that we should find
access to him easy. But we can't make up our minds
to go to his door and introduce ourselves as
vagrant minstrels,
when he may probably not know our names. We could never follow
the fashion of certain authors, who send their books about
with intimations of their being likely to be
acceptable or not --
of which practice poor Tennyson knows too much for his peace.
If, indeed, a letter of
introduction to Beranger were vouchsafed to us
from any benign quarter, we should both be delighted,
but we must wait
patiently for the influence of the stars.
Meanwhile, we have at last sent our letter [Mazzini's] to George Sand,
accompanied with a little note signed by both of us, though written by me,
as seemed right, being the woman. We half-despaired in doing this --
for it is most difficult, it appears, to get at her,
she having taken vows against
seeing strangers, in
consequence of
various annoyances and persecutions, in and out of print, which it's
the mere
instinct of a woman to avoid -- I can understand it perfectly.
Also, she is in Paris for only a few days, and under a new name,
to escape from the
plague of her notoriety. People said,
"She will never see you -- you have no chance, I am afraid."
But we determined to try. At least I pricked Robert up to the leap --
for he was really inclined to sit in his chair and be proud a little.
"No," said I, "you SHA'N'T be proud, and I WON'T be proud,
and we WILL see her -- I won't die, if I can help it,
without
seeing George Sand." So we gave our letter to a friend,
who was to give it to a friend who was to place it in her hands --
her abode being a
mystery, and the name she used unknown.
The next day came by the post this answer:
`"Madame, j'aurai l'honneur de vous recevoir Dimanche prochain,
rue Racine, 3. C'est le seul jour que je puisse passer chez moi;
et encore je n'en suis pas absolument certaine -- mais je ferai tellement
mon possible, que ma bonne e/toile m'y aidera peut-e^tre un peu.
Agre/ez mille remerciments de coeur ainsi que Monsieur Browning,
que j'espere voir avec vous, pour la sympathie que vous m'accordez.
George Sand.
Paris: 12 fevrier '52."
`This is
graceful and kind, is it not? -- and we are going to-morrow --
I, rather at the risk of my life, but I shall roll myself up head and all
in a thick shawl, and we shall go in a close
carriage, and I hope
I shall be able to tell you the result before shutting up this letter.
`Monday. -- I have seen G. S. She received us in a room with a bed in it,
the only room she has to occupy, I suppose, during her short stay in Paris.
She received us very
cordially with her hand held out, which I,
in the
emotion of the moment, stooped and kissed -- upon which she exclaimed,
"Mais non! je ne veux pas," and kissed me. I don't think
she is a great deal taller than I am, -- yes, taller, but not a great deal --
and a little over-stout for that
height. The upper part of the face is fine,
the
forehead, eyebrows and eyes -- dark glowing eyes as they should be;
the lower part not so good. The beautiful teeth
project a little,
flashing out the smile of the large
characteristic mouth,
and the chin recedes. It never could have been a beautiful face
Robert and I agree, but noble and
expressive it has been and is.
The
complexion is olive, quite without colour; the hair, black and glossy,
divided with
evident care and twisted back into a knot behind the head,
and she wore no covering to it. Some of the portraits represent her
in ringlets, and ringlets would be much more becoming to the style of face,
I fancy, for the cheeks are rather over-full. She was dressed
in a sort of woollen grey gown, with a
jacket of the same material
(according to the ruling fashion), the gown fastened up to the throat,
with a small linen collarette, and plain white
muslin sleeves buttoned
round the wrists. The hands offered to me were small and well-shaped.
Her manners were quite as simple as her
costume. I never saw a simpler woman.
Not a shade of
affectation or
consciousness, even --
not a suffusion of coquetry, not a cigarette to be seen!
Two or three young men were sitting with her, and I observed
the
profound respect with which they listened to every word she said.
She spoke rapidly, with a low, unemphatic voice. Repose of manner
is much more her
characteristic than animation is -- only,