Hanging and wiving goes by destiny.
PORTIA. Come, draw the curtain, Nerissa.
Enter a SERVANT
SERVANT. Where is my lady?
PORTIA. Here; what would my lord?
SERVANT. Madam, there is alighted at your gate
A young Venetian, one that comes before
To
signify th' approaching of his lord,
From whom he bringeth
sensible regreets;
To wit, besides commends and
courteous breath,
Gifts of rich value. Yet I have not seen
So likely an
ambassador of love.
A day in April never came so sweet
To show how
costly summer was at hand
As this fore-spurrer comes before his lord.
PORTIA. No more, I pray thee; I am half afeard
Thou wilt say anon he is some kin to thee,
Thou spend'st such high-day wit in praising him.
Come, come, Nerissa, for I long to see
Quick Cupid's post that comes so mannerly.
NERISSA. Bassanio, Lord Love, if thy will it be! Exeunt
ACT III. SCENE I.
Venice. A street
Enter SOLANIO and SALERIO
SOLANIO. Now, what news on the Rialto?
SALERIO. Why, yet it lives there uncheck'd that Antonio hath a ship
of rich lading wreck'd on the narrow seas; the Goodwins I think
they call the place, a very dangerous flat and fatal, where the
carcases of many a tall ship lie buried, as they say, if my
gossip Report be an honest woman of her word.
SOLANIO. I would she were as lying a
gossip in that as ever knapp'd
ginger or made her neighbours believe she wept for the death of a
third husband. But it is true, without any slips of prolixity or
crossing the plain
highway of talk, that the good Antonio, the
honest Antonio- O that I had a title good enough to keep his name
company!-
SALERIO. Come, the full stop.
SOLANIO. Ha! What sayest thou? Why, the end is, he hath lost a
ship.
SALERIO. I would it might prove the end of his losses.
SOLANIO. Let me say amen
betimes, lest the devil cross my prayer,
for here he comes in the
likeness of a Jew.
Enter SHYLOCK
How now, Shylock? What news among the merchants?
SHYLOCK. You knew, none so well, none so well as you, of my
daughter's flight.
SALERIO. That's certain; I, for my part, knew the
tailor that made
the wings she flew
withal.
SOLANIO. And Shylock, for his own part, knew the bird was flidge;
and then it is the
complexion of them all to leave the dam.
SHYLOCK. She is damn'd for it.
SALERIO. That's certain, if the devil may be her judge.
SHYLOCK. My own flesh and blood to rebel!
SOLANIO. Out upon it, old carrion! Rebels it at these years?
SHYLOCK. I say my daughter is my flesh and my blood.
SALERIO. There is more difference between thy flesh and hers than
between jet and ivory; more between your bloods than there is
between red wine and Rhenish. But tell us, do you hear whether
Antonio have had any loss at sea or no?
SHYLOCK. There I have another bad match: a
bankrupt, a prodigal,
who dare
scarce show his head on the Rialto; a
beggar, that was
us'd to come so smug upon the mart. Let him look to his bond. He
was wont to call me usurer; let him look to his bond. He was wont
to lend money for a Christian
courtesy; let him look to his bond.
SALERIO. Why, I am sure, if he
forfeit, thou wilt not take his
flesh. What's that good for?
SHYLOCK. To bait fish
withal. If it will feed nothing else, it will
feed my
revenge. He hath disgrac'd me and hind'red me half a
million; laugh'd at my losses, mock'd at my gains, scorned my
nation, thwarted my bargains, cooled my friends, heated mine
enemies. And what's his reason? I am a Jew. Hath not a Jew eyes?
Hath not a Jew hands, organs, dimensions, senses, affections,
passions, fed with the same food, hurt with the same weapons,
subject to the same diseases, healed by the same means, warmed
and cooled by the same winter and summer, as a Christian is? If
you prick us, do we not bleed? If you
tickle us, do we not laugh?
If you
poison us, do we not die? And if you wrong us, shall we
not
revenge? If we are like you in the rest, we will
resemble you
in that. If a Jew wrong a Christian, what is his humility?
Revenge. If a Christian wrong a Jew, what should his sufferance
be by Christian example? Why,
revenge. The villainy you teach me
I will
execute; and itshall go hard but I will better the
instruction.
Enter a MAN from ANTONIO
MAN. Gentlemen, my master Antonio is at his house, and desires to
speak with you both.
SALERIO. We have been up and down to seek him.
Enter TUBAL
SOLANIO. Here comes another of the tribe; a third cannot be
match'd, unless the devil himself turn Jew.
Exeunt SOLANIO, SALERIO, and MAN
SHYLOCK. How now, Tubal, what news from Genoa? Hast thou found my
daughter?
TUBAL. I often came where I did hear of her, but cannot find her.
