酷兔英语

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th' buttry-bar and let it drink.
AGUECHEEK. Wherefore, sweetheart? What's your metaphor?

MARIA. It's dry, sir.
AGUECHEEK. Why, I think so; I am not such an ass but I can keep my

hand dry. But what's your jest?
MARIA. A dry jest, sir.

AGUECHEEK. Are you full of them?
MARIA. Ay, sir, I have them at my fingers' ends; marry, now I let

go your hand, I am barren. Exit MARIA
SIR TOBY. O knight, thou lack'st a cup of canary! When did I see

thee so put down?
AGUECHEEK. Never in your life, I think; unless you see canary put

me down. Methinks sometimes I have no more wit than a Christian
or an ordinary man has; but I am great eater of beef, and I

believe that does harm to my wit.
SIR TOBY. No question.

AGUECHEEK. An I thought that, I'd forswear it. I'll ride home
to-morrow, Sir Toby.

SIR TOBY. Pourquoi, my dear knight?
AGUECHEEK. What is 'pourquoi'- do or not do? I would I had bestowed

that time in the tongues that I have in fencing, dancing, and
bear-baiting. Oh, had I but followed the arts!

SIR TOBY. Then hadst thou had an excellent head of hair.
AGUECHEEK. Why, would that have mended my hair?

SIR TOBY. Past question; for thou seest it will not curl by nature.
AGUECHEEK. But it becomes me well enough, does't not?

SIR TOBY. Excellent; it hangs like flax on a distaff, and I hope to
see a huswife take thee between her legs and spin it off.

AGUECHEEK. Faith, I'll home to-morrow, Sir Toby. Your niece will
not be seen, or if she be, it's four to one she'll none of me;

the Count himself here hard by woos her.
SIR TOBY. She'll none o' th' Count; she'll not match above her

degree, neither in estate, years, nor wit; I have heard her
swear't. Tut, there's life in't, man.

AGUECHEEK. I'll stay a month longer. I am a fellow o' th' strangest
mind i' th' world; I delight in masques and revels sometimes

altogether.
SIR TOBY. Art thou good at these kickshawses, knight?

AGUECHEEK. As any man in Illyria, whatsoever he be, under the
degree of my betters; and yet I will not compare with an old man.

SIR TOBY. What is thy excellence in a galliard, knight?
AGUECHEEK. Faith, I can cut a caper.

SIR TOBY. And I can cut the mutton to't.
AGUECHEEK. And I think I have the back-trick simply as strong as

any man in Illyria.
SIR TOBY. Wherefore are these things hid? Wherefore have these

gifts a curtain before 'em? Are they like to take dust, like
Mistress Mall's picture? Why dost thou not go to church in a

galliard and come home in a coranto? My very walk should be a
jig; I would not so much as make water but in a sink-a-pace. What

dost thou mean? Is it a world to hide virtues in? I did think, by
the excellent constitution of thy leg, it was form'd under the

star of a galliard.
AGUECHEEK. Ay, 'tis strong, and it does indifferent well in

flame-colour'd stock. Shall we set about some revels?
SIR TOBY. What shall we do else? Were we not born under Taurus?

AGUECHEEK. Taurus? That's sides and heart.
SIR TOBY. No, sir; it is legs and thighs. Let me see the caper. Ha,

higher! Ha, ha, excellent! Exeunt
SCENE IV.

The DUKE'S palace
Enter VALENTINE, and VIOLA in man's attire

VALENTINE. If the Duke continue these favours towards you, Cesario,
you are like to be much advanc'd; he hath known you but three

days, and already you are no stranger.
VIOLA. You either fear his humour or my negligence, that you call

in question the continuance of his love. Is he inconstant, sir,
in his favours?

VALENTINE. No, believe me.
Enter DUKE, CURIO, and ATTENDANTS

VIOLA. I thank you. Here comes the Count.
DUKE. Who saw Cesario, ho?

VIOLA. On your attendance, my lord, here.
DUKE. Stand you awhile aloof. Cesario,

Thou know'st no less but all; I have unclasp'd
To thee the book even of my secret soul.

Therefore, good youth, address thy gait unto her;
Be not denied access, stand at her doors,

And tell them there thy fixed foot shall grow
Till thou have audience.

VIOLA. Sure, my noble lord,
If she be so abandon'd to her sorrow

As it is spoke, she never will admit me.
DUKE. Be clamorous and leap all civil bounds,

Rather than make unprofited return.
VIOLA. Say I do speak with her, my lord, what then?

DUKE. O, then unfold the passion of my love,
Surprise her with discourse of my dear faith!

It shall become thee well to act my woes:
She will attend it better in thy youth

Than in a nuncio's of more grave aspect.
VIOLA. I think not so, my lord.

DUKE. Dear lad, believe it,
For they shall yet belie thy happy years

That say thou art a man: Diana's lip
Is not more smooth and rubious; thy small pipe

Is as the maiden's organ, shrill and sound,
And all is semblative a woman's part.

