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he determined to effect a sale if he could.
"It is a splendid instrument," he said, enthusiastically,

brushing off the dust with a dirty cotton handkerchief. "I have
had many chances to sell it."

"Why didn't you sell it, then?" demanded Paul, who did not
believe a word of this.

"Because it was only pawned. I kept it for the owner."
"Oh, well; if you can't sell it, it doesn't matter."

"It is for sale now," said Eliakim, quickly. "He has not come
for it, and I shall keep it no longer. Just try it. See what a

sp-l-endid instrument it is!" said the pawnbroker, dwelling on
the adjective to give emphasis to it.

Paul tried it, but not knowing how to play, of course created
only discord. He did not offer it to Phil, because the young

Italian boy would have made it sound too well and so enhanced the
price.

"It don't sound very well," said he, indifferently; "but I
suppose it will do to learn on. What do you want for it?"

"Five dollars," said Eliakim, studying the face of Paul, to
observe the effect of his announcement.

"Five dollars," repeated Paul. "Take it back, then, and wait
till A. T. Stewart wants one. I haven't got five dollars to

throw away."
But the pawnbroker did not expect to get his first price. He

named it, in order to have a chance to fall.
"Stay," he said, as Paul made a motion to leave; "what will you

give me for it?"
"I'll give you a dollar and a half," said Paul, turning back.

"A dollar and a half!" exclaimed Eliakim, holding up both hands
in horror. "Do you want to ruin me?"

"No, I think you want to ruin me. I am willing to pay a fair
price."

"You may have it for three dollars and a half."
"No doubt you'd be glad to get that. Come, Phil, we'll go."

"Stay; you may have it for three dollars, though I shall lose by
it."

"So should I, if I paid you that price. I can wait till some
other time."

But Eliakim did not intend to let this chance slip. He had found
the fiddle rather unsalable, and feared if he lost his chance of

disposing of it, it might remain on his hands for a year more.
He was willing, therefore, to take less than the profit he

usually calculated upon in the sale of articles which remained
unredeemed.

"You may have it for two dollars and a half," he said.
As far as Paul could judge, though he did not know much about the

price of violins, this was a reasonable price. But he knew that
Eliakim must have got it for considerably less, or he would not

so soon have come down to this sum. He did not hesitate,
therefore, to try to get it a little cheaper.

"I'll give you two dollars and a quarter," he said, "and not a
penny more."

Eliakim tried hard to get ten cents more, but Paul saw that he
was sure of his purchase, and remained obdurate. So, after a

pretense of putting up the fiddle, the pawnbroker finally said,
"You may have it, but I tell you that I shall lose money."

"All right," said Paul; "hand it over."
"Where is the money?" asked Eliakim, cautiously.

Paul drew from his pocket a two-dollar bill and twenty-five cents
in currency, and received the fiddle. The pawnbroker scrutinized

the money closely, fearing that it might be bad; but finally,
making up his mind on that point, deposited it in his money

drawer.
"Well, Phil, we may as well go," said Paul. "We've got through

our business."
The pawnbroker heard this, and a sudden suspicion entered his

mind that Paul had been too sharp for him.
"I might have got twenty-five cents more," he thought

regretfully; and this thought disturbed the complacency he felt
at first.

"Well, Phil, how do you like it?" asked Paul, as they emerged
into the street.

"Let me try it," said Phil, eagerly.
He struck up a tune, which he played through, his face expressing

the satisfaction he felt.
"Is it as good as your old one?"

"It is much better," said Phil. "I will pay you for it;" and he
drew out the money the sailors had given him in the morning.

"No, Phil," said his friend, "you may need that money. Keep it,
and pay me when you have more."

"But I shall be away."
"You will come to the city some day. When you do you will know

where to find me. Now go and play a tune to Jimmy. He is
waiting for you. If you remain in the streets, your old enemy,

Tim Rafferty, may want to borrow your fiddle again."
"You are very kind to me, Paolo," said Phil, raising his dark

eyes with a sudden impulse of gratitude.
"It's nothing, Phil," said Paul, modestly" target="_blank" title="ad.谦虚地;有节制地">modestly; "you would do the same

for me if I needed it."
"Yes, I would," said Phil; "but I am poor, and I cannot help

you."
"You won't be poor always, Phil," said Paul, cheerfully, "nor I

either, I hope. I mean to be a merchant some time on a bigger
scale than now. As for you, you will be a great player, and give

concerts at the Academy of Music."
Phil laughed, but still seemed pleased at the prophecy.

"Well, Phil, I must bid you good-by for a little while, or my
clerks will be cheating me. I will see you at supper."

"Addio, Paolo," said Phil.
"Addio," said Paul, laughing. "Wouldn't I make a good Italian?"

Paul returned to his stand, and Phil took the direction of Mrs.
Hoffman's rooms. While on his way he heard the sound of a

hand-organ, and, looking across the way, saw, with some
uneasiness, his old enemy Pietro, playing to a crowd of boys.

