Dear to leaf and fluttering wing,
Deep in blooms - by
breezes fanned.
Faithful friend beyond the main -
Friend that time nor change makes cold -
Now, like ghosts, return again
Pallid perished days of old.
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Ah, the days! - the old, old theme
Never stale, but never new,
Floating, like a pleasant dream,
Back to me and back to you.
Since we rested on these slopes,
Seasons
fierce have
beaten down
Ardent loves and blossoming hopes -
Loves that lift, and hopes that crown.
But, believe me, still mine eyes
Often fill with light that springs
From
divinity, which lies
Ever at the heart of things.
Solace do I sometimes find
Where you used to hear with me
Songs of
stream and forest-wind,
Tones of wave and harp-like tree.
Araluen - home of dreams,
Fairer for its flowerful glade
Than the face of Persian
streams
Or the slopes of Syrian shade;
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Why should I still love it so?
Friend and brother far away,
Ask the winds that come and go,
What hath brought me here to-day.
Evermore of you I think,
When the leaves begin to fall,
Where our river breaks its brink,
And a rest is over all.
Evermore in quiet lands,
Friend of mine beyond the sea,
Memory comes with
cunning hands,
Stays, and paints your face for me.
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AT EUROMA
THEY built his mound of the rough, red ground,
By the dip of a desert dell,
Where all things sweet are killed by the heat,
And scattered o'er flat and fell.
In a burning zone they left him alone,
Past the
uttermostwestern plain;
And the
nightfall dim heard his
funeral hymn
In the voices of wind and rain.
The songs
austere of the forests drear,
And the echoes of clift and cave,
When the dark is keen where the storm hath been,
Fleet over the far-away grave.
And through the days when the torrid rays
Strike down on a coppery gloom,
Some spirit grieves in the perished leaves
Whose theme is that
desolate tomb.
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No human foot, or paw of brute,
Halts now where the stranger sleeps;
But cloud and star his fellows are,
And the rain that sobs and weeps.
The dingo yells by the far iron fells,
The plover is loud in the range,
But they never come near to the slumberer here,
Whose rest is a rest without change.
Ah! in his life, had he mother or wife,
To wait for his step on the floor?
Did beauty wax dim while watching for him
Who passed through the
threshold no more?
Doth it trouble his head? He is one with the dead;
He lies by the alien
streams;
And sweeter than sleep is death that is deep
And unvexed by the
lordship of dreams.
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ILLA CREEK
A STRONG sea-wind flies up and sings
Across the blown-wet border,
Whose stormy echo runs and rings
Like bells in wild disorder.
Fierce
breath hath vexed the foreland's face,
It glistens, glooms, and glistens;
But deep within this quiet place
Sweet Illa lies and listens.
Sweet Illa of the shining sands,
She sleeps in shady hollows
Where August flits with flowerful hands,
And silver Summer follows.
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Far up the naked hills is heard
A noise of many waters;
But green-haired Illa lies unstirred
Amongst her star-like daughters.
The
tempest pent in moaning ways
Awakes the
shepherd yonder,
But Illa dreams, unknown to days
Whose wings are wind and thunder.
Here fairy hands and floral feet
Are brought by bright October;
Here, stained with grapes and smit with heat,
Comes Autumn, sweet and sober.
Here lovers rest, what time the red
And yellow colours mingle,
And
daylight droops with dying head
Beyond the
western dingle.
And here, from month to month, the time
Is kissed by Peace and Pleasure,
While Nature sings her
woodland rhyme
And hoards her
woodland treasure.
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Ah, Illa Creek! ere Evening spreads
Her wings o'er towns unshaded,
How oft we seek thy mossy beds
To lave our foreheads faded!
For, let me
whisper, then we find
The strength that lives, nor falters,
In wood and water, waste and wind,
And
hidden mountain altars.
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MOSS ON A WALL
DIM dreams it hath of singing ways,
Of
far-offwoodland water-heads,
And shining ends of April days
Amongst the yellow runnel beds.
Stoop closer to the ruined wall,
Whereon the wilful wilding sleeps,
As if its home were waterfall
By dripping clefts and
shadowy steeps!
A little waif, whose beauty takes
A
touching tone because it dwells
So far away from mountain lakes,
And lily leaves, and lightening fells.
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Deep
hidden in
delicious floss
It nestles, sister, from the heat:
A
gracious growth of tender moss
Whose nights are soft, whose days are sweet.
Swift gleams across its petals run,
With winds that hum a pleasant tune:
Serene surprises of the sun,
And
whispers from the lips of Noon.
The evening-coloured apple-trees
Are faint with July's
frostybreath;
But lo! this stranger getteth ease,
And shines
amidst the strays of Death!
And at the turning of the year,
When August wanders in the cold,
The
raiment of the nursling here
Is rich with green and glad with gold.
Oh, friend of mine, to one whose eyes
Are vexed because of alien things,
For ever in the wall moss lies
The peace of hills and
hidden springs.
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From
faithless lips and
fickle lights
The tired
pilgrim sets his face,
And thinketh here of sounds and sights
In many a lovely forest-place.
And when by sudden fits and starts
The
sunset on the moss doth burn,
He often dreams, and lo, the marts
And streets are changed to dells of fern!
For, let me say, the wilding placed
By hands
unseenamongst these stones,
Restores a Past by Time effaced,
Lost loves and long-forgotten tones!
As sometimes songs and scenes of old
Come
faintly unto you and me,
When winds are wailing in the cold,
And rains are sobbing on the sea.
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CAMPASPE
TURN from the ways of this Woman! Campaspe we call her by name -
She is fairer than flowers of the fire - she is brighter than
brightness of flame.
As a song that strikes swift to the heart with the beat of the blood of the South,
And a light and a leap and a smart, is the play of her
perilous mouth.
Her eyes are as splendours that break in the rain at the set of the sun,
But turn from the steps of Campaspe - a Woman to look at and shun!
Dost thou know of the
cunning of Beauty? Take heed to thyself and beware
Of the trap in the droop in the
raiment - the snare in the folds of the hair!
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She is fulgent in flashes of pearl, the
breeze with her
breathing is sweet,
But fly from the face of the girl - there is death in the fall of her feet!
Is she
maiden or
marvel of
marble? Oh, rather a tigress at wait
To
pounce on thy soul for her pastime - a
leopard for love or for hate.
Woman of shadow and furnace! She biteth her lips to restrain
Speech that springs out when she sleepeth, by the stirs and the starts of her pain.
As music half-shapen of sorrow, with its wants and its
infinite wail,
Is the voice of Campaspe, the beauty at bay with her
passion dead-pale.
Go out from the courts of her
loving, nor tempt the
fierce dance of desire
Where thy life would be shrivelled like
stubble in the
stress and the fervour of fire!
I know of one, gentle as
moonlight - she is sad as the shine of the moon,
But
touching the ways of her eyes are: she comes to my soul like a tune -
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Like a tune that is filled with faint voices of the loved and the lost and the lone,
Doth this stranger abide with my silence: like a tune with a
tremulous tone.
The
leopard, we call her, Campaspe! I pluck at a rose and I stir
To think of this sweet-hearted
maiden - what name is too tender for her?
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ON A CATTLE TRACK