By its strange, unearthly splendour, on the floating Eden gazed!
Only once since Eve went
weeping through a
throng of glittering wings,
Hath the holy seen Hy-Brasil where the great gold river sings!
Only once by quiet waters, under still,
resplendent skies,
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Did the sister of the seraphs kneel in sight of Paradise!
She, the pure, the perfect woman, sanctified by patient prayer,
Had the eyes of saints of Heaven, all their glory in her hair:
Therefore God the Father
whispered to a
radiant spirit near -
``Show Our daughter fair Hy-Brasil - show her this, and lead her here.''
But beyond the halls of
sunset, but within the
wondrous west,
On the rose-red seas of evening, sails the Garden of the Blest.
Still the gates of
glassy beauty, still the walls of glowing light,
Shine on waves that no man knows of, out of sound and out of sight.
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Yet the slopes and lawns of lustre, yet the dells of sparkling
streams,
Dip to
tranquil shores of jasper, where the watching angel beams.
But, behold, our eyes are human, and our way is paved with pain,
We can never find Hy-Brasil, never see its hills again;
Never look on bays of
crystal, never bend the reverent knee
In the sight of Eden floating - floating on the
sapphire sea!
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JIM THE SPLITTER
The bard who is singing of Wollombi Jim
Is hardly just now in the
requisite trim
To sit on his Pegasus fairly;
Besides, he is
bluntly informed by the Muse
That Jim is a subject no
singer should choose;
For Jim is
poetical rarely.
But being full up of the myths that are Greek -
Of the
classic, and ``noble, and nude, and antique,''
Which means not a rag but the pelt on;
This poet intends to give Daphne the slip,
For the sake of a hero in moleskin and kip,
With a
jumper and snake-buckle belt on.
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No party is Jim of the Pericles type -
He is modern right up from the toe to the pipe;
And being no reader or roamer,
He hasn't Euripides much in the head;
And let it be carefully,
tenderly said,
He never has analysed Homer.
He can roar out a song of the twopenny kind;
But,
knowing the
beggar so well, I'm inclined
To believe that a ``par'' about Kelly,
The
rascal who skulked under shadow of curse,
Is more in his line than the happiest verse
On the glittering pages of Shelley.
You mustn't, however, adjudge him in haste,
Because a red
robber is more to his taste
Than Ruskin, Rossetti, or Dante!
You see, he was bred in a bangalow wood,
And bangalow pith was the
principal food
His mother served out in her shanty.
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His knowledge is this - he can tell in the dark
What
timber will split by the feel of the bark;
And rough as his manner of speech is,
His wits to the fore he can
readily bring
In passing off ash as the
genuine thing
When
scarce in the forest the beech is.
In girthing a tree that he sells ``in the round,''
He assumes, as a rule, that the body is sound,
And measures, forgetting to bark it!
He may be a ninny, but still the old dog
Can plug to
perfection the pipe of a log
And ``palm it'' away on the market.
He splits a fair
shingle, but holds to the rule
Of his father's, and, haply, his grandfather's school;
Which means that he never has blundered,
When tying his
shingles, by slinging in more
Than the recognized number of ninety and four
To the
bundle he sells for a hundred!
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When asked by the market for ironbark red,
It always occurs to the Wollombi head
To do a ``mahogany'' swindle.
In forests where never the ironbark grew,
When Jim is at work, it would flabbergast you
To see how the ``ironbarks'' dwindle.
He can stick to the
saddle, can Wollombi Jim,
And when a buck
jumper dispenses with him,
The leather goes off with the rider.
And, as to a team, over gully and hill
He can travel with twelve on the
breadth of a quill
And boss the
unlucky ``offsider.''
He shines at his best at the tiller of saw,
On the top of the pit, where his
whisper is law
To the gentleman
working below him.
When the pair of them pause in a
circle of dust,
Like a
monarch he poses - exalted,
august -
There's nothing this
planet can show him!
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For a man is a man who can ``sharpen'' and ``set;''
And he is the only thing
masculine yet
According to sawyer and splitter -
Or rather according to Wollombi Jim;
And nothing will tempt me to
differ from him,
For Jim is a bit of a hitter.
But, being full up, we'll allow him to rip,
Along with his lingo, his saw, and his whip -
He isn't the
classical ``notion;''
And, after a night in his ``humpy,'' you see,
A person of
orthodox habits would be
Refreshed by a dip in the ocean.
To tot him right up from the heel to the head,
He isn't the Grecian of whom we have read -
His face is a
trifle too shady.
The nymph in green valleys of Thessaly dim
Would never ``jack up'' her old lover for him,
For she has the tastes of a lady.
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So much for our hero! A statuesque foot
Would suffer by wearing that heavy-nailed boot -
Its owner is hardly Achilles.
However, he's happy! He cuts a great ``fig''
In the land where a coat is no part of the ``rig'' -
In the country of damper and ``billies.''
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MOONI
(Written in the Shadow of 1872)
AH, to be by Mooni now!
Where the great dark hills of wonder,
Scarred with storm and cleft asunder
By the strong sword of the
thunder,
Make a night on morning's brow!
Just to stand where Nature's face is
Flushed with power in forest places -
Where of God
authentic trace is -
Ah, to be by Mooni now!
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Just to be by Mooni's springs!
There to stand, the shining sharer
Of that larger life, and rarer
Beauty caught from beauty fairer
Than the human face of things!
Soul of mine from sin abhorrent
Fain would hide by flashing current,
Like a sister of the torrent,
Far away by Mooni's springs.
He that is by Mooni now,
Sees the water-
sapphires gleaming
Where the River Spirit, dreaming,
Sleeps by fall and
fountainstreaming
Under lute of leaf and bough -
Hears, where stamp of storm with
stress is,
Psalms from
unseen wildernesses
Deep
amongst far hill-recesses -
He that is by Mooni now.
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Yea, for him by Mooni's marge
Sings the yellow-haired September,
With the face the gods remember
When the ridge is burnt to ember,
And the dumb sea chains the barge!
Where the mount like
molten brass is,
Down beneath fern-feathered passes,
Noonday dew in cool green grasses
Gleams on him by Mooni's marge.
Who that dwells by Mooni yet,
Feels, in flowerful forest arches,
Smiting wings and
breath that parches
Where strong Summer's path of march is,
And the suns in
thunder set?
Housed beneath the
gracious kirtle
Of the
shadowy water myrtle,
Winds may hiss with heat, and hurtle -
He is safe by Mooni yet!
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Days there were when he who sings
(Dumb so long through passion's losses)
Stood where Mooni's water crosses
Shining tracts of green-haired mosses,
Like a soul with
radiant wings;
Then the psalm the wind rehearses -
Then the song the
stream disperses
Lent a beauty to his verses,
Who to-night of Mooni sings.
Ah, the theme - the sad, grey theme!
Certain days are not above me,
Certain hearts have ceased to love me,
Certain fancies fail to move me
Like the affluent morning dream.
Head
whereon the white is stealing,
Heart whose hurts are past all healing,
Where is now the first pure feeling?
Ah, the theme - the sad, grey theme!
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Sin and shame have left their trace!
He who mocks the
mighty,
graciousLove of Christ, with eyes audacious,
Hunting after fires fallacious,
Wears the issue in his face.
Soul that flouted gift and Giver,
Like the broken Persian river,
Thou hast lost thy strength for ever!
Sin and shame have left their trace.
In the years that used to be,
When the large,
supreme occasion
Brought the life of inspiration,
Like a god's transfiguration