high
screen or
temporarypartition some one was playing
softly on an
organ.
We stood in a quiet
circle by Stella's resting-place, and Dr.
Gerald, who never forgets anything,
apparently, was reminding us of
Thackeray's
gracious and
pathetic tribute:-
'Fair and tender creature, pure and
affectionate heart! Boots it to
you now that the whole world loves you and deplores you? Scarce any
man ever thought of your grave that did not cast a flower of pity on
it, and write over it a sweet
epitaph. Gentle lady! so lovely, so
loving, so
unhappy. You have had
countless champions, millions of
manly hearts
mourning for you. From
generation to
generation we
take up the fond
tradition of your beauty; we watch and follow your
story, your bright morning love and
purity, your
constancy, your
grief, your sweet
martyrdom. We know your legend by heart. You are
one of the saints of English story.'
As Dr. Gerald's voice died away, the strains of 'Love's Young Dream'
floated out from the distant end of the building.
"The
organist must be practising for a
wedding," said Francesca,
very much alive to anything of that sort.
"'Oh, there's nothing half so sweet in life,'"
she hummed. "Isn't it charming?"
"You ought to know," Dr. Gerald answered, looking at her
affectionately, though somewhat too sadly for my taste; "but an old
fellow like me must take
refuge in the days of 'milder, calmer
beam,' of which the poet speaks."
Ronald and Himself, guide-books in hand, walked away to talk about
the 'Burial of Sir John Moore,' and look for Wolfe's
tablet, and I
stole behind the great
screen which had been thrown up while repairs
of some sort were being made or a new organ built. A young man was
evidently
taking a lesson, for the old
organist was sitting on the
bench beside him, pulling out the stops, and indicating the time
with his hand. There was to be a
wedding--that was certain; for
'Love's Young Dream' was taken off the music rack at that moment,
while 'Believe me, if all those endearing young charms' was put in
its place, and the
melody came singing out to us on the vox humana
stop.
'Thou wouldst still be adored, as this moment thou art,
Let thy
loveliness fade as it will,
And around the dear ruin each wish of my heart
Would entwine itself verdantly still.'
Francesca joined me just then, and a tear was in her eye. "Penny
dear, when all is said, 'Believe me' is the dearer song of the two.
Anybody can sing, feel, live, the first, which is but a
youthfuldream, after all; but the other has in it the proved
fidelity of the
years. The first song belongs to me, I know, and it is all I am fit
for now; but I want to grow toward and
deserve the second."
"You are right; but while Love's Young Dream is yours and Ronald's,
dear, take all the joy that it holds for you. The other song is for
Salemina and Dr. Gerald, and I only hope they are realising it at
this moment--secretive, provoking creatures that they are!"
The old
organist left his pupil just then, and disappeared through a
little door in the rear.
"Have you the Wedding March there?" I asked the pupil who had been
practising the love-songs.
"Oh yes, madam, though I am afraid I cannot do it justice," he
replied
modestly. "Are you interested in organ music?"
"I am very much interested in yours, and I am still more interested
in a
romance that has been dragging its weary length along for
twenty years, and is
trying to bring itself to a
crisis just on the
other side of that
screen. You can help me
precipitate it, if you
only will!"
Well, he was young and he was an Irishman, which is
equivalent to
being a born lover,and he had been brought up on Tommy Moore and
music--all of which I had known from the moment I saw him, else I
should not have made the
proposition. I peeped from behind the
screen. Ronald and Himself were walking toward us; Salemina and
Dr. Gerald were sitting together in one of the front pews. I
beckoned to my husband.