章节正文
laid at our particular door: Ulysses, I reminded him, had reason
to regret a similar act of bravado, and--were he here--would
certainly advise a timelyretreat. Edward held but a low opinion
of me as a counsellor; but he had a very solid respect for
Ulysses.
THE ROMAN ROAD
ALL the roads of our neighbourhood were cheerful and friendly,
having each of them pleasant qualities of their own; but this one
seemed different from the others in its masterful suggestion of a
serious purpose, speeding you along with a strange uplifting of
the heart. The others tempted chiefly with their treasures of
hedge and ditch; the rapt surprise of the first lords-and-ladies,
the rustle of a field-mouse, splash of a frog; while cool noses
of brother-beasts were pushed at you through gate or gap. A
loiterer you had need to be, did you choose one of them,--so many
were the tiny hands thrust out to detain you, from this side and
that. But this other was of a sterner sort, and even in its
shedding off of bank and hedgerow as it marched straight and full
for the open downs, it seemed to declare its contempt for
adventitious trappings to catch the shallow-pated. When the
sense of injustice or disappointment was heavy on me, and
things were very black within, as on this particular day, the
road of character was my choice for that solitaryramble, when I
turned my back for an afternoon on a world that had unaccountably
declared itself against me.
"The Knights' Road," we children had named it, from a sort of
feeling that, if from any quarter at all, it would be down this
track we might some day see Lancelot and his peers come pacing on
their great war-horses,--supposing that any of the stout band
still survived, in nooks and unexplored places. Grown-up people
sometimes spoke of it as the "Pilgrims' Way"; but I didn't know
much about pilgrims,--except Walter in the Horselberg story. Him
I sometimes saw, breaking with haggard eyes out of yonder copse,
and calling to the pilgrims as they hurried along on their
desperate march to the Holy City, where peace and pardon were
awaiting them. "All roads lead to Rome," I had once heard
somebody say; and I had taken the remark very seriously, of
course, and puzzled over it many days. There must have been some
mistake, I concluded at last; but of one road at least I
intuitively felt it to be true. And my belief was clinched
by something that fell from Miss Smedley during a history lesson,
about a strange road that ran right down the middle of England
till it reached the coast, and then began again in France, just
opposite, and so on undeviating, through city and vineyard, right
from the misty Highlands to the Eternal City. Uncorroborated,
any statement of Miss Smedley's usually fell on incredulous ears;
but here, with the road itself in evidence, she seemed, once, in
a way, to have strayed into truth.
Rome! It was fascinating to think that it lay at the other end
of this white ribbon that rolled itself off from my feet over the
distant downs. I was not quite so uninstructed as to imagine l
could reach it that afternoon; but some day, I thought, if things
went on being as unpleasant as they were now,--some day, when
Aunt Eliza had gone on a visit,--we would see.
I tried to imagine what it would be like when I got there. The
Coliseum I knew, of course, from a woodcut in the history-book:
so to begin with I plumped that down in the middle. The rest had
to be patched up from the little grey market-town where twice a
year we went to have our hair cut; hence, in the result,
Vespasian's amphitheatre was approached by muddy little streets,
wherein the Red Lion and the Blue Boar, with Somebody's Entire
along their front, and "Commercial Room" on their windows; the
doctor's house, of substantial red-brick; and the facade of the
New Wesleyan Chapel, which we thought very fine, were the chief
architectural ornaments: while the Roman populace pottered about
in smocks and corduroys, twisting the tails of Roman calves and
inviting each other to beer in musical Wessex. From Rome I
drifted on to other cities, dimly heard of--Damascus, Brighton
(Aunt Eliza's ideal), Athens, and Glasgow, whose glories the
gardener sang; but there was a certain sameness in my conception
of all of them: that Wesleyan chapel would keep cropping up
everywhere. It was easier to go a-building among those dream-
cities where no limitations were imposed, and one was sole
architect, with a free hand. Down a delectable street of cloud-
built palaces I was mentally pacing, when I happened upon the
Artist.
