Underwoods
by Robert Louis Stevenson
Of all my verse, like not a single line;
But like my title, for it is not mine.
That title from a better man I stole:
Ah, how much better, had I stol'n the whole!
DEDICATION
THERE are men and classes of men that stand above the
common herd: the soldier, the sailor and the
shepherd not
unfrequently; the artist
rarely;
rarely still, the clergyman;
the
physician almost as a rule. He is the flower (such as it
is) of our civilisation; and when that stage of man is done
with, and only remembered to be marvelled at in history, he
will be thought to have shared as little as any in the defects
of the period, and most
notably exhibited the virtues of the
race. Generosity he has, such as is possible to those who
practise an art, never to those who drive a trade; discretion,
tested by a hundred secrets; tact, tried in a thousand
embarrassments; and what are more important, Heraclean
cheerfulness and courage. So it is that he brings air and
cheer into the sickroom, and often enough, though not so often
as he wishes, brings healing.
Gratitude is but a lame
sentiment; thanks, when they are
expressed, are often more embarrassing than
welcome; and yet I
must set forth mine to a few out of many doctors who have
brought me comfort and help: to Dr. Willey of San Francisco,
whose kindness to a stranger it must be as
grateful to him, as
it is
touching to me, to remember; to Dr. Karl Ruedi of Davos,
the good
genius of the English in his
frosty mountains; to Dr.
Herbert of Paris, whom I knew only for a week, and to Dr.
Caissot of Montpellier, whom I knew only for ten days, and who
have yet written their names deeply in my memory; to Dr.
Brandt of Royat; to Dr. Wakefield of Nice; to Dr. Chepmell,
whose visits make it a pleasure to be ill; to Dr. Horace
Dobell, so wise in
counsel; to Sir Andrew Clark, so unwearied
in kindness and to that wise youth, my uncle, Dr. Balfour.
I forget as many as I remember; and I ask both to pardon
me, these for silence, those for inadequate speech. But one
name I have kept on purpose to the last, because it is a
household word with me, and because if I had not received
favours from so many hands and in so many quarters of the
world, it should have stood upon this page alone: that of my
friend Thomas Bodley Scott of Bournemouth. Will he accept
this, although shared among so many, for a dedication to
himself? and when next my ill-fortune (which has thus its
pleasant side) brings him hurrying to me when he would fain
sit down to meat or lie down to rest, will he care to remember
that he takes this trouble for one who is not fool enough to
be un
grateful?
R. L. S.
SKERRYVORE,
BOURNEMOUTH.
NOTE
THE human
conscience has fled of late the troublesome
domain of conduct for what I should have
supposed to be the
less
congenial field of art: there she may now be said to
rage, and with special
severity in all that touches
dialect;
so that in every novel the letters of the
alphabet are
tortured, and the reader wearied, to
commemorate shades of
mis-pronunciation. Now
spelling is an art of great difficulty
in my eyes, and I am inclined to lean upon the
printer, even
in common practice, rather than to
ventureabroad upon new
quests. And the Scots tongue has an orthography of its own,
lacking neither "authority nor author." Yet the
temptation is
great to lend a little
guidance to the bewildered Englishman.
Some simple phonetic artifice might defend your verses from
barbarous mishandling, and yet not
injure any vested interest.
So it seems at first; but there are rocks ahead. Thus, if I
wish the diphthong OU to have its proper value, I may write
OOR instead of OUR; many have done so and lived, and the
pillars of the
universe remained unshaken. But if I did so,
and came
presently to DOUN, which is the
classical Scots
spelling of the English DOWN, I should begin to feel uneasy;
and if I went on a little farther, and came to a
classicalScots word, like STOUR or DOUR or CLOUR, I should know
precisely where I was - that is to say, that I was out of
sight of land on those high seas of
spellingreform in which
so many strong swimmers have toiled
vainly. To some the
situation is exhilarating; as for me, I give one bubbling cry
and sink. The
compromise at which I have arrived is
indefensible, and I have no thought of
trying to defend it.
As I have stuck for the most part to the proper
spelling, I
append a table of some common vowel sounds which no one need
consult; and just to prove that I belong to my age and have in
me the stuff of a
reformer, I have used
modification marks
throughout. Thus I can tell myself, not without pride, that I
have added a fresh stumbling-block for English readers, and to
a page of print in my native tongue, have lent a new
uncouthness. SED NON NOBIS.
