Might sindge thy upper down attire,
And thou i' th' storm to loose an eye.
A wing, or a self-trapping thigh:
Yet hadst thou fal'n like him, whose coil
Made fishes in the sea to broyl,
When now th'ast scap'd the noble flame;
Trapp'd basely in a slimy frame,
And free of air, thou art become
Slave to the spawn of mud and lome?
Nor is't enough thy self do's dresse
To thy swoln lord a num'rous messe,
And by degrees thy thin veins bleed,
And piecemeal dost his poyson feed;
But now devour'd, art like to be
A net spun for thy familie,
And, straight expanded in the air,
Hang'st for thy issue too a snare.
Strange witty death and cruel ill
That, killing thee, thou thine dost kill!
Like pies, in whose entombed ark
All fowl crowd
downward to a lark,
Thou art thine en'mies' sepulcher,
And in thee buriest, too, thine heir.
Yet Fates a glory have reserv'd
For one so highly hath deserv'd.
As the rhinoceros doth dy
Under his castle-enemy,
As through the cranes trunk
throat doth speed,
The aspe doth on his
feeder feed;
Fall yet
triumphant in thy woe,
Bound with the entrails of thy foe.
<77.1> The spider.
A FLY ABOUT A GLASSE OF BURNT CLARET.
I.
Forbear this
liquid fire, Fly,
It is more fatal then the dry,
That singly, but embracing, wounds;
And this at once both burns and drowns.
II.
The salamander, that in heat
And flames doth cool his
monstrous sweat,
Whose fan a glowing cake is said,
Of this red
furnace is afraid.
III.
Viewing the ruby-christal shine,
Thou tak'st it for heaven-christalline;
Anon thou wilt be taught to groan:
'Tis an ascended Acheron.
IV.
A snow-ball heart in it let fall,
And take it out a fire-ball;
Ali icy breast in it betray'd
Breaks a
destructive wild granade.
V.
'Tis this makes Venus altars shine,
This kindles
frosty Hymen's pine;
When the boy grows old in his desires,
This flambeau doth new light his fires.
VI.
Though the cold
hermit over wail,
Whose sighs do
freeze, and tears drop hail,
Once having pass'd this, will ne'r
Another
flaming purging fear.
VII.
The vestal drinking this doth burn
Now more than in her fun'ral urn;
Her fires, that with the sun kept race,
Are now extinguish'd by her face.
VIII.
The chymist, that himself doth still,<78.1>
Let him but tast this limbecks<78.2> bill,
And prove this sublimated bowl,
He'll swear it will calcine a soul.
IX.
Noble, and brave! now thou dost know
The false prepared decks below,
Dost thou the fatal
liquor sup,
One drop, alas! thy barque blowes up.
X.
What airy country hast to save,
Whose plagues thou'lt bury in thy grave?
For even now thou seem'st to us
On this gulphs brink a Curtius.
XI.
And now th' art faln (magnanimous Fly)
In, where thine Ocean doth fry,
Like the Sun's son, who blush'd the flood
To a
complexion of blood.
XII.
Yet, see! my glad auricular
Redeems thee (though dissolv'd) a star,
Flaggy<78.3> thy wings, and scorch'd thy thighs,
Thou ly'st a double sacrifice.
XIII.
And now my
warming, cooling
breathShall a new life afford in death;
See! in the hospital of my hand
Already cur'd, thou
fierce do'st stand.
XIV.
Burnt insect! dost thou reaspire
The moist-hot-glasse and
liquid fire?
I see 'tis such a
pleasing pain,
Thou would'st be scorch'd and drown'd again.
<78.1> i.e. distil.
<78.2> Lovelace was by no means
peculiar in the
fondness which
he has shown in this poem and
elsewhere for figures drawn from
the language of alchemy.
"Retire into thy grove of eglantine,
Where I will all those ravished sweets distill
Through Love's alembic, and with chemic skill
From the mix'd mass one
sovereign balm derive."
Carew's POEMS (1640), ed. 1772, p. 77.