He was seated at work by the roadside, at a point whence the cool
large spaces of the downs, juniper-studded, swept grandly
westwards. His attributes proclaimed him of the artist tribe:
besides, he wore knickerbockers like myself,--a garb confined, I
was aware, to boys and artists. I knew I was not to bother him
with questions, nor look over his shoulder and breathe in his
ear--they didn't like it, this genus irritabile; but there was
nothing about staring in my code of instructions, the point
having somehow been overlooked: so, squatting down on the grass,
I devoted myself to a passionate absorbing of every detail. At
the end of five minutes there was not a button on him that I
could not have passed an examination in; and the wearer himself
of that homespun suit was probably less familiar with its pattern
and texture than I was. Once he looked up, nodded, half held out
his tobacco pouch,--mechanically, as it were,--then, returning it
to his pocket, resumed his work, and I my mental photography.
After another five minutes or so had passed he remarked, without
looking my way: "Fine afternoon we're having: going far to-day?"
"No, I'm not going any farther than this," I replied; "I WAS
thinking of going on to Rome but I've put it off."
"Pleasant place, Rome," he murmured; "you'll like it." It was
some minutes later that he added: "But I wouldn't go just now,
if I were you,--too jolly hot."
"YOU haven't been to Rome, have you?" I inquired.
"Rather," he replied, briefly; "I live there."
This was too much, and my jaw dropped as I struggled to grasp the
fact that I was sitting there talking to a fellow who lived in
Rome. Speech was out of the question: besides, I had other
things to do. Ten solid minutes had I already spent in an
examination of him as a mere stranger and artist; and now the
whole thing had to be done over again, from the changed point of
view. So I began afresh, at the crown of his soft hat, and
worked down to his solid British shoes, this time investing
everything with the new Roman halo; and at last I managed to get
out: "But you don't really live there, do you?" never doubting
the fact, but wanting to hear it repeated.
"Well," he said, good-naturedly overlooking the slight rudeness
of my query, "I live there as much as l live anywhere,--about
half the year sometimes. I've got a sort of a shanty there.
You must come and see it some day."
"But do you live anywhere else as well?" I went on, feeling the
forbidden tide of questions surging up within me.
"O yes, all over the place," was his vague reply. "And I've got
a diggings somewhere off Piccadilly."
"Where's that?" I inquired.
"Where's what?" said he. "Oh, Piccadilly! It's in London."
"Have you a large garden?" I asked; "and how many pigs have you
got?"
"I've no garden at all," he replied, sadly, "and they don't allow
me to keep pigs, though I'd like to, awfully. It's very hard."
"But what do you do all day, then," I cried, "and where do you go
and play, without any garden, or pigs, or things?"
"When I want to play," he said, gravely, "I have to go and play
in the street; but it's poor fun, I grant you. There's a goat,
though, not far off, and sometimes I talk to him when I'm feeling
lonely; but he's very proud."
"Goats ARE proud," I admitted. "There's one lives near
here, and if you say anything to him at all, he hits you in the
wind with his head. You know what it feels like when a fellow
hits you in the wind?"
"I do, well," he replied, in a tone of proper melancholy, and
painted on.
"And have you been to any other places," I began again,
presently, "besides Rome and Piccy-what's-his-name?"
"Heaps," he said. "I'm a sort of Ulysses--seen men and cities,
you know. In fact, about the only place I never got to was the
Fortunate Island."
I began to like this man. He answered your questions briefly and
to the point, and never tried to be funny. I felt I could be
confidential with him.
"Wouldn't you like," I inquired, "to find a city without any
people in it at all?"
He looked puzzled. "I'm afraid I don't quite understand," said
he.
"I mean," I went on eagerly, "a city where you walk in at the
gates, and the shops are all full of beautiful things, and the
houses furnished as grand as can be, and there isn't anybody
there whatever! And you go into the shops, and take
anything you want--chocolates and magic lanterns and injirubber
balls--and there's nothing to pay; and you choose your own house
and live there and do just as you like, and never go to bed
unless you want to!"
The artist laid down his brush. "That WOULD be a nice city,"
he said. "Better than Rome. You can't do that sort of thing in
Rome,--or in Piccadilly either. But I fear it's one of the
places I've never been to."
"And you'd ask your friends," I went on, warming to my subject,--
"only those you really like, of course,--and they'd each have a
house to themselves,--there'd be lots of houses,--and no
relations at all, unless they promised they'd be pleasant, and if
they weren't they'd have to go."
"So you wouldn't have any relations?" said the artist. "Well,
perhaps you're right. We have tastes in common, I see."
"I'd have Harold," I said, reflectively, "and Charlotte. They'd
like it awfully. The others are getting too old. Oh, and
Martha--I'd have Martha, to cook and wash up and do things.
You'd like Martha. She's ever so much nicer than Aunt
Eliza. She's my idea of a real lady."
"Then I'm sure I should like her," he replied, heartily, "and
when I come to--what do you call this city of yours? Nephelo--
something, did you say?"
"I--I don't know," I replied, timidly. "I'm afraid it hasn't got
a name--yet."
The artist gazed out over the downs. "`The poet says, dear city
of Cecrops;'" he said, softly, to himself, "`and wilt not thou
say, dear city of Zeus?' That's from Marcus Aurelius," he went
on, turning again to his work. "You don't know him, I suppose;
you will some day."
"Who's he?" I inquired.
"Oh, just another fellow who lived in Rome," he replied, dabbing
away.
"O dear!" I cried, disconsolately. "What a lot of people seem to
live at Rome, and I've never even been there! But I think I'd
like MY city best."
"And so would I," he replied with unction. "But Marcus Aurelius
wouldn't, you know."
"Then we won't invite him," I said, "will we?"
"_I_ won't if you won't," said he. And that point being
settled, we were silent for a while.
"Do you know," he said, presently, "I've met one or two fellows
from time to time who have been to a city like yours,--perhaps it
was the same one. They won't talk much about it--only broken
hints, now and then; but they've been there sure enough. They
don't seem to care about anything in particular--and every
thing's the same to them, rough or smooth; and sooner or later
to regret a similar act of bravado, and--were he here--would
certainly advise a timelyretreat. Edward held but a low opinion
of me as a counsellor; but he had a very solid respect for
Ulysses.
THE ROMAN ROAD
ALL the roads of our neighbourhood were cheerful and friendly,
having each of them pleasant qualities of their own; but this one
seemed different from the others in its masterful suggestion of a
serious purpose, speeding you along with a strange uplifting of
the heart. The others tempted chiefly with their treasures of
hedge and ditch; the rapt surprise of the first lords-and-ladies,
the rustle of a field-mouse, splash of a frog; while cool noses
of brother-beasts were pushed at you through gate or gap. A
loiterer you had need to be, did you choose one of them,--so many
were the tiny hands thrust out to detain you, from this side and
that. But this other was of a sterner sort, and even in its
shedding off of bank and hedgerow as it marched straight and full
for the open downs, it seemed to declare its contempt for
adventitious trappings to catch the shallow-pated. When the
sense of injustice or disappointment was heavy on me, and
things were very black within, as on this particular day, the
road of character was my choice for that solitaryramble, when I
turned my back for an afternoon on a world that had unaccountably
declared itself against me.
"The Knights' Road," we children had named it, from a sort of
feeling that, if from any quarter at all, it would be down this
track we might some day see Lancelot and his peers come pacing on
their great war-horses,--supposing that any of the stout band
still survived, in nooks and unexplored places. Grown-up people
sometimes spoke of it as the "Pilgrims' Way"; but I didn't know
much about pilgrims,--except Walter in the Horselberg story. Him
I sometimes saw, breaking with haggard eyes out of yonder copse,
and calling to the pilgrims as they hurried along on their
desperate march to the Holy City, where peace and pardon were
awaiting them. "All roads lead to Rome," I had once heard
somebody say; and I had taken the remark very seriously, of
course, and puzzled over it many days. There must have been some
mistake, I concluded at last; but of one road at least I
intuitively felt it to be true. And my belief was clinched
by something that fell from Miss Smedley during a history lesson,
about a strange road that ran right down the middle of England
till it reached the coast, and then began again in France, just
opposite, and so on undeviating, through city and vineyard, right
from the misty Highlands to the Eternal City. Uncorroborated,
any statement of Miss Smedley's usually fell on incredulous ears;
but here, with the road itself in evidence, she seemed, once, in
a way, to have strayed into truth.
Rome! It was fascinating to think that it lay at the other end
of this white ribbon that rolled itself off from my feet over the
distant downs. I was not quite so uninstructed as to imagine l
could reach it that afternoon; but some day, I thought, if things
went on being as unpleasant as they were now,--some day, when
Aunt Eliza had gone on a visit,--we would see.
I tried to imagine what it would be like when I got there. The
Coliseum I knew, of course, from a woodcut in the history-book:
so to begin with I plumped that down in the middle. The rest had
to be patched up from the little grey market-town where twice a
year we went to have our hair cut; hence, in the result,
Vespasian's amphitheatre was approached by muddy little streets,
wherein the Red Lion and the Blue Boar, with Somebody's Entire
along their front, and "Commercial Room" on their windows; the
doctor's house, of substantial red-brick; and the facade of the
New Wesleyan Chapel, which we thought very fine, were the chief
architectural ornaments: while the Roman populace pottered about
in smocks and corduroys, twisting the tails of Roman calves and
inviting each other to beer in musical Wessex. From Rome I
drifted on to other cities, dimly heard of--Damascus, Brighton
(Aunt Eliza's ideal), Athens, and Glasgow, whose glories the
gardener sang; but there was a certain sameness in my conception
of all of them: that Wesleyan chapel would keep cropping up
everywhere. It was easier to go a-building among those dream-
cities where no limitations were imposed, and one was sole
architect, with a free hand. Down a delectable street of cloud-
built palaces I was mentally pacing, when I happened upon the
Artist.
He was seated at work by the roadside, at a point whence the cool
large spaces of the downs, juniper-studded, swept grandly
westwards. His attributes proclaimed him of the artist tribe:
besides, he wore knickerbockers like myself,--a garb confined, I
was aware, to boys and artists. I knew I was not to bother him
with questions, nor look over his shoulder and breathe in his
ear--they didn't like it, this genus irritabile; but there was
nothing about staring in my code of instructions, the point
having somehow been overlooked: so, squatting down on the grass,
I devoted myself to a passionate absorbing of every detail. At
the end of five minutes there was not a button on him that I
could not have passed an examination in; and the wearer himself
of that homespun suit was probably less familiar with its pattern
and texture than I was. Once he looked up, nodded, half held out
his tobacco pouch,--mechanically, as it were,--then, returning it
to his pocket, resumed his work, and I my mental photography.
After another five minutes or so had passed he remarked, without
looking my way: "Fine afternoon we're having: going far to-day?"
"No, I'm not going any farther than this," I replied; "I WAS
thinking of going on to Rome but I've put it off."
"Pleasant place, Rome," he murmured; "you'll like it." It was
some minutes later that he added: "But I wouldn't go just now,
if I were you,--too jolly hot."
"YOU haven't been to Rome, have you?" I inquired.
"Rather," he replied, briefly; "I live there."
This was too much, and my jaw dropped as I struggled to grasp the
fact that I was sitting there talking to a fellow who lived in
Rome. Speech was out of the question: besides, I had other
things to do. Ten solid minutes had I already spent in an
examination of him as a mere stranger and artist; and now the
whole thing had to be done over again, from the changed point of
view. So I began afresh, at the crown of his soft hat, and
worked down to his solid British shoes, this time investing
everything with the new Roman halo; and at last I managed to get
out: "But you don't really live there, do you?" never doubting
the fact, but wanting to hear it repeated.
"Well," he said, good-naturedly overlooking the slight rudeness
of my query, "I live there as much as l live anywhere,--about
half the year sometimes. I've got a sort of a shanty there.
You must come and see it some day."
"But do you live anywhere else as well?" I went on, feeling the
forbidden tide of questions surging up within me.
"O yes, all over the place," was his vague reply. "And I've got
a diggings somewhere off Piccadilly."
"Where's that?" I inquired.
"Where's what?" said he. "Oh, Piccadilly! It's in London."
"Have you a large garden?" I asked; "and how many pigs have you
got?"
"I've no garden at all," he replied, sadly, "and they don't allow
me to keep pigs, though I'd like to, awfully. It's very hard."
"But what do you do all day, then," I cried, "and where do you go
and play, without any garden, or pigs, or things?"
"When I want to play," he said, gravely, "I have to go and play
in the street; but it's poor fun, I grant you. There's a goat,
though, not far off, and sometimes I talk to him when I'm feeling
lonely; but he's very proud."
"Goats ARE proud," I admitted. "There's one lives near
here, and if you say anything to him at all, he hits you in the
wind with his head. You know what it feels like when a fellow
hits you in the wind?"
"I do, well," he replied, in a tone of proper melancholy, and
painted on.
"And have you been to any other places," I began again,
presently, "besides Rome and Piccy-what's-his-name?"
"Heaps," he said. "I'm a sort of Ulysses--seen men and cities,
you know. In fact, about the only place I never got to was the
Fortunate Island."
I began to like this man. He answered your questions briefly and
to the point, and never tried to be funny. I felt I could be
confidential with him.
"Wouldn't you like," I inquired, "to find a city without any
people in it at all?"
He looked puzzled. "I'm afraid I don't quite understand," said
he.
"I mean," I went on eagerly, "a city where you walk in at the
gates, and the shops are all full of beautiful things, and the
houses furnished as grand as can be, and there isn't anybody
there whatever! And you go into the shops, and take
anything you want--chocolates and magic lanterns and injirubber
balls--and there's nothing to pay; and you choose your own house
and live there and do just as you like, and never go to bed
unless you want to!"
The artist laid down his brush. "That WOULD be a nice city,"
he said. "Better than Rome. You can't do that sort of thing in
Rome,--or in Piccadilly either. But I fear it's one of the
places I've never been to."
"And you'd ask your friends," I went on, warming to my subject,--
"only those you really like, of course,--and they'd each have a
house to themselves,--there'd be lots of houses,--and no
relations at all, unless they promised they'd be pleasant, and if
they weren't they'd have to go."
"So you wouldn't have any relations?" said the artist. "Well,
perhaps you're right. We have tastes in common, I see."
"I'd have Harold," I said, reflectively, "and Charlotte. They'd
like it awfully. The others are getting too old. Oh, and
Martha--I'd have Martha, to cook and wash up and do things.
You'd like Martha. She's ever so much nicer than Aunt
Eliza. She's my idea of a real lady."
"Then I'm sure I should like her," he replied, heartily, "and
when I come to--what do you call this city of yours? Nephelo--
something, did you say?"
"I--I don't know," I replied, timidly. "I'm afraid it hasn't got
a name--yet."
The artist gazed out over the downs. "`The poet says, dear city
of Cecrops;'" he said, softly, to himself, "`and wilt not thou
say, dear city of Zeus?' That's from Marcus Aurelius," he went
on, turning again to his work. "You don't know him, I suppose;
you will some day."
"Who's he?" I inquired.
"Oh, just another fellow who lived in Rome," he replied, dabbing
away.
"O dear!" I cried, disconsolately. "What a lot of people seem to
live at Rome, and I've never even been there! But I think I'd
like MY city best."
"And so would I," he replied with unction. "But Marcus Aurelius
wouldn't, you know."
"Then we won't invite him," I said, "will we?"
"_I_ won't if you won't," said he. And that point being
settled, we were silent for a while.
"Do you know," he said, presently, "I've met one or two fellows
from time to time who have been to a city like yours,--perhaps it
was the same one. They won't talk much about it--only broken
hints, now and then; but they've been there sure enough. They
don't seem to care about anything in particular--and every
thing's the same to them, rough or smooth; and sooner or later
- advise [əd´vaiz]
vt.忠告；建议；通知 (初中英语单词) - retreat [ri´tri:t] v.&n.退却；撤退；放弃 (初中英语单词)
- cheerful [´tʃiəful] a.快乐的；高兴的 (初中英语单词)
- suggestion [sə´dʒestʃən] n.建议，提议；暗示 (初中英语单词)
- chiefly [´tʃi:fli] ad.主要地；尤其 (初中英语单词)
- rustle [´rʌsl] v.&n.(使)沙沙作响 (初中英语单词)
- splash [splæʃ] v.&n.溅水声；涉水而进 (初中英语单词)
- thrust [θrʌst] v.&n.猛推；冲；刺；挤进 (初中英语单词)
- disappointment [,disə´pɔintmənt] n.失望；挫折 (初中英语单词)
- character [´kæriktə] n.特性；性质；人物；字 (初中英语单词)
- grown-up [´grəun-ʌp] n.成年人 a.成熟的 (初中英语单词)
- pardon [´pɑ:dən] n.&vt.原谅；饶恕；赦免 (初中英语单词)
- seriously [´siəriəsli] ad.严肃；严重，重大 (初中英语单词)
- belief [bi´li:f] n.相信；信仰，信条 (初中英语单词)
- eternal [i´tə:nəl] a.永远的；永恒的 (初中英语单词)
- fascinating [´fæsineitiŋ] a.迷人，使神魂颠倒的 (初中英语单词)
- ribbon [´ribən] n.缎带；带子；色带 (初中英语单词)
- chapel [´tʃæpəl] n.小教堂 (初中英语单词)
- musical [´mju:zikəl] a.音乐的；悦耳的 (初中英语单词)
- bother [´bɔðə] v.打扰 n.麻烦(事) (初中英语单词)
- button [´bʌtn] n.钮扣 vt.扣上(扣子) (初中英语单词)
- examination [ig,zæmi´neiʃən] n.检查；考试；检验 (初中英语单词)
- tobacco [tə´bækəu] n.烟草(叶)；卷烟 (初中英语单词)
- mental [´mentl] a.精神的；心理的 (初中英语单词)
- briefly [´bri:fli] ad.简短地；简略地 (初中英语单词)
- anywhere [´eniweə] ad.无论何处；任何地方 (初中英语单词)
- gravely [´greivli] ad.庄重地，严肃地 (初中英语单词)
- eagerly [´i:gəli] ad.渴望地，急切地 (初中英语单词)
- softly [´sɔftli] ad.软化地；柔和地 (初中英语单词)
- presently [´prezəntli] ad.不久；目前 (初中英语单词)
- detain [di´tein] vt.留住；拘留 (高中英语单词)
- contempt [kən´tempt] n.轻蔑；受辱；不顾 (高中英语单词)
- injustice [in´dʒʌstis] n.不公正，不公平 (高中英语单词)
- solitary [´sɔlitəri] a.独居的；孤独的 (高中英语单词)
- hurried [´hʌrid] a.仓促的，慌忙的 (高中英语单词)
- unpleasant [ʌn´plezənt] a.不愉快的；不合意的 (高中英语单词)
- substantial [səb´stænʃəl] a.实质的，真的 (高中英语单词)
- athens [´æθinz] n.雅典 (高中英语单词)
- passionate [´pæʃənit] a.易动情的；易怒的 (高中英语单词)
- awfully [´ɔ:fuli] ad.令人畏惧地 (高中英语单词)
- melancholy [´melənkəli] n.忧郁 a.忧郁的 (高中英语单词)
- heartily [´hɑ:tili] ad.衷心地；亲切地 (高中英语单词)
- ramble [´ræmbl] v.&n.闲逛；漫步 (英语四级单词)
- haggard [´hægəd] a.憔悴的 (英语四级单词)
- vineyard [´vinjəd] n.葡萄园 (英语四级单词)
- calves [kɑ:vz] calf的复数 (英语四级单词)
- glasgow [´glɑ:sgəu] n.格拉斯哥 (英语四级单词)
- roadside [´rəudsaid] n.&a.路边(的) (英语四级单词)
- whence [wens] ad.从何处；从那里 (英语四级单词)
- devoted [di´vəutid] a.献身...的，忠实的 (英语四级单词)
- texture [´tekstʃə] n.(织物等的)质地 (英语四级单词)
- warming [´wɔ:miŋ] n.暖和；加温 (英语四级单词)
- timely [´taimli] a.及时的；适合的 (英语六级单词)
- calling [´kɔ:liŋ] n.点名；职业；欲望 (英语六级单词)
- incredulous [in´kredjuləs] a.不(轻易)相信的 (英语六级单词)
- populace [´pɔpjuləs] n.平民；大众；人口 (英语六级单词)
- homespun [´həumspʌn] a.家里(织)的 (英语六级单词)
- wanting [´wɔntiŋ, wɑ:n-] a.短缺的；不足的 (英语六级单词)
- charlotte [´ʃɑ:lət] n.水果奶油布丁 (英语六级单词)
- timidly [´timidli] ad.胆怯地 (英语六级单词)
文章标签:名著
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