14 More English than the English -2

And meanwhile Joyce was below deck trying to sort out Millat's problems with white women.

Which were numerous. All women, of every shade, from midnight-black to albino, were Millat's.

They slipped him phone numbers, they gave him blow jobs in public places, they crossed crowded

bars to buy him a drink, they pulled him into taxis, they followed him home. Whatever it was the

Roman nose, the eyes like a dark sea, the skin like chocolate, the hair like curtains of black silk, or

maybe just his pure, simple stink it sure as hell worked. Now, don't be jealous. There's no point.

There have always been and always will be people who simply exude sex (who breathe it, who sweat it).

A few examples from thin air: the young Brando, Madonna, Cleopatra, Pam Grier, Valentino, a girl called Tamara who lives

opposite the London Hippodrome, right slap in the middle of town; Imran Khan, Michelangelo's

David. You can't fight that kind of marvelous indiscriminate power, for it is not always symmetry or

beauty per se that does it (Tamara's nose is ever so slightly bent), and there are no means by which

you can gain it. Surely the oldest American sentence is relevant here, pertinent to matters economic,

politic and romantic: you either got it or you don't. And Millat had it. In spades. He had the choice

of the known world, of every luscious female from a size 8 to a 28, Thai or Tongan, from Zanzibar

to Zurich, his vistas of available and willing pussy extending in every direction as far as the eye

could see. One might reasonably expect a man with such a natural gift to dip into the tun-dishes of

a great variety of women, to experiment far and wide. And yet Millat Iqbal's main squeezes were

almost all exclusively size 10 white Protestant women aged fifteen to twenty-eight, living in and

around the immediate vicinity of West Hampstead.

Initially this neither bothered Millat nor felt unusual to him. His school was full of girls who

fitted the general description. By the law of averages as he was the only guy worth shagging in

Glenard Oak- he was going to end up shagging a large proportion of them. And with Karina Cain,

the present amour, things were really quite pleasant. He was only cheating on her with three other

women (Alexandra Andrusier, Polly Houghton, Rosie Dew), and this was a personal record.

Besides which, Karina Cain was different. It wasn't just sex with Karina Cain. He liked her and she

liked him, and she had a great sense of humour, which felt like a miracle, and she looked after him

when he was down and he looked after her too, in his own way, bringing her flowers and stuff. It

was both the law of averages, and a lucky, random thing that had made him happier than he usually

was. So that was that.

Except KEVIN didn't see it that way. One evening, after B

Karina had dropped him of fat a KEVIN meeting in her mother's

Renault, Brother Hifan and Brother Tyrone crossed Kilburn town

hall like two man-mountains, determined to deliver themselves

at the feet of Muhammed. They loomed large.

"Hey, Hifan, my speed, Tyrone, my man, why the long faces?"

But brothers Hifan and Tyrone wouldn't tell him why the long faces. Instead they gave him a

leaflet. It was called: Who is truly free!1 The Sisters ofKE VIN or the Sisters of Soho Millat

thanked them cordially for it. Then he stuffed it in the bottom of his bag.

How was that? they asked him the following week. Was it a good read, Brother Millat? Truth

was, Brother Millat hadn't got round to reading it (and to be honest, he preferred leaflets called

things like The Big American Devil: How the United States Mafia Rules the World or Science

versus the Creator: No Contest), but he could see it seemed to matter to Brother Tyrone and Brother

Hifan, so he said he had. They looked pleased and gave him another one. This one was called:

Lycra Liberation? Rape and the Western World.

"Is light broaching your darkness, Brother Millat?" asked Brother Tyrone eagerly, at the

following Wednesday's meeting. "Are things becoming clearer?"

"Clearer' didn't seem to Millat to be exactly the right adjective. Earlier in the week he had set

aside some time, read both leaflets and felt peculiar ever since. In three short days Karina Cain, a

darling of a girl, a real good sort who never really irritated him (on the contrary, who made him feel

happy! Chuffed!), had irritated him more than she had managed in the whole year they'd been

shagging. And no ordinary irritation. A deep unsettle able unsolvable irritation, like an itch on a

phantom limb. And it was not clear to him why.

