Bellick kneels on the floor and peers into the escape hole. He can hardly believe what he's seeing. He's about to stand up, when WHAM! A shovel slams him square in the face. Westmorland menacingly advances toward a stunned and staggering Bellick. Westmorland lands one more solid blow before Bellick recovers enough to fight back. Bellick blocks the next swing and pushes Westmoreland back against the lockers as he wrestles the shovel away. Bellick takes the offensive, landing a few gut punches on Westmorland. Bellick then shoves Westmoreland onto a countertop. Westmorland lands on a glass coffee pot, which shatters during the struggle. Bellick grabs for the shovel, then rears back for a vicious swing, but Westmoreland grabs a nearby metal thermos and smashes it against Bellick's head. Bellick is knocked backwards, landing on his back. He slips into unconsciousness. Westmoreland takes a few breaths to collect himself. He looks down at his side and realizes a shard of glass from the coffee pot has been pushed deep into his abdomen. He grabs the shard and slowly pulls it out, trying his best not to cry out in pain. He then stands over Bellick, panic starting to show on Westmorland's face.









Guards walk the fence line being led by several German Shepherds. The escape crew watches them as T-Bag notes that each time he's been caught, it was always because of the dogs.









Charles pushes a small dumpster out of the Guard Room and does his best to conceal his wound.









T-Bag continues tell the cons that if you can't get rid of your smell, the dogs will always find you. Abruzzi agrees and Michael tells them that they have to scrub anything in their cells that will have their smell on it. C-Note asks how much time they have left. Abruzzi tells them it will be three days until they will be allowed back into the Guard Room. Manche says that he will also have the extra suits by then. All that is left is for Michael to find a way to unlock the door in the infirmary and to figure out how to get Lincoln out of Ad Seg. Michael thinks three days will be plenty of time to sort out the last details.









Westmoreland then approaches the group. His face dead white, he tells them, "We've gotta get out of here...NOW."









Westmoreland doesn't know how, but Bellick found the escape hole. Westmorland tells them he covered the hole as best he could, but it's only a matter of time before the other C.O.s notice that Bellick is missing. The cons look to each other and Michael asks Charles, "What do you mean, missing?"









A C.O. fills a cup of coffee in the Guard Room. Amazingly, there is no evidence of the earlier fight. However, just under the table of the Guard Room, Bellick still unconscious, lays bound and gagged.









Sucre contends that Fox River is a big place and no one will notice Bellick is missing. But C-Note tells him nothing happens inside those walls without Bellick's approval. Michael, as focused as we've ever seen him, tells the group, "Soon as it gets dark, we go." The crew is stunned. They aren't sure they're ready. Michael lashes out at them, "Then stay." A tense moment, but the group quickly realizes there's no other way. Michael asks if Abruzzi can have the plane ready tonight. John says he can. Next, Michael tells C-Note to grab as much peroxide from his kitchen duty as he can. Michael will get the infirmary key. The rest of them are to scrub down their cells to get rid of as much of their scent as they can. Michael tells them they're leaving after dinner, during "Tier Time." They'll all exit through Michael's cell, one by one. C-Note points out that they were supposed to leave through the Guard's Room. If they leave through Michael's cell they won't have much of a head start. T-Bag nervously blurts out that if they plan to leave at seven that night, and eight o'clock is head count, that only gives them sixty minutes. Michael just nods and says, "Sixty minutes to get over the wall and as far away from here as possible." Sucre interrupts, "They'll be right on our asses!" Michael responds coldly, "They already are."









Michael and Sucre walk the tier back to their cell. Sucre reminds Michael that Lincoln is still under 24-hour surveillance and if Michael can't get to him tonight, the cons still need to make their break. Michael is well aware of that. Michael then looks across the tier, where he meets Tweener's eyes looking back at him.









In Ad Seg, Lincoln calls for a C.O. He tells the guard his brother doesn't know he was in an accident and asks if there's anyway to get a message to him. The guard grimly replies, "Yeah. Put it in your will."









Veronica finishes a phone call and hangs up. She tells Nick that she has a friend at the title company that was able to get the address for the phone number they found in Blackfoot, Montana. She continues, saying that the property was paid for through an offshore holding company bankrolled by a trust financed by Terrence Steadman's estate. Veronica connects the dots, "Looks like you and I are going to Blackfoot, Montana."