I note again, that among our new
dialecticians, the local
habitat of every
dialect is given to the square mile. I could
not emulate this nicety if I desired; for I simply wrote my
Scots as well as I was able, not caring if it hailed from
Lauderdale or Angus, from the Mearns or Galloway; if I had
ever heard a good word, I used it without shame; and when
Scots was
lacking, or the rhyme jibbed, I was glad (like my
betters) to fall back on English. For all that, I own to a
friendly feeling for the tongue of Fergusson and of Sir
Walter, both Edinburgh men; and I
confess that Burns has
always sounded in my ear like something
partly foreign. And
indeed I am from the Lothians myself; it is there I heard the
language
spoken about my
childhood; and it is in the drawling
Lothian voice that I repeat it to myself. Let the precisians
call my speech that of the Lothians. And if it be not pure,
alas! what matters it? The day draws near when this
illustrious and malleable tongue shall be quite forgotten; and
Burn's Ayrshire, and Dr. Macdonald's Aberdeen-awa', and
Scott's brave,
metropolitanutterance will be all
equally the
ghosts of speech. Till then I would love to have my hour as a
native Maker, and be read by my own countryfolk in our own
dying language: an
ambition surely rather of the heart than of
the head, so restricted as it is in
prospect of
endurance, so
parochial in bounds of space.
BOOK I. In English
I - ENVOY
Go, little book, and wish to all
Flowers in the garden, meat in the hall,
A bin of wine, a spice of wit,
A house with lawns enclosing it,
A living river by the door,
A
nightingale in the sycamore!
II - A SONG OF THE ROAD
The gauger walked with
willing foot,
And aye the gauger played the flute;
And what should Master Gauger play
But OVER THE HILLS AND FAR AWAY?
Whene'er I
buckle on my pack
And foot it gaily in the track,
O pleasant gauger, long since dead,
I hear you fluting on ahead.
You go with me the self-same way -
The self-same air for me you play;
For I do think and so do you
It is the tune to travel to.
For who would
gravely set his face
To go to this or t'other place?
There's nothing under Heav'n so blue
That's fairly worth the travelling to.
On every hand the roads begin,
And people walk with zeal therein;
But wheresoe'er the highways tend,
Be sure there's nothing at the end.
Then follow you,
wherever hie
The travelling mountains of the sky.
Or let the streams in civil mode
Direct your choice upon a road;
For one and all, or high or low,
Will lead you where you wish to go;
And one and all go night and day
OVER THE HILLS AND FAR AWAY!
Forest of Montargis, 1878
III - THE CANOE SPEAKS
On the great streams the ships may go
About men's business to and fro.
But I, the egg-shell pinnace, sleep
On
crystal waters ankle-deep:
I, whose
diminutive design,
Of sweeter cedar, pithier pine,
Is fashioned on so frail a mould,
A hand may
launch, a hand withhold:
I, rather, with the leaping trout
Wind, among lilies, in and out;
I, the unnamed, inviolate,
Green,
rustic rivers, navigate;
My dipping
paddle scarcely shakes
The berry in the bramble-brakes;
Still forth on my green way I wend
Beside the
cottage garden-end;
And by the nested angler fare,
And take the lovers unaware.
By
willow wood and water-wheel
Speedily fleets my
touching keel;
By all
retired and shady spots
Where
prosper dim forget-me-nots;
By meadows where at afternoon
The growing maidens troop in June
To loose their girdles on the grass.
Ah! speedier than before the glass
The
backwardtoilet goes; and swift
As swallows
quiver, robe and shift
And the rough country stockings lie
Around each young divinity.
When, following the recondite brook,
Sudden upon this scene I look,
And light with
unfamiliar face
On
chaste Diana's bathing-place,
Loud ring the hills about and all
The shallows are
abandoned. . . .
IV
It is the season now to go
About the country high and low,
Among the lilacs hand in hand,
And two by two in fairy land.
The brooding boy, the sighing maid,
Wholly fain and half afraid,
Now meet along the hazel'd brook
To pass and
linger, pause and look.
A year ago, and blithely paired,
Their rough-and-tumble play they shared;
They kissed and quarrelled, laughed and cried,
A year ago at Eastertide.