"Yeah, man, Tyrone," said Millat with a nod and a wide grin. "Crystal, mate, crystal."

Brother Tyrone nodded back. Millat was pleased to see he

looked pleased. It was like being in the real life Mafia or a Bond movie or something. Them

both in their black and white suits, nodding at each other. I understand we understand each other.

"This is Sister Aeyisha," said Brother Tyrone, straightening Millat's green bow-tie and pushing

him towards a tiny, beautiful black girl, with almond eyes and high cheekbones. "She's an African

goddess."

"Really?" said Millat, impressed. "Whereabouts you from?"

"Clapham North," said Sister Aeyisha, with a shy smile.

Millat clapped his hands together and stamped his foot. "Oh, man, you must know the Redback

Cafe?"

Sister Aeyisha the African goddess lit up. "Yeah, man, that was my place from way back when!

You go there?"

"All the time! Wicked place. Well, maybe I'll see you round them gates sometime. It was nice to

meet you, sister. Brother Tyrone, I've got to chip, man, my gal's waiting for me."

Brother Tyrone looked disappointed. Just before Millat left, he pressed another leaflet into his

hand and continued holding his hand until the paper got damp between their two palms.

"You could be a great leader of men, Millat," said Brother Tyrone (why did everybody keep

telling him that?), looking first at him, then at Karina Cain, the curve of her breasts peeping over

the car door, beeping her car horn in the street. "But at the moment you are half the man. We need

the whole man."

"Yeah, wicked, thanks, you too Brother," said Millat, looking briefly at the leaflet, and pushing

open the doors. "Laters."

"What's that?" asked Karina Cain, reaching over to open the passenger door and spotting the

slightly soggy paper in his hand.

Instinctively, Millat put the leaflet straight in his pocket. Which was weird. He usually showed

Karina everything. Now just her asking him grated somehow. And what was she wearing? Same

belly top she always wore. Except wasn't it shorter? Weren't the nipples clearer, more deliberate?

He said, "Nothing." Grumpily. But it wasn't nothing. It was

the final leaflet in the KEVIN series on Western women. The Right to Bare: The Naked Truth

about Western Sexuality.

Now, while we're on the subject of nakedness, Karina Cain had a nice little body. All creamy

chub and slender extremities. And come the weekend she liked to wear something to show it off.

First time Millat noticed her was at some local party when he saw a flash of silver pants, a silver

boob-tube, and a bare mound of slightly protruding belly rising up between the two with another bit

of silver in the navel. There was something welcoming about Karina Cain's little belly. She hated it,

but Millat loved it. He loved it when she wore things that revealed it. But now the leaflets were

making things clearer. He started noticing what she wore and the way other men looked at her. And

when he mentioned it she said, "Oh, I hate that. All those leery old men." But it seemed to Millat

that she was encouraging it; that she positively wanted men to look at her, that she was as The

Right to Bare suggested 'prostituting herself to the male gaze'. Particularly white males. Because

that's how it worked between Western men and Western women, wasn't it? They liked to do it all in

public. The more he thought about it, the more it pissed him off. Why couldn't she cover up? Who

was she trying to impress? African goddesses from Clapham North respected themselves, why

couldn't Karina Cain? "I can't respect you," explained Millat carefully, making sure he repeated the

words just as he had read them, 'until you respect yourself Karina Cain said she did respect herself,

but Millat couldn't believe her. Which was odd, because he'd never known Karina Cain to lie, she

wasn't the type.

When they got ready to go out somewhere, he said, "You're not dressing for me, you're dressing

for everybody!" Karina said she didn't dress for him or anybody, she dressed for herself. When she

sang "Sexual Healing' at the pub karaoke, he said, "Sex is a private thing, between you and me, it's

not for everybody!" Karina said she was singing, not having sex in front of the Rat and

Carrot regulars. When they made love, he said, "Don't do that . don't offer it to me like a whore.

