far cry to Branxholme Hall. Borthwick Water, Goudilands (below
Branxholme), Commonside (a little farther up Teviot), Allanhaugh,
and the other places of the Scotts, were all easily "warned."
There are traces of a modern hand in this excellent
ballad. The
topography is here corrected from MS. notes in a first
edition of
the MINSTRELSY, in the library of Mr. Charles Grieve at Branxholme'
Park, a scion of "auld Jock Grieve" of the Coultart Cleugh. Names
linger long in pleasant Teviotdale.
THE DOUGLAS TRAGEDY
The
ballad has Norse analogues, but is here localized on the
Douglas Burn, a
tributary of Yarrow on the left bank. The St.
Mary's Kirk would be that now ruinous, on St. Mary's Loch, the
chapel burned by the Lady of Branxholme when she
"gathered a band
Of the best that would ride at her command,"
in the LAY OF THE LAST MINSTREL. The ancient keep of Blackhouse on
Douglas Burn may have been the home of the
heroine, if we are to
localize.
THE BONNY HIND
Herd got this
tragicballad from a
milkmaid, in 1771. Mr. Child
quotes a verse
parallel, preserved in Faroe, and in the Icelandic.
There is a similar
incident in the cycle of Kullervo, in the
Finnish KALEVALA. Scott says that similar tragedies are common in
Scotch popular
poetry; such cases are "Lizzie Wan," and "The King's
Dochter, Lady Jean." A sorrow nearly as bitter occurs in the
French "Milk White Dove": a brother kills his sister,
metamorphosed into a white deer. "The Bridge of Death" (French)
seems to hint at something of the same kind; or rather the Editor
finds that he has arbitrarily read "The Bonny Hind" into "Le Pont
des Morts," in Puymaigre's CHANTS POPULAIRES DU PAYS MESSIN, p. 60.
(BALLADS AND LYRICS OF OLD FRANCE, p. 63)
YOUNG BEICHAN, OR YOUNG BICHAM
This is the
original of the Cockney LOVING BALLAD OF LORD BATEMAN,
illustrated by Cruikshank, and by Thackeray. There is a vast
number of variants, evidence to the
antiquity of the story. The
earliest known trace is in the familiar legend of the Saracen lady,
who sought and found her lover, Gilbert Becket, father of Thomas e
Becket, in London (see
preface to LIFE OF BECKET, or Beket), Percy
Society, 1845. The date may be CIRC. 1300. The kind of story, the
loving daughter of the cruel captor, is as old as Medea and Jason,
and her search for her lover comes in such MARCHEN as "The Black
Bull o' Norraway." No story is more widely diffused (see A FAR
TRAVELLED TALE, in the Editor's CUSTOM AND MYTH). The appearance
of the "True Love," just at her lover's
wedding, is common in the
MARCHEN of the world, and occurs in a Romaic
ballad, as well as in
many from Northern Europe. The "local colour" - the Moor or
Saracen - is
derived from Crusading times, perhaps. Motherwell
found the
ballad recited with intervals of prose
narrative, as in
AUCASSIN AND NICOLETTE. The notes to Cruikshank's LOVING BALLAD
are,
obviously, by Thackeray.
THE BONNY HOUSE O' AIRLY
Lord Airly's houses were destroyed by Argyll, representing the
Covenanters, and also in pursuance of a private feud, in 1639, or
1640. There are
erroneousversions of this
ballad, in which
Lochiel appears, and the date is,
apparently, transferred to 1745.
Montrose, in his early Covenanting days, was not
actuallyconcernedin the burning of the Bonnie House, which he, when a Royalist,
revenged on the possessions of "gleyed Argyll." The
reference to
"Charlie" is out of keeping; no one, perhaps, ever called Charles
I. by that
affectionate name. Lady Ogilvie had not the large
family attributed to her: her son, Lord Ogilvie, escaped from
prison in the Castle of St. Andrews, after Philiphaugh. A Lord
Ogilvie was out in 1745; and, later, had a
regiment in the French
Service. Few families have a record so
consistently loyal.
ROB ROY
The abductors of the widowed young heiress of Edenhelly were Rob's
sons, Robin Oig, who went through a form of marriage with the girl,
and James Mohr, a good soldier, but a double-dyed spy and
scoundrel. Robin Oig was hanged in 1753. James Mohr, a detected
traitor to Prince Charles, died
miserably in Paris, in 1754.
Readers of Mr. Stevenson's CATRIONA know James well; information as
to his villanies is extant in Additional MSS. (British Museum).
This is probably the latest
ballad in the
collection. It occurs in
several variants, some of which, copied out by Burns,
derive thence
a certain
accidental interest. In Mr. Stevenson's CATRIONA, the