In the dark tunnel under the Guard Room, Bellick snaps back into consciousness. He quickly realizes he's tied up and struggles to get free.









In the chow hall, C.O. Stolte asks C.O. Patterson if he's seen Bellick yet. Michael walks behind them, listening in. Stolte continues, telling Patterson that Mack was looking for him, but Bellick hasn't shown up yet. C-Note walks closely behind Michael, worried that the guards are going to find Bellick before they make their break. Michael asks when he can get the peroxide. C-Note says he probably won't have it until after yard duty.









T-Bag zig-zags through the mess hall. He stops at the table of an inmate eating alone and asks the inmate for his brussel sprouts. The inmate is more than happy to hand them off, noting that they stink.









Michael finds Tweener sitting at a table alone and quickly whispers, "We're leaving tonight." The news catches Tweener off guard, when he asks for more info Michael tells him to find Sucre, he'll fill Tweener in.









Inside an exquisitely decorated room, Vice President Reynolds stands surrounded by a group of men in expensive business suits who are interrogating her about the President passing the Energy Bill. Clearly they are unhappy with the Presidents change of heart. They expected the Vice President to make sure the President vetoed that bill. One man then asks Reynolds if she has enjoyed their support. He also advises her not to take their power for granted. Another man follows by telling her that eventually they always get what they want, that she may no longer be the right person to help them get their agenda done. A concerned look washes over the Vice President.









Michael stands in the infirmary waiting for Sara. Sara walks into the room without any pleasantries, locking the door behind her. Michael then tries to talk his way out of the trouble he's made for himself. Sara cuts him off and tells him she has had enough of his stories and lies. She then asks if Michael is man enough to admit what he's done. Michael admits to stealing the keys. Sara pounces on his every word. She just wants to know what he's after. Michael apologizes, "Please understand, I never meant to involve you in this." Then Michael lays it all on the line, "I came here to tell you something. I'm getting my brother out of here. Tonight. And I need your help." Sara leans against the desk, her eyes locked on Michael. She knows he is telling the truth.









Sara begs Michael not to say anymore. She tells him escaping is not the way to save his brother. "You understand that I'm required to report everything you're telling me," she warns. When Sara asks why he would tell her, Michael says she is the only person who can help him. Sara grows agitated when she thinks Michael is trying to manipulate her with guilt. Michael contends that he is not asking her to hurt anyone or steal anything, he is simply asking her to make a mistake. All she has to do is leave the door open when she leaves tonight. Then it hits Sara, she has been part of Michael's plan all along. Michael admits that at first his feelings for her were an act, but later he truly wanted to be there with her. Michael begs, "Whatever you might think of me, this is about Lincoln. Don't make him pay for my mistakes." Sara storms out.









Abruzzi stands at the phones talking to Maggio, his contact on the outside. He tells Maggio that they need the plane to be ready tonight. Maggio complains a little, but John sets him straight. John also asks if Maggio has arranged a van. Maggio says, "Waiting up Fitz street. Two hundred yards behind the body shop." Then Maggio asks John if he wants a bigger plane because the one they have will only seat three and John mentioned that it will be seven or eight cons. John tells Maggio that not everyone is going to have a ticket. The three who are still breathing will get on the plane.









Veronica hurriedly arranges travel over the phone to Blackfoot. Nick's cell phone rings and he answers it in the other room. Abruzzi is on the other end and tells him that Nick must take Veronica to the airstrip tonight. Nick is reluctant and tells John that it could get messy. John flippantly says, "Then wear a smock," and hangs up. Nick's head drops, knowing what he has to do.









Bellick continues to struggle in the pipes below the Guard's Room. When Bellick hears two C.O.s enter above, he does his best to make noise. But the C.O.s can't hear him over their own conversation.









As the P.I. crew tends to an area of the yard, Michael watches the entrance to the Guard's Room. Sucre asks if Michael has handled their access to the infirmary. When Michael says, "I'm working on it," Sucre walks away, looking unhappy. Michael watches the two guards exit the break room. The escape crew's secret appears to be safe for now.









Tweener, raking the yard, moves closer to C.O. Patterson and asks if he's seen Bellick. Westmoreland stands nearby, listening in. Patterson tells him that he hasn't shown up yet. Charles barks for Tweener to come help him.









Behind them, John pockets handfuls of manurefertilizer to cover his scent later.









C-Note walks up to Michael and tells him things are about to get ugly between T-Bag and Abruzzi. He shows Michael the blade he took from T-Bag and tells Michael that if he had been ten seconds later, Abruzzi would have been dead. C-Note tells Michael if he wants to be the boss then he needs to set T-Bag and Abruzzi straight. There can't be any complications. C-Note shakes Michael's hand and passes him the shank.









Sara stares out the infirmary window as Katie walks in talking about some paperwork from the county. When Sara snaps to, she asks Katie to handle the paperwork because she needs to leave. Sara grabs her coat and purse, offering no further explanation to Katie.









In the locker room, Westmoreland redresses his bleeding wound with another clean sock. He shuts his locker door and stands near the other P.I. guys. Michael walks in and orders the guys to, "Put your blues on over your P.I. gear." Michael tells them that if they don't get the suits they need, then they're going to have to make them. C-Note grits his teeth and alerts Michael to the fact that Tweener is sitting nearby, hearing every word. Michael says it's okay, he's going to be part of the escape. The cons are stunned. Michael tells them that when the plan changed, so did the timing and now everyone can be included in the break. But C-Note speaks up, "One more person means one more thing that can go wrong." Michael defends Tweener, telling C-Note that he owes Tweener. Michael tells Tweener everything will be fine. John stares at Michael, unsure of how good of a leader he really is.









The men walk single file back to A-Wing. One of the C.O. storms out of the locker room and tells them to stop. He tells them he saw drops of blood on the locker room floor and needs an explanation. When no one speaks up, Michael thinks fast and puts his hand into his pocket with the shank. He clenches his jaw and slices his thumb open. Then he turns to the C.O., "That'd be me boss. Happened while I was loading equipment into the shed." The C.O. tells Michael to make sure he gets that patched up, then sends them all on their way. Michael then turns his attention to Westmoreland. Michael asks him if he's okay. Westmoreland assures Michael that he's okay enough to make it out.









Sara sits in her parked car with her eyes closed, muttering to herself. She then digs out her cell phone, "Hey, Shelly, it's me. I know I'm supposed to call you as my sponsor in case I have...um..." Sara never finishes her thought as she stares at the bar across the street. She hangs up and gets out of her car, making her way toward the bar.









Michael kneels next to the Taj Mahal model with his hand high inside the dome. Suddenly, he snaps off a thick "L" shaped piece and puts it in his pocket. Pope walks in, excited that his Taj is nearly complete, just in time for his anniversary. Pope tells Michael that he feels fortunate to have met him because "not many decent men make their way into Fox River." Michael solemnly replies that there are a few decent men down in A-Wing. Pope walks behind Michael and says, "If there's anything you need, well, I owe you one." Michael slowly turns, "Actually...there is one thing you can do for me."









Michael, now inside Lincoln's Ad Seg cell, looks around the cell for any way that he can get his brother out. Lincoln sits on the floor, chained to the wall. He gives Michael the back-story about their father's involvement with the Company, but Michael isn't paying attention. Michael kneels down next to Lincoln and tells him they must escape tonight because Bellick found the hole. Michael continues to analyze the situation, but Lincoln snaps at him, telling Michael to go without him. Lincoln says there's no way Michael will have enough time to get him out. Michael finally sits still, knowing that he may have no choice but to leave his brother behind.









C-Note carefully pulls his pant leg down to conceal several plastic bags of peroxide that are taped to this leg. He kneels next to a counter and continues filling up additional bags. Trumpets walks in on C-Note, catching him off guard. Trumpets closes in on C-Note and reminds him that he's no longer in business. But C-Note says this is personal. Trumpets spots the bag of peroxide that C-Note is holding close to his leg, "What you got over there anyway, some kind of cleaner? What'chu trying to clean up, Sergeant Franklin?" That pushes C-Note over the edge. He splashes the peroxide in Trumpets' face. Trumpets staggers and grabs for his burning eyes. C-Note pounces, delivering several furious punches before Trumpets collapses to the floor. C-Note is relentless as he stomps on Trumpets again and again. Finally, C-Note backs off. He spits on Trumpets as he turns and walks away.