I know thy constellation is right apt
For this affair. Some four or five attend him-

All, if you will, for I myself am best
When least in company. Prosper well in this,

And thou shalt live as freely as thy lord
To call his fortunes thine.

VIOLA. I'll do my best
To woo your lady. [Aside] Yet, a barful strife!

Whoe'er I woo, myself would be his wife.
SCENE V.

OLIVIA'S house
Enter MARIA and CLOWN

MARIA. Nay, either tell me where thou hast been, or I will not open
my lips so wide as a bristle may enter in way of thy excuse; my

lady will hang thee for thy absence.
CLOWN. Let her hang me. He that is well hang'd in this world needs

to fear no colours.
MARIA. Make that good.

CLOWN. He shall see none to fear.
MARIA. A good lenten answer. I can tell thee where that saying was

born, of 'I fear no colours.'
CLOWN. Where, good Mistress Mary?

MARIA. In the wars; and that may you be bold to say in your
foolery.

CLOWN. Well, God give them wisdom that have it; and those that are
fools, let them use their talents.

MARIA. Yet you will be hang'd for being so long absent; or to be
turn'd away- is not that as good as a hanging to you?

CLOWN. Many a good hanging prevents a bad marriage; and for turning
away, let summer bear it out.

MARIA. You are resolute, then?
CLOWN. Not so, neither; but I am resolv'd on two points.

MARIA. That if one break, the other will hold; or if both break,
your gaskins fall.

CLOWN. Apt, in good faith, very apt! Well, go thy way; if Sir Toby
would leave drinking, thou wert as witty a piece of Eve's flesh

as any in Illyria.
MARIA. Peace, you rogue, no more o' that. Here comes my lady. Make

your excuse wisely, you were best. Exit
Enter OLIVIA and MALVOLIO

CLOWN. Wit, an't be thy will, put me into good fooling! Those wits
that think they have thee do very oft prove fools; and I that am

sure I lack thee may pass for a wise man. For what says
Quinapalus? 'Better a witty fool than a foolish wit.' God bless

thee, lady!
OLIVIA. Take the fool away.

CLOWN. Do you not hear, fellows? Take away the lady.
OLIVIA. Go to, y'are a dry fool; I'll no more of you. Besides, you

grow dishonest.
CLOWN. Two faults, madonna, that drink and good counsel will amend;

for give the dry fool drink, then is the fool not dry. Bid the
dishonest man mend himself: if he mend, he is no longer

dishonest; if he cannot, let the botcher mend him. Anything
that's mended is but patch'd; virtue that transgresses is but

patch'd with sin, and sin that amends is but patch'd with virtue.
If that this simple syllogism will serve, so; if it will not,

what remedy? As there is no true cuckold but calamity, so
beauty's a flower. The lady bade take away the fool; therefore, I

say again, take her away.
OLIVIA. Sir, I bade them take away you.

CLOWN. Misprision in the highest degree! Lady, 'Cucullus non facit
monachum'; that's as much to say as I wear not motley in my

brain. Good madonna, give me leave to prove you a fool.
OLIVIA. Can you do it?

CLOWN. Dexteriously, good madonna.
OLIVIA. Make your proof.

CLOWN. I must catechize you for it, madonna.
Good my mouse of virtue, answer me.

OLIVIA. Well, sir, for want of other idleness, I'll bide your
proof.

CLOWN. Good madonna, why mourn'st thou?
OLIVIA. Good fool, for my brother's death.

CLOWN. I think his soul is in hell, madonna.
OLIVIA. I know his soul is in heaven, fool.

CLOWN. The more fool, madonna, to mourn for your brother's soul
being in heaven. Take away the fool, gentlemen.

OLIVIA. What think you of this fool, Malvolio? Doth he not mend?
MALVOLIO. Yes, and shall do, till the pangs of death shake him.

Infirmity, that decays the wise, doth ever make the better fool.
CLOWN. God send you, sir, a speedyinfirmity, for the better

increasing your folly! Sir Toby will be sworn that I am no fox;
but he will not pass his word for twopence that you are no fool.

OLIVIA. How say you to that, Malvolio?
MALVOLIO. I marvel your ladyship takes delight in such a barren

rascal; I saw him put down the other day with an ordinary fool
that has no more brain than a stone. Look you now, he's out of

his guard already; unless you laugh and minister occasion to him,
he is gagg'd. I protest I take these wise men that crow so at

these set kind of fools no better than the fools' zanies.
OLIVIA. O, you are sick of self-love, Malvolio, and taste with a

distemper'd appetite. To be generous, guiltless, and of free
disposition, is to take those things for bird-bolts that you deem

cannon bullets. There is no slander in an allow'd fool, though he
do nothing but rail; nor no railing in known discreet man, though

he do nothing but reprove.
CLOWN. Now Mercury endue thee with leasing, for thou speak'st well

of fools!
Re-enter MARIA

MARIA. Madam, there is at the gate a young gentleman much desires
to speak with you.

OLIVIA. From the Count Orsino, is it?
MARIA. I know not, madam; 'tis a fair young man, and well attended.

OLIVIA. Who of my people hold him in delay?


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