who appeared in their shirts and cotton night-caps, with lights in
their hands, asking questions of one another,
holding the strangest
colloquies, and exhibiting the queerest faces.
A certain poor bookbinder, who was very old, believed in hobgoblins.
Like most
provincial artisans, he worked in a small
basement shop. The
Knights, disguised as devils, invaded the place in the middle of the
night, put him into his own cutting-press, and left him shrieking to
himself like the souls in hell. The poor man roused the neighbors, to
whom he
related the apparitions of Lucifer; and as they had no means
of undeceiving him, he was
driven nearly insane.
In the middle of a
severe winter, the Knights took down the chimney of
the
collector of taxes, and built it up again in one night apparently
as it was before, without making the slightest noise, or leaving the
least trace of their work. But they so arranged the inside of the
chimney as to send all the smoke into the house. The
collectorsuffered for two months before he found out why his chimney, which had
always drawn so well, and of which he had often boasted, played him
such tricks; he was then obliged to build a new one.
At another time, they put three trusses of hay dusted with brimstone,
and a quantity of oiled paper down the chimney of a pious old woman
who was a friend of Madame Hochon. In the morning, when she came to
light her fire, the poor creature, who was very gentle and kindly,
imagined she had started a
volcano. The fire-engines came, the whole
population rushed to her
assistance. Several Knights were among the
firemen, and they deluged the old woman's house, till they had
frightened her with a flood, as much as they had terrified her with
the fire. She was made ill with fear.
When they wished to make some one spend the night under arms and in
mortal
terror, they wrote an
anonymous letter telling him that he was
about to be robbed; then they stole
softly, one by one, round the
walls of his house, or under his windows, whistling as if to call each
other.
One of their famous performances, which long amused the town, where in
fact it is still
related, was to write a letter to all the heirs of a
miserly old lady who was likely to leave a large property, announcing
her death, and requesting them to be
promptly on hand when the seals
were affixed. Eighty persons arrived from Vatan, Saint-Florent,
Vierzon and the
neighboring country, all in deep mourning,--widows
with sons, children with their fathers, some in carrioles, some in
wicker gigs, others in dilapidated carts. Imagine the scene between
the old woman's servants and the first arrivals! and the consultations
among the notaries! It created a sort of riot in Issoudun.
At last, one day the sub-prefect woke up to a sense that this state of
things was all the more
intolerable because it seemed impossible to
find out who was at the bottom of it. Suspicion fell on several young
men; but as the National Guard was a mere name in Issoudun, and there
was no
garrison, and the
lieutenant of police had only eight gendarmes
under him, so that there were no patrols, it was impossible to get any
proof against them. The sub-prefect was immediately posted in the
"order of the night," and considered thenceforth fair game. This
functionary made a practice of breakfasting on two fresh eggs. He kept
chickens in his yard, and added to his mania for eating fresh eggs
that of boiling them himself. Neither his wife nor his servant, in
fact no one, according to him, knew how to boil an egg
properly; he
did it watch in hand, and boasted that he carried off the palm of egg-
boiling from all the world. For two years he had boiled his eggs with
a success which earned him many witticisms. But now, every night for a
whole month, the eggs were taken from his hen-house, and hard-boiled
eggs substituted. The sub-prefect was at his wits' end, and lost his
reputation as the "sous-prefet a l'oeuf." Finally he was forced to
breakfast on other things. Yet he never suspected the Knights of
Idleness, whose trick had been
cautiously played. After this, Max
managed to
grease the sub-prefect's stoves every night with an oil
which sent forth so fetid a smell that it was impossible for any one
to stay in the house. Even that was not enough; his wife, going to
mass one morning, found her shawl glued together on the inside with
some tenacious substance, so that she was obliged to go without it.
The sub-prefect finally asked for another appointment. The cowardly
submissiveness of this officer had much to do with
firmly establishing
the weird and comic authority of the Knights of Idleness.
Beyond the rue des Minimes and the place Misere, a section of a
quarter was at that time enclosed between an arm of the "Riviere
forcee" on the lower side and the ramparts on the other,
beginning at
the place d'Armes and going as far as the
pottery market. This
irregular square is filled with poor-looking houses
crowded one
against the other, and divided here and there by streets so narrow
that two persons cannot walk
abreast. This section of the town, a sort
of cour des Miracles, was occupied by poor people or persons working
at trades that were little remunerative,--a population living in
hovels, and buildings called picturesquely by the familiar term of
"blind houses." From the earliest ages this has no doubt been an
accursed quarter, the haunt of evil-doers; in fact one
thoroughfare is
named "the street of the Executioner." For more than five centuries it
has been
customary for the executioner to have a red door at the
entrance of his house. The
assistant of the executioner of Chateauroux
still lives there,--if we are to believe public rumor, for the
townspeople never see him: the vine-dressers alone
maintain an
intercourse with this
mysterious being, who inherits from his
predecessors the gift of curing wounds and fractures. In the days when
Issoudun assumed the airs of a capital city the women of the town made
this section of it the scene of their wanderings. Here came the
second-hand sellers of things that look as if they never could find a
purchaser, old-clothes dealers whose wares infected the air; in short,
it was the rendezvous of that apocryphal population which is to be
found in nearly all such portions of a city, where two or three Jews
have gained an ascendency.
At the corner of one of these
gloomy streets in the livelier half of
the quarter, there existed from 1815 to 1823, and perhaps later, a
public-house kept by a woman
commonly called Mere Cognette. The house
itself was tolerably well built, in courses of white stone, with the
intermediary spaces filled in with ashlar and
cement, one storey high
with an attic above. Over the door was an
enormous branch of pine,
looking as though it were cast in Florentine
bronze. As if this symbol
were not explanatory enough, the eye was arrested by the blue of a
poster which was pasted over the
doorway, and on which appeared, above
the words "Good Beer of Mars," the picture of a soldier pouring out,
in the direction of a very decolletee woman, a jet of foam which
spurted in an
arched line from the
pitcher to the glass which she was
holding towards him; the whole of a color to make Delacroix swoon.
The ground-floor was occupied by an
immense hall serving both as
kitchen and dining-room, from the beams of which hung, suspended by
huge nails, the provisions needed for the custom of such a house.
Behind this hall a winding
staircase led to the upper storey; at the
foot of the
staircase a door led into a low, long room lighted from
one of those little
provincial courts, so narrow, dark, and sunken
between tall houses, as to seem like the flue of a chimney. Hidden by
a shed, and concealed from all eyes by walls, this low room was the
place where the Bad Boys of Issoudun held their plenary court.
Ostensibly, Pere Cognet boarded and lodged the country-people on
market-days;
secretly, he was
landlord to the Knights of Idleness.
This man, who was
formerly a groom in a rich household, had ended by
marrying La Cognette, a cook in a good family. The
suburb of Rome
still continues, like Italy and Poland, to follow the Latin custom of
putting a
femininetermination to the husband's name and giving it to
the wife.
By uniting their savings Pere Cognet and his
spouse had managed to buy
their present house. La Cognette, a woman of forty, tall and plump,
with the nose of a Roxelane, a
swarthy skin, jet-black hair, brown
eyes that were round and
lively, and a general air of mirth and
intelligence, was selected by Maxence Gilet, on
account of her
character and her
talent for
cookery, as the Leonarde of the Order.
Pere Cognet might be about fifty-six years old; he was thick-set, very