"I hope he won't see me," said Phil to himself.
He was afraid Pietro would remember his old violin, and, seeing

the difference in the instrument he now had, inquire how he got
it. He might, if not satisfied on this point, take Phil home

with him, which would be fatal to his plans. He thought it
prudent, therefore, to turn down the next street, and get out of

sight as soon as possible. Fortunately for him Pietro had his
back turned, so that he did not observe him. Nothing would have

pleased him better than to get the little fiddler into trouble,
for, besides being naturally malicious, he felt that an

exhibition of zeal in his master's service would entitle him to
additional favors at the hands of the padrone, whom he hoped some

day to succeed.
"Oh, what a beautiful fiddle!" said Jimmy, in admiration, as

Phil reappeared. "Do you think I could play on it?"
Phil shook his head, smiling.

"Don't let Jimmy have it. He would only spoil it," said Mrs.
Hoffman. "I don't think he would succeed as well in music as in

drawing."
"Will you play something?" asked Jimmy.

Phil willingly complied, and for half an hour held Jimmy
entranced with his playing. The little boy then undertook to

teach Phil how to draw, but at this Phil probably cut as poor a
figure as his instructor would have done at playing on the

violin.
So the afternoon wore away, happily for all three, and at five

Paul made his appearance. When supper was over Phil played
again, and this attracting the attention of the neighbors, Mrs.

Hoffman's rooms were gradually filled with visitors, who finally
requested Phil to play some dancing tunes. Finding him able to

do so, an impromptu dance was got up, and Mrs. Hoffman,
considerably to her surprise, found that she was giving a

dancing-party. Paul, that nothing might be left out, took a
companion with him and they soon reappeared with cake and ice

cream, which were passed around amid great hilarity; and it was
not until midnight that the last visitor went out, and the sound

of music and laughter was hushed.
"You are getting fashionable in your old age, mother," said Paul,

gayly. "I think I shall send an account of your party to the
Home Journal."

"I believe it is usual to describe the dresses of the ladies,"
said Mrs. Hoffman, smiling.

"Oh, yes, I won't forget that. Just give me a piece of paper
and see how I will do it."

Paul, whose education, I repeat here, was considerably above that
of most boys in his position, sat down and hastily wrote the

following description, which was read to the great amusement of
his auditors

"Mrs. Hoffman, mother of the well-known artist, Jimmy Hoffman,
Esq., gave a fashionable party last evening. Her spacious and

elegant apartments were crowded with finely dressed gentlemen and
ladies from the lower part of the city. Signor Filippo, the

great Italian musician, furnished the music. Mrs. Hoffman
appeared in a costlycalico dress, and had a valuable gold ring

on one of her fingers. Her son, the artist, was richly dressed
in a gray suit, purchased a year since. Miss Bridget Flaherty,

of Mott Street, was the belle of the occasion, and danced with
such grace and energy that the floor came near giving away

beneath her fairy tread. [Miss Flaherty, by the way, weighed one
hundred and eighty pounds.] Mr. Mike Donovan, newspaper

merchant, handed round refreshments with his usual graceful and
elegant deportment. Miss Matilda Wiggins appeared in a

magnificent print dress, imported from Paris by A. T. Stewart,
and costing a shilling a yard. No gloves were worn, as they are

now dispensed with in the best society. At a late hour the
guests dispersed. Mrs. Hoffman's party will long be remembered

as the most brilliant of the season."
"I did not know you had so much talent for reporting, Paul," said

his mother. "You forgot one thing, however."
"What is that?"

"You said nothing of yourself."
"I was too modest, mother. However, if you insist upon it, I

will do so. Anything at all to please you."
Paul resumed his writing and in a short time had the following:

"Among those present we observed the handsome and accomplished
Paul Hoffman, Esq., the oldest son of the hostess. He was

elegantly dressed in a pepper-and-salt coat and vest, blue
necktie, and brown breeches, and wore a six-cent diamond

breastpin in the bosom of his shirt. His fifteen-cent
handkerchief was perfumed with cologne which he imported himself

at a cost of ten cents per bottle. He attracted general
admiration."

"You seem to have got over your modesty, Paul," said his mother.
"I am sleepy," said Jimmy, drowsily rubbing his eyes.

As this expressed the general feeling, they retired to bed at
once, and in half an hour were wandering in the land of dreams.

CHAPTER XVII
THE PADRONE IS ANXIOUS

The next morning Paul and Phil rose later that usual. They slept
longer, in order to make up for the late hour at which they

retired. As they sat down to breakfast, at half-past eight, Paul
said: "I wonder whether the padrone misses you, Phil?"

"Yes," said Phil; "he will be very angry because I did not come
back last night."

"Will he think you have run away?"
"I do not know. Some of the boys stay away sometimes, because

they are too far off to come home."


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