absence of temporal conjunctions. In Japanese, though nouns can
be added, actions cannot; you can say "hat and coat," but not
"dressed and came." Conjunctions are used only for space, never
for time. Objects that exist together can be joined in speech,
but it is not allowable thus to connect
consecutive events.
"Having dressed, came" is the Japanese idiom. To speak otherwise
would be to
violate the unities. For a Japanese
sentence is a
single rounded whole, not a bunch of facts
loosely tied together.
It is as much a unit in its
composition as a novel or a drama is
with us. Such
artistic periods, however, are anything but
convenient. In their
nicely contrived involution they strikingly
resemble those curious nests of Chinese boxes, where entire shells
lie closely packed one within another,--a very
marvel of ingenious
and
perfectly unnecessary
construction. One must be antipodally
comprehensive to
entertain the idea; as it is, the idea
entertains us.
On the same general plan, the nouns
precede the verbs in the
sentence, and are in every way the more important parts of speech.
The
consequence is that in ordinary conversation the verbs come so
late in the day that they not infrequently get left out
altogether.
For the Japanese are much given to docking their
phrases, a custom
the Germans might do well to adopt. Now, nouns
denote facts, while
verbs express action, and action, as considered in human speech, is
mostly of human
origin. In this
precedence accorded the
impersonalelement in language over the personal, we observe again the
comparative importance assigned the two. In Japanese estimation,
the first place belongs to nature, the second only to man.
As if to mark beyond a doubt the insignificance of the part man
plays in their thought,
sentences are usually subjectless. Although
it is a common practice to begin a
phrase with the central word of
the idea, isolated from what follows by the emphasizing particle
"wa" (which means "as to," the French "quant a"), the word thus
singled out for
distinction is far more likely to be the object of
the
sentence than its subject. The habit is analogous to the use of
our
phrase "
speaking of,"--that is, simply an
emphatic mode of
introducing a fresh thought; only that with them, the practice being
the rule and not the
exception, no correspondingly
abrupt effect is
produced by it. Ousted thus from the post of honor, the subject is
not even permitted the second place. Indeed, it usually fails to
put in an appearance
anywhere. You may search through
sentenceafter
sentence without meeting with the slightest
suggestion of such
a thing. When so
unusual an anomaly as a
motive cause is directly
adduced, it owes its mention, not to the fact of being the subject,
but because for other reasons it happens to be the important word of
the thought. The truth is, the Japanese
conception of events is
only very
vaguely subjective. An action is looked upon more as
happening than as being performed, as
impersonally rather than
personally produced. The idea is due, however, to anything but
philosophic profundity. It springs from the most
superficial of
childishconceptions. For the Japanese mind is quite the
reverse of
abstract. Its
consideration of things is
concrete to a primitive
degree. The language reflects the fact. The few
abstract ideas
these people now possess are not represented, for the most part, by
pure Japanese, but by imported Chinese expressions. The islanders
got such general notions from their foreign education, and they
imported idea and word at the same time.
Summing up, as it were, in propria persona the
impersonality of
Japanese speech, the word for "man," "hito," is
identical with,
and probably
originally the same word as "hito," the numeral "one;"
a noun and a numeral, from which Aryan languages have coined the only
impersonalpronoun they possess. On the one hand, we have the
German "mann;" on the other, the French "on". While as if to give
the official seal to the oneness of man with the
universe, the word
mono, thing, is
applied, without the faintest
implication of insult,
to men.
Such, then, is the mould into which, as children, these people learn
to cast their thought. What an influence it must exert upon their
subsequent views of life we have but to ask of our own memories to
know. With each one of us, if we are to advance beyond the steps of
the last
generation, there comes a time when our growing ideas
refuse any longer to fit the
childish grooves in which we were
taught to let them run. How great the
wrench is when this supreme
moment arrives we have all felt too
keenly ever to forget. We
hesitate, we delay, to
abandon the beliefs which, dating from the
dawn of our being, seem to us even as a part of our very selves.
