The Duchesse de Langeais
by Honore de Balzac
THE DUCHESS OF LANGEAIS
I
In a Spanish city on an island in the Mediterranean, there stands
a
convent of the Order of Barefoot Carmelites, where the rule
instituted by St. Theresa is still preserved with all the first
rigour of the reformation brought about by that illustrious
woman. Extraordinary as this may seem, it is none the less true.
Almost every religious house in the Peninsula, or in Europe for
that matter, was either destroyed or disorganised by the outbreak
of the French Revolution and the Napoleonic wars; but as this
island was protected through those times by the English fleet,
its
wealthyconvent and
peaceable inhabitants were secure from
the general trouble and spoliation. The storms of many kinds
which shook the first fifteen years of the nineteenth century
spent their force before they reached those cliffs at so short a
distance from the coast of Andalusia.
If the rumour of the Emperor's name so much as reached the shore
of the island, it is
doubtful whether the holy women kneeling in
the cloisters grasped the
reality of his dream-like progress of
glory, or the
majesty that blazed in flame across kingdom after
kingdom during his
meteor life.
In the minds of the Roman Catholic world, the
convent stood out
pre-eminent for a stern
discipline which nothing had changed; the
purity of its rule had attracted
unhappy women from the furthest
parts of Europe, women deprived of all human ties, sighing after
the long
suicideaccomplished in the breast of God. No
convent,
indeed, was so well fitted for that complete
detachment of the
soul from all
earthly things, which is demanded by the religious
life,
albeit on the
continent of Europe there are many
convents
magnificently adapted to the purpose of their
existence. Buried
away in the loneliest valleys,
hanging in mid-air on the steepest
mountainsides, set down on the brink of precipices, in every
place man has sought for the
poetry of the Infinite, the solemn
awe of Silence; in every place man has striven to draw closer to
God, seeking Him on mountain peaks, in the depths below the
crags, at the cliff's edge; and everywhere man has found God.
But
nowhere, save on this half-European, half-African ledge of
rock could you find so many different harmonies, combining so to
raise the soul, that the sharpest pain comes to be like other
memories; the strongest impressions are dulled, till the sorrows
of life are laid to rest in the depths.
The
convent stands on the highest point of the crags at the
uttermost end of the island. On the side towards the sea the
rock was once rent sheer away in some globe-cataclysm; it rises
up a straight wall from the base where the waves gnaw at the
stone below high-water mark. Any
assault is made impossible by
the dangerous reefs that stretch far out to sea, with the
sparkling waves of the Mediterranean playing over them. So, only
from the sea can you
discern the square mass of the
convent built
conformably to the minute rules laid down as to the shape,
height, doors, and windows of monastic buildings. From the side
of the town, the church completely hides the solid
structure of
the cloisters and their roofs, covered with broad slabs of stone
impervious to sun or storm or gales of wind.
The church itself, built by the munificence of a Spanish family,
is the crowning
edifice of the town. Its fine, bold front gives
an
imposing and
picturesque look to the little city in the sea.
The sight of such a city, with its close-huddled roofs, arranged
for the most part amphitheatre-wise above a
picturesque harbour,
and crowned by a
gloriouscathedral front with triple-arched
Gothic doorways, belfry towers, and filigree spires, is a
spectacle surely in every way the sublimest on earth. Religion
towering above daily life, to put men
continually in mind of the
End and the way, is in truth a
thoroughly Spanish conception.
But now surround this picture by the Mediterranean, and a burning
sky, imagine a few palms here and there, a few stunted evergreen
trees mingling their waving leaves with the
motionless flowers
and
foliage of carved stone; look out over the reef with its
white fringes of foam in
contrast to the
sapphire sea; and then
turn to the city, with its galleries and terraces whither the
townsfolk come to take the air among their flowers of an evening,
above the houses and the tops of the trees in their little
gardens; add a few sails down in the harbour; and
lastly, in the
stillness of falling night, listen to the organ music, the
chanting of the services, the wonderful sound of bells pealing
out over the open sea. There is sound and silence everywhere;
oftener still there is silence over all.
The church is divided within into a sombre
mysterious nave and
narrow aisles. For some reason, probably because the winds are
so high, the
architect was
unable to build the flying buttresses
and intervening chapels which adorn almost all
cathedrals, nor
are there openings of any kind in the walls which support the
weight of the roof. Outside there is simply the heavy wall
structure, a solid mass of grey stone further strengthened by
huge piers placed at intervals. Inside, the nave and its little
side galleries are lighted entirely by the great stained-glass
rose-window suspended by a
miracle of art above the centre
doorway; for upon that side the
exposure permits of the display
of lacework in stone and of other beauties
peculiar to the style
improperly called Gothic.
The larger part of the nave and aisles was left for the
townsfolk, who came and went and heard mass there. The choir was
shut off from the rest of the church by a
grating and thick folds
of brown curtain, left
slightly apart in the middle in such a way
that nothing of the choir could be seen from the church except
the high altar and the officiating
priest. The
grating itself
was divided up by the pillars which supported the organ loft; and
this part of the
structure, with its carved
wooden columns,
completed the line of the arcading in the
gallery carried by the
shafts in the nave. If any
inquisitive person,
therefore, had
been bold enough to climb upon the narrow balustrade in the
gallery to look down into the choir, he could have seen nothing
but the tall eight-sided windows of stained glass beyond the high
altar.
At the time of the French
expedition into Spain to establish
Ferdinand VII once more on the
throne, a French general came to
the island after the
taking of Cadiz, ostensibly to require the
recognition of the King's Government, really to see the
conventand to find some means of entering it. The under
taking was
certainly a
delicate one; but a man of
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passionatetemper, whose
life had been, as it were, but one
series of poems in action, a
man who all his life long had lived romances instead of writing
them, a man pre-eminently a Doer, was sure to be tempted by a
deed which seemed to be impossible.
To open the doors of a
convent of nuns by
lawful means! The
metropolitan or the Pope would scarcely have permitted it! And
as for force or strategem--might not any indiscretion cost him
his position, his whole
career as a soldier, and the end in view
to boot? The Duc d'Angouleme was still in Spain; and of all the
crimes which a man in favour with the Commander-in-Chief might
commit, this one alone was certain to find him inexorable. The
General had asked for the
mission to
gratify private motives of
curiosity, though never was
curiosity more
hopeless. This final
attempt was a matter of
conscience. The Carmelite
convent on the
island was the only nunnery in Spain which had baffled his
search.
As he crossed from the
mainland, scarcely an hour's distance, he
felt a presentiment that his hopes were to be fulfilled; and
afterwards, when as yet he had seen nothing of the
convent but
its walls, and of the nuns not so much as their robes; while he
had merely heard the chanting of the service, there were dim
auguries under the walls and in the sound of the voices to
justify his frail hope. And, indeed, however faint those so
unaccountable presentiments might be, never was human
passionmore vehemently excited than the General's
curiosity at that