known to tailors as 'heather mixture'; his neckcloth was black,
and tied
loosely in a sailor's knot; a rusty ulster partly
concealed these advantages; and his feet were shod with rough
walking boots. His hat was an old soft felt, which he removed
with a
flourish as he entered.
'Here I am, William Dent!' he cried, and
drawing from his pocket
two little wisps of
reddish hair, he held them to his cheeks like
sidewhiskers and danced about the
studio with the filmy graces of
a ballet-girl.
Pitman laughed sadly. 'I should never have known you,' said he.
'Nor were you intended to,' returned Michael, replacing his false
whiskers in his pocket. 'Now we must overhaul you and your
wardrobe, and
disguise you up to the nines.'
'Disguise!' cried the artist. 'Must I indeed
disguise myself. Has
it come to that?'
'My dear creature,' returned his
companion, '
disguise is the
spice of life. What is life,
passionately exclaimed a French
philosopher, without the pleasures of
disguise? I don't say it's
always good taste, and I know it's unprofessional; but what's the
odds, downhearted
drawing-master? It has to be. We have to leave
a false
impression on the minds of many persons, and in
particular on the mind of Mr Gideon Forsyth--the young gentleman
I know by sight--if he should have the bad taste to be at home.'
'If he be at home?' faltered the artist. 'That would be the end
of all.'
'Won't matter a d--,' returned Michael airily. 'Let me see your
clothes, and I'll make a new man of you in a jiffy.'
In the bedroom, to which he was at once conducted, Michael
examined Pitman's poor and
scantywardrobe with a
humorous eye,
picked out a short
jacket of black alpaca, and
presently added to
that a pair of summer
trousers which somehow took his fancy as
incongruous. Then, with the garments in his hand, he scrutinized
the artist closely.
'I don't like that
clerical collar,' he remarked. 'Have you
nothing else?'
The professor of
drawing pondered for a moment, and then
brightened; 'I have a pair of low-necked shirts,' he said, 'that
I used to wear in Paris as a student. They are rather loud.'
'The very thing!' ejaculated Michael. 'You'll look
perfectlybeastly. Here are spats, too,' he continued,
drawing forth a pair
of those
offensive little gaiters. 'Must have spats! And now you
jump into these, and
whistle a tune at the window for (say)
three-quarters of an hour. After that you can
rejoin me on the
field of glory.'
So
saying, Michael returned to the
studio. It was the morning of
the easterly gale; the wind blew
shrilly among the statues in the
garden, and drove the rain upon the skylight in the
studioceiling; and at about the same moment of the time when Morris
attacked the
hundredthversion of his uncle's
signature in
Bloomsbury, Michael, in Chelsea, began to rip the wires out of
the Broadwood grand.
Three-quarters of an hour later Pitman was admitted, to find the
closet-door
standing open, the
closet untenanted, and the piano
discreetly shut.
'It's a
remarkably heavy instrument,' observed Michael, and
turned to consider his friend's
disguise. 'You must shave off
that beard of yours,' he said.
'My beard!' cried Pitman. 'I cannot shave my beard. I cannot
tamper with my appearance--my principals would object. They hold
very strong views as to the appearance of the professors--young
ladies are considered so
romantic. My beard was regarded as quite
a feature when I went about the place. It was regarded,' said the
artist, with rising colour, 'it was regarded as unbecoming.'
'You can let it grow again,' returned Michael, 'and then you'll
be so precious ugly that they'll raise your salary.'
'But I don't want to be ugly,' cried the artist.
'Don't be an ass,' said Michael, who hated beards and was
delighted to destroy one. 'Off with it like a man!'
'Of course, if you insist,' said Pitman; and then he sighed,
fetched some hot water from the kitchen, and
setting a glass upon
his easel, first clipped his beard with
scissors and then shaved
his chin. He could not
conceal from himself, as he regarded the
result, that his last claims to
manhood had been sacrificed, but
Michael seemed delighted.
'A new man, I declare!' he cried. 'When I give you the
windowglass spectacles I have in my pocket, you'll be the
beau-ideal of a French
commercial traveller.'