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have stayed with him."

"You don't think Lite quite capable of taking care
of him."

"Oh, yes, of course he is! But I just feel that
way."

Dewitt shifted a little, so that he was half facing her,
and could look at her without having to turn his head.

If his eyes told anything of his thoughts, the President
of the Great Western Film Company was curious to

know how she felt about her position and her sudden
fame and the work itself. Before they had worked

their way into the next block, he decided that Jean was
not greatly interested in any of these things, and he

wondered why.
The machine slowed, swung to the curb, and crept

forward and stopped in front of the Victoria. