Round and round! One! Two! Three! And his sin
Is red like his tongue lolling warm.
One! Two! Three! And the drums are his knell.
He is heavy, his feet beat the floor
As I drag him about in the swell
Of the waltz. With a menacing roar,
The trumpets crash in through the door.
One! Two! Three! clangs his
funeral bell.
One! Two! Three! In the chaos of space
Rolls the earth to the
hideous glee
Of death! And so cramped is this place,
I
stifle and pant. One! Two! Three!
Round and round! God! 'Tis he throttles me!
He has covered my mouth with his face!
And his blood has dripped into my heart!
And my heart beats and labours. One! Two!
Three! His dead limbs have coiled every part
Of my body in tentacles. Through
My ears the waltz jangles. Like glue
His dead body holds me athwart.
One! Two! Three! Give me air! Oh! My God!
One! Two! Three! I am drowning in slime!
One! Two! Three! And his
corpse, like a clod,
Beats me into a jelly! The chime,
One! Two! Three! And his dead legs keep time.
Air! Give me air! Air! My God!
Clear, with Light, Variable Winds
The
fountain bent and straightened itself
In the night wind,
Blowing like a flower.
It gleamed and
glittered,
A tall white lily,
Under the eye of the golden moon.
From a stone seat,
Beneath a blossoming lime,
The man watched it.
And the spray pattered
On the dim grass at his feet.
The
fountain tossed its water,
Up and up, like silver marbles.
Is that an arm he sees?
And for one moment
Does he catch the moving curve
Of a thigh?
The
fountain gurgled and splashed,
And the man's face was wet.
Is it singing that he hears?
A song of playing at ball?
The
moonlight shines on the straight
column of water,
And through it he sees a woman,
Tossing the water-balls.
Her breasts point outwards,
And the nipples are like buds of peonies.
Her flanks
ripple as she plays,
And the water is not more undulating
Than the lines of her body.
"Come," she sings, "Poet!
Am I not more worth than your day ladies,
Covered with
awkward stuffs,
Unreal, unbeautiful?
What do you fear in
taking me?
Is not the night for poets?
I am your dream,
Recurrent as water,
Gemmed with the moon!"
She steps to the edge of the pool
And the water runs, rustling, down her sides.
She stretches out her arms,
And the
fountain streams behind her
Like an opened veil.
* * * * *
In the morning the gardeners came to their work.
"There is something in the
fountain," said one.
They shuddered as they laid their dead master
On the grass.
"I will close his eyes," said the head gardener,
"It is
uncanny to see a dead man staring at the sun."
The Basket
I
The inkstand is full of ink, and the paper lies white and unspotted,
in the round of light thrown by a candle. Puffs of darkness sweep into
the corners, and keep rolling through the room behind his chair. The air
is silver and pearl, for the night is
liquid with
moonlight.
See how the roof
glitters, like ice!
Over there, a slice of yellow cuts into the silver-blue, and beside it stand
two
geraniums,
purple because the light is silver-blue, to-night.
See! She is coming, the young woman with the bright hair.
She swings a basket as she walks, which she places on the sill,
between the
geranium stalks. He laughs, and crumples his paper
as he leans forward to look. "The Basket Filled with Moonlight",
what a title for a book!
The bellying clouds swing over the housetops.
He has forgotten the woman in the room with the
geraniums. He is beating
his brain, and in his eardrums hammers his heavy pulse. She sits
on the window-sill, with the basket in her lap. And tap! She cracks a nut.
And tap! Another. Tap! Tap! Tap! The shells ricochet upon the roof,
and get into the gutters, and
bounce over the edge and disappear.
"It is very queer," thinks Peter, "the basket was empty, I'm sure.
How could nuts appear from the atmosphere?"
The silver-blue
moonlight makes the
geraniums
purple, and the roof
glitters
like ice.
II
Five o'clock. The
geraniums are very gay in their
crimson array.
The bellying clouds swing over the housetops, and over the roofs goes Peter
to pay his morning's work with a holiday.
"Annette, it is I. Have you finished? Can I come?"
Peter jumps through the window.
"Dear, are you alone?"
"Look, Peter, the dome of the
tabernacle is done. This gold thread
is so very high, I am glad it is morning, a
starry sky would have
seen me
bankrupt. Sit down, now tell me, is your story going well?"
The golden dome
glittered in the orange of the
setting sun. On the walls,
at intervals, hung altar-cloths and chasubles, and copes, and stoles,
and
coffin palls. All stiff with rich
embroidery, and stitched with
so much artistry, they seemed like spun and woven gems, or flower-buds
new-opened on their stems.
Annette looked at the
geraniums, very red against the blue sky.
