priest, I long followed the
profession of arms; and in those days I never
feared man or devil. My name then was Isogai Heidazaemon Taketsura of
Kyushu: there may be some among you who remember it."
At the mention of that name, a murmur of
admiration filled the
court-room.; for there were many present who remembered it. And Kwairyo
immediately found himself among friends instead of judges, -- friends
anxious to prove their
admiration by
fraternal kindness. With honor they
escorted him to the
residence of the daimyo, who
welcomed him, and feasted
him, and made him a handsome present before allowing him to depart. When
Kwairyo left Suwa, he was as happy as any
priest is permitted to be in this
transitory world. As for the head, he took it with him, -- jocosely
insisting that he intended it for a miyage.
And now it only remains to tell what became of the head.
A day or two after leaving Suwa, Kwairyo met with a
robber, who stopped
him in a
lonesome place, and bade him strip. Kwairyo at once removed his
koromo, and offered it to the
robber, who then first perceived what was
hanging to the
sleeve. Though brave, the highwayman was startled: he
dropped the
garment, and
sprang back. Then he cried out:-- "You! -- what
kind of a
priest are you? Why, you are a worse man than I am! It is true
that I have killed people; but I never walked about with anybody's head
fastened to my
sleeve... Well, Sir
priest, I suppose we are of the same
calling; and I must say that I admire you!... Now that head would be of use
to me: I could
frighten people with it. Will you sell it? You can have my
robe in exchange for your koromo; and I will give you five ryo for the
head."
Kwairyo answered:--
"I shall let you have the head and the robe if you insist; but I must tell
you that this is not the head of a man. It is a goblin's head. So, if you
buy it, and have any trouble in
consequence, please to remember that you
were not deceived by me."
"What a nice
priest you are!" exclaimed the
robber. "You kill men, and
jest about it!... But I am really in
earnest. Here is my robe; and here is
the money;-- and let me have the head... What is the use of joking?"
"Take the thing," said Kwairyo. "I was not joking. The only joke -- if
there be any joke at all -- is that you are fool enough to pay good money
for a goblin's head." And Kwairyo, loudly laughing, went upon his way.
Thus the
robber got the head and the koromo; and for some time he played
goblin-
priest upon the highways. But, reaching the
neighborhood of Suwa, he
there leaned the true story of the head; and he then became afraid that the
spirit of the Rokuro-Kubi might give him trouble. So he made up his mind to
take back the head to the place from which it had come, and to bury it with
its body. He found his way to the
lonelycottage in the mountains of Kai;
but nobody was there, and he could not discover the body. Therefore he
buried the head by itself, in the grove behind the
cottage; and he had a
tombstone set up over the grave; and he caused a Segaki-service to be
performed on
behalf of the spirit of the Rokuro-Kubi. And that tombstone --
known as the Tombstone of the Rokuro-Kubi -- may be seen (at least so the
Japanese story-teller declares) even unto this day.
A DEAD SECRET
A long time ago, in the
province of Tamba (1), there lived a rich merchant
named Inamuraya Gensuke. He had a daughter called O-Sono. As she was very
clever and pretty, he thought it would be a pity to let her grow up with
only such teaching as the country-teachers could give her: so he sent her,
in care of some
trusty attendants, to Kyoto, that she might be trained in
the
polite accomplishments taught to the ladies of the capital. After she
had thus been educated, she was married to a friend of her father's family
-- a merchant named Nagaraya;-- and she lived happily with him for nearly
four years. They had one child, -- a But O-Sono fell ill and died, in the
fourth year after her marriage.
On the night after the
funeral of O-Sono, her little son said that his
mamma had come back, and was in the room
upstairs. She had smiled at him,
but would not talk to him: so he became afraid, and ran away. Then some of
the family went
upstairs to the room which had been O-Sono's; and they were
startled to see, by the light of a small lamp which had been kindled before
a
shrine in that room, the figure of the dead mother. She appeared as if
standing in front of a tansu, or chest of
drawers, that still contained her
ornaments and her wearing-apparel. Her head and shoulders could be very
distinctly seen; but from the waist
downwards the figure thinned into
invisibility;-- it was like an
imperfectreflection of her, and transparent
as a shadow on water.
Then the folk were afraid, and left the room. Below they consulted
together; and the mother of O-Sono's husband said: "A woman is fond of her
small things; and O-Sono was much attached to her
belongings. Perhaps she
has come back to look at them. Many dead persons will do that, -- unless
the things be given to the parish-
temple. If we present O-Sono's robes and
girdles to the
temple, her spirit will probably find rest."
I was agreed that this should be done as soon as possible. So on the
following morning the
drawers were emptied; and all of O-Sono's ornaments
and dresses were taken to the
temple. But she came back the next night, and
looked at the tansu as before. And she came back also on the night
following, and the night after that, and every night; -- and the house
became a house of fear.
The mother of O-Sono's husband then went to the parish-
temple, and told
the chief
priest all that had happened, and asked for
ghostlycounsel. The
temple was a Zen
temple; and the head-
priest was a
learned old man, known
as Daigen Osho. He said: "There must be something about which she is
anxious, in or near that tansu." -- "But we emptied all the
drawers,"
replied the woman; -- "there is nothing in the tansu." -- "Well," said
Daigen Osho, "to-night I shall go to your house, and keep watch in that
room, and see what can be done. You must give orders that no person shall
enter the room while I am watching, unless I call."
After
sundown, Daigen Osho went to the house, and found the room made
ready for him. He remained there alone,
reading the sutras; and nothing
appeared until after the Hour of the Rat. [1] Then the figure of O-Sono
suddenly outlined itself in front of the tansu. Her face had a wistful
look; and she kept her eyes fixed upon the tansu.
The
priest uttered the holy
formula prescribed in such cases, and then,
addressing the figure by the kaimyo [2] of O-Sono, said: -- "I have come
here in order to help you. Perhaps in that tansu there is something about
which you have reason to feel
anxious. Shall I try to find it for you?" The
shadow appeared to give
assent by a slight
motion of the head; and the
priest, rising, opened the top
drawer. It was empty. Successively he opened
the second, the third, and the fourth
drawer; -- he searched carefully
behind them and beneath them;-- he carefully examined the
interior of the
chest. He found nothing. But the figure remained gazing as
wistfully as
before. "What can she want?" thought the
priest. Suddenly it occurred to
him that there might be something
hidden under the paper with which the
drawers were lined. He removed the
lining of the first
drawer:-- nothing!
He removed the
lining of the second and third
drawers:-- still nothing. But
under the
lining of the lowermost
drawer he found -- a letter. "Is this the
thing about which you have been troubled?" he asked. The shadow of the
woman turned toward him, -- her faint gaze fixed upon the letter. "Shall I
burn it for you?" he asked. She bowed before him. "It shall be burned in
the
temple this very morning," he promised;-- "and no one shall read it,
except myself." The figure smiled and vanished.
Dawn was breaking as the
priest descended the stairs, to find the family
waiting
anxiously below. "Do not be
anxious," he said to them: "She will
not appear again." And she never did.
The letter was burned. It was a love-letter written to O-Sono in the time
of her studies at Kyoto. But the
priest alone knew what was in it; and the
secret died with him.
YUKI-ONNA
In a village of Musashi Province (1), there lived two woodcutters: Mosaku
and Minokichi. At the time of which I am
speaking, Mosaku was an old man;
and Minokichi, his
apprentice, was a lad of eighteen years. Every day they