"----I will try
From the warm limbeck of my eye,
In such a method to distil
Tears on thy
marble nature----"
Shirley's POEMS (Works by Dyce, vi. 407).
"Nature's Confectioner, the BEE,
Whose suckers are moist ALCHYMIE,
The still of his refining Mould,
Minting the garden into gold."
Cleveland's POEMS, ed. 1669, p. 4.
"Fisher is here with
purple wing,
Who brings me to the Spring-head, where
Crystall is Lymbeckt all the year."
Lord Westmoreland's OTIA SACRA, 1648, p. 137,
<78.3> WEAK. The word was once not very
uncommon in writings.
Bacon, Spenser, &c. use it; but it is now, I believe, confined
to Somersetshire and the bordering counties.
"LUKE. A south wind
Shall sooner
softenmarble, and the rain,
That slides down
gently from his flaggy wings,
O'erflow the Alps."
Mas
singer's CITY MADAM, 1658.
FEMALE GLORY.
Mongst the worlds wonders, there doth yet remain
One greater than the rest, that's all those o're again,
And her own self beside: A Lady, whose soft breast
Is with vast honours soul and virtues life possest.
Fair as original light first from the chaos shot,
When day in virgin-beams triumph'd, and night was not,
And as that
breath infus'd in the new-
breather good,
When ill unknown was dumb, and bad not understood;
Chearful, as that
aspect at this world's finishing,
When cherubims clapp'd wings, and th' sons of Heaven did sing;
Chast as th' Arabian bird, who all the ayr denyes,<79.1>
And ev'n in flames expires, when with her selfe she lyes.
Oh! she's as kind as drops of new faln April showers,
That on each gentle breast spring fresh perfuming flowers;
She's
constant, gen'rous, fixt; she's calm, she is the all
We can of vertue, honour, faith, or glory call,
And she is (whom I thus
transmit to endless fame)
Mistresse oth' world and me, and LAURA is her name.
<79.1> The Phoenix.
A DIALOGUE.
LUTE AND VOICE.
L. Sing, Laura, sing,
whilst silent are the sphears,
And all the eyes of Heaven are turn'd to ears.
V. Touch thy dead wood, and make each living tree
Unchain its feet, take arms, and follow thee.
CHORUS.
L. Sing. V. Touch. 0 Touch. L. 0 Sing.
BOTH. It is the souls, souls sole offering.
V. Touch the
divinity of thy chords, and make
Each heart string tremble, and each sinew shake.
L. Whilst with your voyce you rarifie the air,
None but an host of angels hover here.
CHORUS. SING, TOUCH, &c.
V. Touch thy soft lute, and in each gentle thread
The lyon and the
panthercaptive lead.
L. Sing, and in heav'n inthrone deposed love,
Whilst angels dance, and fiends in order move.
DOUBLE CHORUS.
What
sacred charm may this then be
In harmonie,
That thus can make the angels wild,
The devils mild,
And teach<80.1> low hell to heav'n to swell,
And the high heav'n to stoop to hell?
<80.1> Original and Singer read REACH.
A MOCK CHARON.
DIALOGUE.
CHA. W.
W. Charon! thou slave! thou fooll! thou cavaleer!<81.1>
CHA. A slave! a fool! what traitor's voice I hear?
W. Come bring thy boat. CH. No, sir. W. No! sirrah, why?
CHA. The blest will
disagree, and fiends will mutiny
At thy, at thy [un]numbred treachery.
W. Villain, I have a pass which who disdains,
I will sequester the Elizian plains.
CHA. Woes me, ye gentle shades! where shall I dwell?
He's come! It is not safe to be in hell.
CHORUS.
Thus man, his honor lost, falls on these shelves;
Furies and fiends are still true to themselves.
CHA. You must, lost fool, come in. W. Oh, let me in!
But now I fear thy boat will sink with my ore-weighty sin.
Where,
courteous Charon, am I now? CHA. Vile rant!<81.2>
At the gates of thy
supreme Judge Rhadamant.
DOUBLE CHORUS OF DIVELS.
Welcome to rape, to theft, to perjurie,