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Lucasta

by Richard Lovelace
TO

WILLIAM HAZLITT, ESQ., OF THE MIDDLE TEMPLE, A REGISTRAR OF
THE COURT OF BANKRUPTCY IN LONDON,

This Little Volume
IS INSCRIBED AS A SLIGHT TESTIMONY OF THE GREATEST RESPECT,

BY HIS AFFECTIONATE SON, THE EDITOR.
CONTENTS.

PART I.
PAGE

Dedication 3
Verses addressed to the Author 5

I. Poems Addressed or Relating To Lucasta.
Song. To Lucasta. Going beyond the Seas 25

Song. To Lucasta. Going to the Warres 26
A Paradox 27

Song. To Amarantha, that she would Dishevell her Haire 29
Sonnet 31

Ode. To Lucasta. The Rose 31
Love Conquer'd. A Song 33

A Loose Saraband 34
Orpheus to Woods 37

Orpheus to Beasts 37
Dialogue. Lucasta, Alexis 39

Sonnet 41
Lucasta Weeping. Song 42

To Lucasta, from Prison. An Epode 43
Lucasta's Fanne, with a Looking-glasse in it 46

Lucasta, taking the Waters at Tunbridge 48
To Lucasta. Ode Lyrick 50

Lucasta paying her Obsequies to the Chast Memory of my
Dearest Cosin Mrs. Bowes Barne[s] 51

Upon the Curtaine of Lucasta's Picture, it was thus Wrought 53
Lucasta's World. Epode 53

The Apostacy of One, and but One Lady 54
Amyntor from beyond the Sea to Alexis. A Dialogue 56

Calling Lucasta from her Retirement 58
Amarantha, a Pastoral 60

II. Poems Addressed to Ellinda.
To Ellinda, that lately I have not written 74

Ellinda's Glove 75
Being Treated. To Ellinda 76

To Ellinda, upon his late Recovery. A Paradox 79
III. Miscellaneous Poems

To Chloe, courting her for his Friend 81
Gratiana Dauncing and Singing 82

Amyntor's Grove 84
The Scrutinie 89

Princesse Loysa Drawing 90
A Forsaken Lady to her False Servant 92

The Grassehopper. To My Noble Friend,
Mr. Charles Cotton [the elder] 94

An Elegie on the Death of Mrs. Cassandra Cotton 97
The Vintage to the Dungeon. A Song 99

On the Death of Mrs. Elizabeth Filmer. An Elegiacall Epitaph 100
To My Worthy Friend Mr. Peter Lilly 102

The Lady A[nne] L[ovelace]. My Asylum in a Great Extremity 104
A Lady with a Falcon on her Fist. To the Honourable

my Cousin A[nne] L[oveace] 108
A Prologue to the Scholars 110

The Epilogue 111
Against the Love of Great Ones 113

To Althea, from Prison 117
Sonnet. To Generall Goring, after the Pacification at Berwicke 120

Sir Thomas Wortley's Sonnet 122
The Answer 123

A Guiltlesse Lady Imprisoned; after Penanced 124
To His Deare Brother Colonel F[rancis] L[ovelace] 125

To a Lady that desired me I would beare my part with her
in a Song 126

Valiant Love 131
La Bella Bona Roba. To My Lady H. 133

Sonnet. "I Cannot Tell," &c. 134
A la Bourbon 135

The Faire Begger 136
A Dialogue betwixt Cordanus and Amoret 138

IV. Commendatory and Other Verses, prefixed to
Various Publications between 1638 and 1647.

An Elegie. Princesse Katherine Borne, Christened, Buried
in one Day (1638) 140

Clitophon and Lucippe translated. To the Ladies (1638) 143
To My Truely Valiant, Learned Friend; who in his Booke

resolv'd the Art Gladiatory into the Mathematicks (1638) 146
To Fletcher Reviv'd (1647) 148

PART II.
I. Poems Addressed or Relating to Lucasta.

