! I hope you have
brought Sir John with you?
LADY MARKBY. Oh! I have brought a much more
charming person than
Sir John. Sir John's
temper since he has taken
seriously to
politics