"No matter how I try, I cannot find any thread of such a red.
My bleeding hearts drip stuff muddy in
comparison. Heigh-ho! See my little
pecking dove? I'm in love with my own
temple. Only that halo's wrong.
The colour's too strong, or not strong enough. I don't know. My eyes
are tired. Oh, Peter, don't be so rough; it is
valuable. I won't do
any more. I promise. You tyrannise, Dear, that's enough. Now sit down
and amuse me while I rest."
The shadows of the
geraniums creep over the floor, and begin to climb
the opposite wall.
Peter watches her, fluid with
fatigue, floating, and drifting,
and undulant in the orange glow. His senses flow towards her,
where she lies supine and dreaming. Seeming drowned in a golden halo.
The pungent smell of the
geraniums is hard to bear.
He pushes against her knees, and brushes his lips across her
languid hands.
His lips are hot and
speechless. He woos her, quivering, and the room
is filled with shadows, for the sun has set. But she only understands
the ways of a
needle through
delicate stuffs, and the shock of one colour
on another. She does not see that this is the same, and querulously murmurs
his name.
"Peter, I don't want it. I am tired."
And he, the undesired, burns and is consumed.
There is a
crescent moon on the rim of the sky.
III
"Go home, now, Peter. To-night is full moon. I must be alone."
"How soon the moon is full again! Annette, let me stay. Indeed, Dear Love,
I shall not go away. My God, but you keep me starved! You write
`No Entrance Here', over all the doors. Is it not strange, my Dear,
that
loving, yet you deny me entrance everywhere. Would marriage
strike you blind, or, hating bonds as you do, why should I be denied
the rights of
loving if I leave you free? You want the whole of me,
you pick my brains to rest you, but you give me not one heart-beat.
Oh,
forgive me, Sweet! I suffer in my
loving, and you know it. I cannot
feed my life on being a poet. Let me stay."
"As you please, poor Peter, but it will hurt me if you do. It will
crush your heart and
squeeze the love out."
He answered
gruffly, "I know what I'm about."
"Only remember one thing from to-night. My work is taxing and I must
have sight! I MUST!"
The clear moon looks in between the
geraniums. On the wall,
the shadow of the man is divided from the shadow of the woman
by a silver thread.
They are eyes, hundreds of eyes, round like marbles! Unwinking, for there
are no lids. Blue, black, gray, and hazel, and the irises are cased
in the whites, and they
glitter and spark under the moon. The basket
is heaped with human eyes. She cracks off the whites and throws them away.
They ricochet upon the roof, and get into the gutters, and
bounceover the edge and disappear. But she is here, quietly sitting
on the window-sill, eating human eyes.
The silver-blue
moonlight makes the
geraniums
purple, and the roof shines
like ice.
IV
How hot the sheets are! His skin is tormented with pricks,
and over him sticks, and never moves, an eye. It lights the sky with blood,
and drips blood. And the drops sizzle on his bare skin, and he smells them
burning in, and branding his body with the name "Annette".
The blood-red sky is outside his window now. Is it blood or fire?
Merciful God! Fire! And his heart wrenches and pounds "Annette!"
The lead of the roof is scorching, he ricochets, gets to the edge,
bounces over and disappears.
The bellying clouds are red as they swing over the housetops.
V
The air is of silver and pearl, for the night is
liquid with
moonlight.
How the ruin glistens, like a palace of ice! Only two black holes swallow
the
brilliance of the moon. Deflowered windows, sockets without sight.
A man stands before the house. He sees the silver-blue
moonlight,
and set in it, over his head, staring and flickering, eyes of
geranium red.
Annette!
In a Castle
I
Over the yawning chimney hangs the fog. Drip -- hiss -- drip -- hiss --
fall the raindrops on the oaken log which burns, and steams,
and smokes the ceiling beams. Drip -- hiss -- the rain never stops.
The wide, state bed shivers beneath its
velvetcoverlet. Above, dim,
in the smoke, a tarnished
coronet gleams dully. Overhead hammers and chinks
the rain. Fearfully wails the wind down distant corridors, and there comes
the swish and sigh of rushes lifted off the floors. The arras blows sidewise
out from the wall, and then falls back again.
It is my lady's key, confided with much nice
cunning, whisperingly.
He enters on a sob of wind, which gutters the candles almost to swaling.
The fire flutters and drops. Drip -- hiss -- the rain never stops.
He shuts the door. The rushes fall again to
stillness along the floor.
Outside, the wind goes wailing.
The
velvetcoverlet of the wide bed is smooth and cold. Above,
in the firelight, winks the
coronet of tarnished gold. The
knight shivers