Haven't you heard of unnatural acts? Besides, I'll take it if I want it and why can't you be a lady,

don't make all that noise!" Karina Cain slapped him and cried a lot. She said she didn't know what

was happening to him. Problem is, thought Millat, as he slammed the door off its hinges, neither do

I. And after that row they didn't talk for a while.

About two weeks later, he was doing a shift in the Palace for a little extra money, and he

brought the matter up with Shiva, a newish convert to KEVIN and a rising star within the

organization. "Don't talk to me about white women," groaned Shiva, wondering how many

generations of Iqbals he'd have to give the same advice to. "It's got to the point in the West where

the women are men! I mean, they've got the same desires and urges as men they want it all

thejucking time. And they dress like they want everyone to know they want it. Now is that right? Is

it?"

But before the debate could progress, Samad came through the double doors looking for some

mango chutney and Millat returned to his chopping.

That evening after work, Millat saw a moon-faced, demure looking Indian woman through the

window of a Piccadilly cafe who looked, in profile, not unlike youthful pictures of his mother. She

was dressed in a black polo-neck, long black trousers and her eyes were partly veiled by long black

hair, her only decoration the red patterns of mhendi on the palms of her hands. She was sitting

alone.

With the same thoughtless balls he used when chatting up dolly birds and disco brains, with the

guts of a man who had no qualms about talking to strangers, Millat went in and started giving her

the back page of The Right to Bare pretty much verbatim, in the hope that she'd understand. All

about soulmates, about self-respect, about women who seek to bring 'visual pleasure' only to the

men who love them. He explained: "It's the

liberation of the veil, in nit Look, like here: Free from the shackles of male scrutiny and the

standards of attractiveness, the woman is free to be who she is inside, immune from being

portrayed as sex symbol and lusted after as if she were meat on the shelf to be picked at and looked

over. That's what we think," he said, uncertain if that was what he thought. "That's our opinion," he

said, uncertain whether it was his opinion. "You see, I'm from this group '

The lady screwed up her face and put her forefingerdelicately across his lip. "Oh, darling," she

murmured sadly, admiring his beauty. "If I give you money, will you go away?"

And then her boyfriend turned up, a surprisingly tall Chinese guy in a leather jacket.

Deep in a blue funk, Millat resolved to walk the eight miles home, beginning in Soho, glaring at

the leggy whores and the crotchless knickers and the feather boas. By the time he reached Marble

Arch he had worked himself into such a rage he called Karina Cain from a phone box plastered

with tits and ass (whores, whores, whores) and dumped her unceremoniously. He didn't mind about

the other girls he was shagging (Alexandra Andrusier, Polly Houghton, Rosie Dew) because they

were straight up, posh-to tty slags. But he minded about Karina Cain, because she was his love, and

his love should be his love and nobody else's. Protected like Liotta's wife in Good Fellas or Pacino's

sister in Scarface. Treated like a princess. Behaving like a princess. In a tower. Covered up.

Walking slower now, dragging his heels, there being nobody to go home to, he got waylaid in

the Edgware Road, the old fat guys calling him over ("Look, it's Millat, little Millat the Ladies' Man!

Millat the Prince of Pussy-pokers! Too big to have a smoke is he, now?") and gave in with a rueful

smile. Hookah pipes, hal al fried chicken and illegally imported absinthe consumed around

wobbling outdoor tables; watching the women hurry by in full purdah, like busy black ghosts

haunting the streets, late-night shopping, looking for their errant husbands. Millat liked to watch

them go: the animated talk, the exquisite colours of the communicative eyes, the bursts of

laughter from invisible lips. He remembered something his father once told him back when they

used to speak to each other. You do not know the meaning of the erotic, Millat, you do not know the

meaning of desire, my second son, until you have sat on the Edgware Road with a bubbling pipe,

using all the powers of your imagination to visualize what is beyond the four inches of skin ha jib

reveals, what is under those great sable sheets.

