Celia walked ahead with Mrs. Benedict, who keeps turning up at the
most
unexpected moments. She's going to build a Gothicky memorial
chapel somewhere. I don't know for whom, unless it's for Benedict
Arnold. I don't like her in the least, but four is certainly a more
comfortable number than three. I scarcely ever have a moment alone
with Mr. Copley; for go where I will and do what I please, aunt
Celia has the most perfect confidence in my indiscretion, so she is
always en evidence.
Just as we were turning into the quiet little street where we are
lodging I said, "Oh dear, I wish that I knew something about
architecture!"
"If you don't know anything about it, you are certainly responsible
for a good deal of it," said Mr. Copley.
"I? How do you mean?" I asked quite
innocently" target="_blank" title="ad.天真地,单纯地">
innocently, because I couldn't
see how he could twist such a remark as that into anything like
sentiment.
"I have never built so many castles in my life as since I've known
you, Miss Schuyler," he said.
"Oh," I answered as
lightly as I could, "air-castles don't count."
"The building of air-castles is an
innocentamusement enough, I
suppose," he said, "but I'm committing the folly of living in mine.
I" -
Then I was
frightened. When, all at once, you find you have
something precious you only dimly suspected was to be yours, you
almost wish it hadn't come so soon. But just at that moment Mrs.
Benedict called to us, and came tramping back from the gate, and
hooked her supercilious, patronizing arm in Mr. Copley's, and asked
him into the sitting-room to talk over the "lady chapel" in her new
memorial church. Then aunt Celia told me they would excuse me, as I
had had a wearisome day; and there was nothing for me to do but to
go to bed, like a snubbed child, and wonder if I should ever know
the end of that
sentence. And I listened at the head of the stairs,
shivering, but all that I could hear was that Mrs. Benedict asked
Mr. Copley to be her own
architect. Her
architect indeed! That
woman ought not to be at large!
DURHAM, July 15
At Farmer Hendry's.
We left York this morning, and arrived here about eleven o'clock.
It seems there is some sort of an
election going on in the town, and
there was not a single fly at the station. Mr. Copley walked about
in every direction, but neither horse nor
vehicle was to be had for
love nor money. At last we started to walk to the village, Mr.
Copley so laden with our hand-luggage that he resembled a pack-mule.
We made a tour of the inns, but not a single room was to be had, not
for that night nor for three days ahead, on
account of that same
election.
"Hadn't we better go on to Edinburgh, aunt Celia?" I asked.
"Edinburgh? Never!" she replied. "Do you suppose that I would
voluntarily spend a Sunday in those bare Presbyterian churches until
the memory of these past ideal weeks has faded a little from my
memory? What, leave out Durham and spoil the set?" (She spoke of
the
cathedrals as if they were souvenir spoons.) "I intended to
stay here for a week or more, and write up a record of our entire
trip from Winchester while the impressions were fresh in my mind."
"And I had intended doing the same thing," said Mr. Copley. "That
is, I hoped to finish off my
previous sketches, which are in a
frightful state of incompletion, and spend a good deal of time on
the
interior of this
cathedral, which is
unusually beautiful." (At
this juncture aunt Celia disappeared for a moment to ask the barmaid
if, in her opinion, the
constantconsumption of malt liquors
prevents a more dangerous
indulgence in
brandy and
whiskey. She is
gathering
statistics, but as the barmaids can never collect their
thoughts while they are
drawing ale, aunt Celia proceeds slowly.)
"For my part," said I, with mock
humility, "I am a docile person who
never has any intentions of her own, but who yields herself sweetly
to the intentions of other people in her immediate vicinity."
"Are you?" asked Mr. Copley,
taking out his pencil.
"Yes, I said so. What are you doing?"
"Merely
taking note of your statement, that's all.--Now, Miss Van
Tyck, I have a plan to propose. I was here last summer with a
couple of Harvard men, and we lodged at a
farmhouse half a mile from
the
cathedral. If you will step into the coffee-room of the
Shoulder of Mutton and Cauliflower for an hour, I'll walk up to
Farmer Hendry's and see if they will take us in. I think we might
be fairly comfortable."
"Can aunt Celia have Apollinaris and black coffee after her morning
bath?" I asked.
"I hope, Katharine," said aunt Celia majestically,--"I hope that I
can
accommodate myself to circumstances. If Mr. Copley can secure
lodgings for us, I shall be more than grateful."
So here we are, all
lodging together in an ideal English
farmhouse.
There is a thatched roof on one of the old buildings, and the dairy
house is covered with ivy, and Farmer Hendry's wife makes a real
English
courtesy, and there are herds of beautiful sleek Durham
cattle, and the butter and cream and eggs and
mutton are delicious;
and I never, never want to go home any more. I want to live here
forever, and wave the American flag on Washington's birthday.
I am so happy that I feel as if something were going to spoil it
all. Twenty years old to-day! I wish mamma were alive to wish me
many happy returns.
Memoranda: Casual remark for breakfast table or perhaps for
luncheon,--it is a
trifle heavy for breakfast: "Since the sixteenth
century and
despite the work of Inigo Jones and the great Wren (not
Jenny Wren--Christopher),
architecture has had, in England
especially, no
legitimate development."
HE
DURHAM, July 19
O child of fortune, thy name is J. Q. Copley! How did it happen to
be
election time? Why did the inns chance to be full? How did aunt
Celia relax
sufficiently to allow me to find her a
lodging? Why did
she fall in love with the
lodging when found? I do not know. I
only know Fate smiles; that Kitty and I eat our morning bacon and
eggs together; that I carve Kitty's cold beef and pour Kitty's
sparkling ale at
luncheon; that I go to vespers with Kitty, and dine
with Kitty, and walk in the gloaming with Kitty--and aunt Celia.
And after a day of heaven like this, like Lorna Doone's lover,--ay,
and like every other lover, I suppose,--I go to sleep, and the roof
above me swarms with angels, having Kitty under it!
We were coming home from afternoon service, Kitty and I. (I am
anticipating for she was "Miss Schuyler" then, but never mind.) We
were walking through the fields, while Mrs. Benedict and aunt Celia
were driving. As we came across a corner of the bit of
meadow land
that joins the
stable and the garden, we heard a muffled roar, and
as we looked round we saw a creature with tossing horns and waving
tail making for us, head down, eyes flashing. Kitty gave a shriek.
We chanced to be near a pair of low bars. I hadn't been a college
athlete for nothing. I swung Kitty over the bars, and jumped after
her. But she, not
knowing in her
fright where she was nor what she
was doing; supposing, also, that the mad creature, like the villain
in the play, would "still
pursue her," flung herself
bodily into my
arms, crying, "Jack! Jack! Save me!"
"It was the first time she had called me Jack," and I needed no
second
invitation. I proceeded to save her,--in the usual way, by
holding her to my heart and kissing her lovely hair reassuringly, as
I murmured: "You are safe, my
darling; not a hair of your precious