SHYLOCK. Why there, there, there, there! A diamond gone, cost me
two thousand ducats in Frankfort! The curse never fell upon our
nation till now; I never felt it till now. Two thousand ducats in
that, and other precious, precious jewels. I would my daughter
were dead at my foot, and the jewels in her ear; would she were
hears'd at my foot, and the ducats in her coffin! No news of
them? Why, so- and I know not what's spent in the search. Why,
thou- loss upon loss! The thief gone with so much, and so much to
find the thief; and no
satisfaction, no
revenge; nor no ill luck
stirring but what lights o' my shoulders; no sighs but o' my
breathing; no tears but o' my shedding!
TUBAL. Yes, other men have ill luck too: Antonio, as I heard in
Genoa-
SHYLOCK. What, what, what? Ill luck, ill luck?
TUBAL. Hath an argosy cast away coming from Tripolis.
SHYLOCK. I thank God, I thank God. Is it true, is it true?
TUBAL. I spoke with some of the sailors that escaped the wreck.
SHYLOCK. I thank thee, good Tubal. Good news, good news- ha, ha!-
heard in Genoa.
TUBAL. Your daughter spent in Genoa, as I heard, one night,
fourscore ducats.
SHYLOCK. Thou stick'st a
dagger in me- I shall never see my gold
again. Fourscore ducats at a sitting! Fourscore ducats!
TUBAL. There came
divers of Antonio's creditors in my company to
Venice that swear he cannot choose but break.
SHYLOCK. I am very glad of it; I'll
plague him, I'll
torture him; I
am glad of it.
TUBAL. One of them showed me a ring that he had of your daughter
for a monkey.
SHYLOCK. Out upon her! Thou
torturest me, Tubal. It was my
turquoise; I had it of Leah when I was a
bachelor; I would not
have given it for a
wilderness of monkeys.
TUBAL. But Antonio is certainly undone.
SHYLOCK. Nay, that's true; that's very true. Go, Tubal, fee me an
officer; bespeak him a
fortnight before. I will have the heart of
him, if he
forfeit; for, were he out of Venice, I can make what
merchandise I will. Go, Tubal, and meet me at our synagogue; go,
good Tubal; at our synagogue, Tubal. Exeunt
SCENE II.
Belmont. PORTIA'S house
Enter BASSANIO, PORTIA, GRATIANO, NERISSA, and all
their trains
PORTIA. I pray you tarry; pause a day or two
Before you
hazard; for, in choosing wrong,
I lose your company;
thereforeforbear a while.
There's something tells me- but it is not love-
I would not lose you; and you know yourself
Hate counsels not in such a quality.
But lest you should not understand me well-
And yet a
maiden hath no tongue but thought-
I would
detain you here some month or two
Before you
venture for me. I could teach you
How to choose right, but then I am forsworn;
So will I never be; so may you miss me;
But if you do, you'll make me wish a sin,
That I had been forsworn. Beshrew your eyes!
They have o'erlook'd me and divided me;
One half of me is yours, the other half yours-
Mine own, I would say; but if mine, then yours,
And so all yours. O! these
naughty times
Puts bars between the owners and their rights;
And so, though yours, not yours. Prove it so,
Let fortune go to hell for it, not I.
I speak too long, but 'tis to peize the time,
To eke it, and to draw it out in length,
To stay you from election.
BASSANIO. Let me choose;
For as I am, I live upon the rack.
PORTIA. Upon the rack, Bassanio? Then
confessWhat
treason there is mingled with your love.
BASSANIO. None but that ugly
treason of mistrust
Which makes me fear th' enjoying of my love;
There may as well be amity and life
'Tween snow and fire as
treason and my love.
PORTIA. Ay, but I fear you speak upon the rack,
Where men enforced do speak anything.
BASSANIO. Promise me life, and I'll
confess the truth.
PORTIA. Well then,
confess and live.
BASSANIO. 'Confess' and 'love'
Had been the very sum of my
confession.
O happy
torment, when my
torturer
Doth teach me answers for deliverance!
But let me to my fortune and the caskets.
PORTIA. Away, then; I am lock'd in one of them.
If you do love me, you will find me out.
Nerissa and the rest, stand all aloof;
Let music sound while he doth make his choice;
Then, if he lose, he makes a swan-like end,
Fading in music. That the comparison
May stand more proper, my eye shall be the stream
And wat'ry death-bed for him. He may win;
And what is music then? Then music is
Even as the
flourish when true subjects bow
To a new-crowned
monarch; such it is
As are those dulcet sounds in break of day
That creep into the dreaming bridegroom's ear
And
summon him to marriage. Now he goes,
With no less presence, but with much more love,
Than young Alcides when he did redeem
The
virgintribute paid by howling Troy
To the sea-monster. I stand for sacrifice;
The rest aloof are the Dardanian wives,
With bleared visages come forth to view
The issue of th'
exploit. Go, Hercules!
Live thou, I live. With much much more dismay
I view the fight than thou that mak'st the fray.
A SONG