About six hours later Millat turned up at the Chalfen kitchen table, very, very drunk, weepy and

violent. He destroyed Oscar's Lego fire station and threw the coffee machine across the room. Then

he did what Joyce had been waiting for these twelve months. He asked her advice.

It seemed like months had been spent across that kitchen table since then, Joyce shooing people

out of the room, going through her reading material, wringing her hands; the smell of dope

mingling with the steam that rose off endless cups of strawberry tea. For Joyce truly loved him and

wanted to help him, but her advice was long and complex. She had read up on the subject. And it

appeared Millat was filled with self-revulsion and hatred of his own kind; that he had possibly a

slave mentality, or maybe a colour-complex centred around his mother (he was far darker than she),

or a wish for his own annihilation by means of dilution in a white gene pool, or an inability to

reconcile two opposing cultures .. . and it emerged that 60 per cent of Asian men did this . and 90

per cent of Muslims felt that... it was a known fact that Asian families were often .. . and

hormonally boys were more likely to ... and the therapist she'd found him was really very nice,

three days a week and don't worry about the money . and don't worry about Joshua, he's just

sulking .. . and, and, and.

Way-back-when in the fuddle of the hash and the talk Millat remembered a girl called Karina

Somethingoranother whom he had liked. And she liked him. And she had a great sense of humour which felt like a miracle,

and she looked after him when he was down and he looked after her too, in his own way, bringing

her flowers and stuff. She seemed distant now, like conker fights and childhood. And that was that.

There was trouble at the Joneses. Me was about to become the first Bowden or Jones (possibly,

maybe, all things willing, by the grace of God, fingers crossed) to enter a university. Her A-levels

were chemistry, biology and religious studies. She wanted to study dentistry (white collar! 2 pounds

k+ I), which everyone was very pleased about, but she also wanted to take a 'year off' in the

subcontinent and Africa (Malaria! Poverty! Tapeworm!), which led to three months of open warfare

between her and Clara. One side wanted finance and permission, the other side was resolved to

concede neither. The conflict was protracted and bitter, and all mediators were sent home

empty-handed (She has made up her mind, there are no arguments to be had with the woman

Samad) or else embroiled in the war of words (Why can't she go to Bangladesh if she wants to? Are

you saying my country is not good enough for your daughter? - Alsana).

The stalemate was so pronounced that land had been divided and allocated; Me claimed her

bedroom and the attic, Archie, a conscientious objector, asked only for the spare room, a television

and a satellite (state) dish, and Clara took everything else, with the bathroom acting as shared

territory. Doors were slammed. The time for talking was over.

On the 25th of October 1991, 01.00 hours, Me embarked upon a late-night attack. She knew

from experience that her mother was most vulnerable when in bed; late at night she spoke softly

like a child, her fatigue gave her a pronounced lisp; it was at this point that you were most likely to

get whatever it was you'd been pining for: pocket money, a new bike, a later curfew. It was

such a well-worn tactic that until now Me had not considered it worthy of this, her fiercest and

longest dispute with her mother. But she hadn't any better ideas.

The? Wha -? Iss sa middle of sa nice ... Go back koo bed

Me opened the door further, letting yet more hall light flood the bedroom.

Archie submerged his head in a pillow. "Bloody hell, love, it's one in the morning! Some of us

have got work tomorrow."

"I want to talk to Mum," said Me firmly, walking to the end of the bed. "She won't talk to me

during the day, so I'm reduced to this."

The, pleaze .. . I'm exhaushed.. . I'm shrying koo gesh shome shleep."

"I don't just want to have a year off, I need one. It's essential I'm young, I want some

experiences. I've lived in this bloody suburb all my life. Everyone's the same here. I want to go and

see the people of the world .. . that's what Joshua's doing and his parents support him!"

"Well, we can't bloody afford it," grumbled Archie, emerging from the eiderdown. "We haven't

all got posh jobs in science, now have we?"