From the religion of our mother to the birth of our
boyish first
love, all our early associations send down roots so deep that long
after our minds have outgrown them our hearts refuse to give them
up. Even when reason conquers at last,
sentiment still throbs at
the voids they
necessarily have left.
In the Far East, this
fondness for the old is further consecrated by
religion. The
worship of ancestors sets its seal upon the
traditions of the past, to break which were
impious as well as sad.
The golden age, that time when each man himself was young, has
lingered on in the lands where it is always morning, and where man
has never passed to his prosaic noon. Befitting the place is the
mind we find there. As its language so clearly shows, it still is in
that early
impersonal state to which we all awake first before we
become aware of that something we later know so well as self.
Particularly
potent with these people is their language, for a
reason that also lends it
additional interest to us,--because it is
their own. Among the mass of foreign thought the Japanese
imitativeness has caused the nation to adopt, here is one thing
which is indigenous. Half of the present speech, it is true, is of
Chinese
importation, but conservatism has kept the other half pure.
From what it reveals we can see how each man starts to-day with the
same
impersonaloutlook upon life the race had reached centuries
ago, and which it has since kept
unchanged. The man's mind has done
likewise.
Footnote to Chapter 4
[1] Professor Basil Hall Chamberlain: The Japanese Language.
Chapter 5. Nature and Art.
We have seen how
impersonal is the form which Far Eastern thought
assumes when it crystallizes into words. Let us turn now to a
consideration of the thoughts themselves before they are thus
stereotyped for
transmission to others, and scan them as they find
expression
unconsciously" target="_blank" title="ad.无意识地;不觉察地">
unconsciously in the man's
doings, or seek it consciously
in his deeds.
To the Far Oriental there is one subject which so permeates and
pervades his whole being as to be to him, not so much a conscious
matter of thought as an
unconscious mode of thinking. For it is a
thing which shapes all his thoughts instead of constituting the
substance of one particular set of them. That subject is art.
To it he is born as to a
birthright. Artistic
perception is with
him an
instinct to which he intuitively conforms, and for which he
inherits the skill of
countlessgenerations. From the tips of his
fingers to the tips of his toes, in whose use he is surprisingly
proficient, he is the artist all over. Admirable, however, as is
his
manualdexterity, his
mentalaltitude is still more to be
admired; for it is
artistic to
perfection. His
perception of beauty
is as keen as his
comprehension of the cosmos is crude; for while
with science he has not even a
speakingacquaintance, with art he is
on terms of the most
affectionate intimacy.
To the whole Far Eastern world science is a stranger. Such nescience
is
patent even in matters
seemingly" target="_blank" title="ad.表面上;似乎">
seeminglyscientific. For although the
Chinese
civilization, even in the
so-called modern inventions,
was already old while ours lay still in the
cradle, it was to no
scientific spirit that its discoveries were due. Notwithstanding
the fact that Cathay was the happy possessor of
gunpowder, movable
type, and the
compass before such things were dreamt of in Europe,
she owed them to no knowledge of physics,
chemistry, or mechanics.
It was as arts, not as sciences, they were invented. And it speaks
volumes for her
civilization that she burnt her powder for fireworks,
not for firearms. To the West alone belongs the credit of
manufacturing that article for the sake of killing people instead
of merely killing time.
The
scientific is not the Far Oriental point of view. To wish to
know the reasons of things, that irrepressible yearning of the
Western spirit, is no
characteristic of the Chinaman's mind, nor is
it a Tartar trait. Metaphysics, a
species of
speculation that has
usually proved
peculiarlyattractive to mankind, probably from its
not requiring any
scientific capital
whatever, would seem the most
likely place to seek it. But upon such matters he has expended no
imagination of his own, having quietly taken on trust from India
what he now professes. As for science proper, it has reached at his