of
mustard. After he had called for his
reckoning he went, his
courage being high with meat and
mustard, to the door, intending
to stand, with his legs wide apart and his hands deep in his
pockets, and stare
boldly across the road. But just then the
other man in brown appeared in the
gateway of the Golden Dragon
yard--it is one of those
delightful inns that date from the
coaching days--wheeling his punctured machine. He was
taking it
to Flambeau's, the repairer's. He looked up and saw Hoopdriver,
stared for a minute, and then scowled darkly.
But Hoopdriver remained stoutly in the
doorway until the other
man in brown had disappeared into Flambeau's. Then he glanced
momentarily at the Golden Dragon, puckered his mouth into a
whistle of unconcern, and proceeded to wheel his machine into the
road until a sufficient
margin for mounting was secured.
Now, at that time, I say, Hoopdriver was rather
desirous than not
of
seeing no more of the Young Lady in Grey. The other man in
brown he guessed was her brother,
albeit that person was of a
pallid
fairness, differing
essentially from her rich colouring;
and, besides, he felt he had made a
hopeless fool of himself. But
the afternoon was against him, intolerably hot, especially on the
top of his head, and the
virtue had gone out of his legs to
digest his cold meat, and
altogether his ride to Guildford was
exceedingly intermittent. At times he would walk, at times lounge
by the
wayside, and every public house, in spite of Briggs and a
sentiment of
economy, meant a
lemonade and a dash of bitter. (For
that is the experience of all those who go on wheels, that
drinking begets
thirst, even more than
thirst begets drinking,
until at last the man who yields becomes a hell unto himself, a
hell in which the fire dieth not, and the
thirst is not
quenched.) Until a pennyworth of acrid green apples turned the
current that threatened to carry him away. Ever and again a
cycle, or a party of cyclists, would go by, with glittering
wheels and
softlyrunning chains, and on each occasion, to save
his self-respect, Mr. Hoopdriver descended and feigned some
trouble with his
saddle. Each time he descended with less
trepidation.
He did not reach Guildford until nearly four o'clock, and then he
was so much exhausted that he
decided to put up there for the
night, at the Yellow Hammer Coffee Tavern. And after he had
cooled a space and refreshed himself with tea and bread and
butter and jam,--the tea he drank noisily out of the saucer,--he
went out to
loiter away the rest of the afternoon. Guildford is
an
altogethercharming old town, famous, so he
learnt from a
Guide Book, as the scene of Master Tupper's great historical
novel of Stephen Langton, and it has a
delightful castle, all set
about with geraniums and brass plates commemorating the gentlemen
who put them up, and its Guildhall is a Tudor building, very
pleasant to see, and in the afternoon the shops are busy and the
people going to and fro make the
pavements look bright and
prosperous. It was nice to peep in the windows and see the heads
of the men and girls in the drapers' shops, busy as busy, serving
away. The High Street runs down at an angle of seventy degrees to
the
horizon (so it seemed to Mr. Hoopdriver, whose feeling for
gradients was unnaturally exalted), and it brought his heart into
his mouth to see a cyclist ride down it, like a fly crawling down
a window pane. The man hadn't even a brake. He visited the castle
early in the evening and paid his twopence to
ascend the Keep.
At the top, from the cage, he looked down over the clustering red
roofs of the town and the tower of the church, and then going to
the southern side sat down and lit a Red Herring cigarette, and
stared away south over the old bramble-bearing, fern-beset ruin,
at the waves of blue
upland that rose, one behind another, across
the Weald, to the lazy altitudes of Hindhead and Butser. His pale
grey eyes were full of complacency and pleasurable anticipation.
Tomorrow he would go riding across that wide valley.
He did not notice any one else had come up the Keep after him
until he heard a soft voice behind him
saying: "Well, MISS
BEAUMONT, here's the view." Something in the
accentpointed to a
jest in the name.
"It's a dear old town, brother George," answered another voice
that sounded familiar enough, and turning his head, Mr.
Hoopdriver saw the other man in brown and the Young Lady in Grey,
with their backs towards him. She turned her smiling profile
towards Hoopdriver. "Only, you know, brothers don't call their
sisters--"
She glanced over her shoulder and saw Hoopdriver. "Damn!" said
the other man in brown, quite audibly, starting as he followed
her glance.
Mr. Hoopdriver, with a fine air of
indifference, resumed the
Weald. "Beautiful old town, isn't it?" said the other man in
brown, after a quite
perceptible pause.
"Isn't it?" said the Young Lady in Grey.
Another pause began.
"Can't get alone anywhere," said the other man in brown, looking
round.
Then Mr. Hoopdriver perceived clearly that he was in the way, and
decided to
retreat. It was just his luck of course that he should
stumble at the head of the steps and
vanish with indignity. This
was the third time that he'd seen HIM, and the fourth time her.
And of course he was too big a fat-head to raise his cap to HER!
He thought of that at the foot of the Keep. Apparently they aimed
at the South Coast just as he did, He'd get up
betimes the next
day and hurry off to avoid her--them, that is. It never occurred
to Mr. Hoopdriver that Miss Beaumont and her brother might do
exactly the same thing, and that evening, at least, the
peculiarity of a brother
calling his sister "Miss Beaumont" did
not recur to him. He was much too
preoccupied with an
analysis of
his own share of these
counter" target="_blank" title="vt.&n.偶然相遇;冲突">
encounters. He found it hard to be
altogether satisfied about the figure he had cut,
revise his
memories as he would.
Once more quite unintentionally he stumbled upon these two
people. It was about seven o'clock. He stopped outside a linen
draper's and peered over the goods in the window at the
assistants in
torment. He could have spent a whole day happily at
that. He told himself that he was
trying to see how they dressed
out the brass lines over their
counters, in a
purely professional
spirit, but down at the very bottom of his heart he knew better.
The customers were a
secondaryconsideration, and it was only
after the lapse of perhaps a minute that he perceived that among
them was--the Young Lady in Grey! He turned away from the window
at once, and saw the other man in brown
standing at the edge of
the
pavement and
regarding him with a very curious expression of
face.
There came into Mr. Hoopdriver's head the curious problem whether
he was to be regarded as a
nuisance haunting these people, or
whether they were to be regarded as a
nuisance haunting him. He
abandoned the
solution at last in
despair, quite
unable to decide
upon the course he should take at the next
counter" target="_blank" title="vt.&n.偶然相遇;冲突">
encounter, whether he
should scowl
savagely at the couple or assume an attitude
eloquent of
apology and propitiation.
THE IMAGININGS OF MR. HOOPDRIVER'S HEART
X
Mr. Hoopdriver was (in the days of this story) a poet, though he
had never written a line of verse. Or perhaps
romancer will
describe him better. Like I know not how many of those who do the
fetching and carrying of life,--a great number of them
certainly,--his real life was
absolutely uninteresting, and if he
had faced it as realistically as such people do in Mr. Gissing's
novels, he would probably have come by way of drink to
suicide in
the course of a year. But that was just what he had the natural
wisdom not to do. On the
contrary, he was always decorating his
existence with
imaginative tags, hopes, and poses,
deliberate and
yet quite effectual self-deceptions; his experiences were mere
material for a
romantic superstructure. If some power had given
Hoopdriver the 'giftie' Burns invoked, 'to see oursels as ithers
see us,' he would probably have given it away to some one else at
the very earliest opportunity. His entire life, you must
understand, was not a
continuousromance, but a
series of short