"I don't care about the money I'll get a job, somehow or something, but I do want your

permission! Both of you. I don't want to spend six months away and spend every day thinking

you're angry."

"Well, it's not up to me, love, is it? It's your mother, really, I..."

"Yes, Dad. Thanks for stating the bloody obvious."

"Oh, right," said Archie huffily, turning to the wall. Till keep my comments to me self then

"Oh, Dad, I didn't mean .. . Mum? Can you please sit up and speak properly? I'm trying to talk

to you? It seems like I'm talking to myself here?" said Me with absurd intonations, for this was the

year Antipodean soap operas were teaching a generation of

English kids to phrase everything as a question. "Look, I want your permission, yeah?"

Even in the darkness, Me could see Clara scowl. "Permishon for what? Koo go and share and

ogle at poor black folk? Dr. Livingshone, I prejume? Iz dat what you leant from da Shalfenz?

Because if th ash what you want, you can do dat here. Jush sit and look at me for shix munfs!"

"It's nothing to do with that! I just want to see how other people live!"

"An' gek you shelf killed in da pros ness Why don' you go necksh door, dere are uwer people

dere. Go shee how dey live!"

Infuriated, Irie grabbed the bed knob and marched round Clara's side of the bed. "Why can't you

just sit up properly and talk to me properly and drop the ridiculous little girl voice.

In the darkness Irie kicked over a glass and sucked in a sharp breath as the cold water seeped

between her toes and into the carpet. Then, as the last of the water ran away, Irie had the strange'

and horrid sensation that she was being bitten.

"Owl"

"Oh, for God's sake," said Archie, reaching over to the side lamp and switching it on. "What

now?"

Irie looked down to where the pain was. In any war, this was too low a blow. The front set of

some false teeth, with no mouth attached to them, were bearing down upon her right foot.

"Fucking hell! What the fuck are they?"

But the question was unnecessary; even as the words formed in her mouth, Irie had already put

two and two together. The midnight voice. The perfect daytime straightness and whiteness.

Clara hurriedly stretched to the floor and prised her teeth from Irie's foot and, as it was too late

for disguise now, placed them directly on the bedside table.

"Shatishfied?" asked Clara wearily. (It wasn't that she had

deliberately not told her. There just never seemed a good time.)

But Irie was sixteen and everything feels deliberate at that age. To her, this was yet another item

in a long list of parental hypocrisies and untruths, this was another example of the Jones/ Bowden

gift for secret histories, stories you never got told, history you never entirely uncovered, rumour

you never unravelled, which would be fine if every day was not littered with clues, and suggestions;

shrapnel in Archie's leg .. . photo of strange white Grandpa Durham .. . the name "Ophelia' and the

word 'madhouse' ... a cycling helmet and an ancient mudguard .. . smell of fried food from

O'ConnelTs .. . faint memory of a late night car journey, waving to a boy on a plane .. . letters with

Swedish stamps, Horst Ibelgaufts, if not delivered return to sender... Oh what a tangled web we

weave. Millat was right: these parents were damaged people, missing hands, missing teeth. These

parents were full of information you wanted to know but were too scared to hear. But she didn't

want it any more, she was tired of it. She was sick of never getting the whole truth. She was

returning to sender.

"Well, don't look so shocked, love," said Archie amicably. "It's just some bloody teeth. So now

you know. It's not the end of the world."

But it was, in a way. She'd had enough. She walked back into her room, packed her schoolwork

and essential clothes into a big rucksack and put a heavy coat over her nightie. She thought about

the Chalfens for half a second, but she knew already there were no answers there, only more places

to escape. Besides, there was only one spare room and Millat had it. Irie knew where she had to go,

deep into the heart of it, where only the n 17 would take her at this time of night, sitting on the top

deck, seats decorated with puke, rumbling through 47 bus stops before it reached its destination.

But she got there in the end.

"Lord a Jesus," mumbled Hortense, iron-curlers unmoved, ib bleary-eyed on the doorstep. The

Ambrosia Jones, is that you?"
关键字:White Teeth
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