Dedication 155
To Lucasta. Her Reserved Looks 157

Lucasta Laughing 157
Night. To Lucasta 158

Love Inthron'd 159
Her Muffe 160

A Black Patch on Lucasta's Face 162
Another 163

To Lucasta 165
To Lucasta 165

Lucasta at the Bath 166
The Ant 168

II. Miscellaneous Poems.
Song. Strive not, &c. 170

In Allusion to the French Song: "N'entendez vous pas
ce Language" 171

Courante Monsieur 173
A Loose Saraband 174

The Falcon 176
Love made in the First Age. To Chloris 180

To a Lady with Child that ask'd an Old Shirt 183
Song. In mine own Monument I lye, &c. 184

Another. I did believe, &c. 184
Ode. You are deceiv'd, &c. 185

The Duell 187
Cupid far gone 188

A Mock Song 190
A Fly caught in a Cobweb 191

A Fly about a Glasse of Burnt Claret 193
Female Glory 196

A Dialogue. Lute and Voice 197
A Mock Charon. Dialogue 198

The Toad and Spyder. A Duell 199
The Snayl 207

Another 209
The Triumphs of Philamore and Amoret 211

Advice to my best Brother, Coll: Francis Lovelace 218
Paris's Second Judgement 221

Peinture. A Panegyrick to the best Picture of Friendship,
Mr. Pet. Lilly 222

An Anniversary on the Hymeneals of my Noble Kinsman,
Thomas Stanley, Esq. 227

On Sanazar's being honoured with 600 Duckets by the
Clarissimi of Venice 229

III. Commendatory Verses, prefixed to Various
Publications between 1652 and 1657.

To My Dear Friend, Mr. E[ldred] R[evett] on his Poems moral
and divine 241

On the Best, Last, and only Remaining Comedy of Mr. Fletcher,
"The Wild-Goose Chase" (1652) 245

To My Noble Kinsman Thomas Stanley, Esq.; on his Lyrick Poems
composed by Mr. John Gamble (1656) 247

To Dr. F. B[eale]; on his Book of Chesse (1656) 249
To the Genius of Mr. John Hall (1657) 250

Translations 253
Elegies on the Death of the Author 279

INTRODUCTION.
There is scarcely an UN-DRAMATIC writer of the Seventeenth Century,

whose poems exhibit so many and such gross corruptions as those
of the author of LUCASTA. In the present edition, which is the

first attempt to present the productions of a celebrated and
elegant poet to the admirers of this class of literature in a

readable shape, both the text and the pointing have been amended
throughout, the original reading being always given in the foot-

notes; but some passages still remain, which I have not succeeded
in elucidating to my satisfaction, and one or two which have defied

all my attempts at emendation, though, as they stand, they are
unquestionably nonsense. It is proper to mention that several

rather bold corrections have been hazarded in the course of the
volume; but where this has been done, the deviation from the

original has invariably been pointed out in the notes.
On the title-page of the copy of LUCASTA, 1649, preserved among

the King's Pamphlets in the British Museum, the original possessor
has, according to his usual practice, marked the date of purchase,

viz., June 21; perhaps, and indeed probably, that was also
the date of publication. A copy of LUCASTA, 1649, occasionally

appears in catalogues, purporting to have belonged to Anne,
Lady Lovelace; but the autograph which it contains was taken

from a copy of Massinger's BONDMAN (edit. 1638, 4to.), which her
Ladyship once owned. This copy of Lovelace's LUCASTA is bound up

with the copy of the POSTHUME POEMS, once in the possession
of Benjamin Rudyerd, Esq., grandson and heir of the distinguished

Sir Benjamin Rudyerd, as appears also from his autograph
on the title.<1.1>

In the original edition of the two parts of LUCASTA, 1649-59,
the arrangement of the poems appears, like that of the text,

to have been left to chance, and the result has been a total
absence of method. I have therefore felt it part of my duty to

systematise the contents of the volume, and, so far as it lay in my
power, to place the various pieces of which it consisted in their

proper order; all the odes, sonnets, &c. addressed or referring to
the lady who is concealed under the names of LUCASTA and AMARANTHA

have now been, for the first time, brought together; and the copies
of commendatory and gratulatory verses, with one exception prefixed

by Lovelace to various publications by friends during his life-
time, either prior to the appearance of the first part of his own

poems in 1649, or between that date and the issue of his Remains
ten years later, have been placed by themselves, as an act of

justice to the writer, of whose style and genius they are, as is
generally the case with all compositions of the kind, by no means

favourable specimens. The translations from Catullus, Ausonius,
&c. have been left as they stood; they are, for the most part,

destitute of merit; but as they were inserted by the Poet's
brother, when he edited the posthumous volume, I did not think it

right to disturb them, and they have been retained in their full
integrity.

Lovelace's LUCASTA was included by the late S. W. Singer, Esq.,
in his series of "Early English Poets;" but that gentleman,

besides striking out certain passages, which he, somewhat
unaccountably and inconsistently, regarded as indelicate,

omitted a good deal of preliminary matter in the form of
commendatory verses which, though possibly of small worth,

were necessary to render the book complete; it is possible,
that Mr. Singer made use of a copy of LUCASTA which was deficient



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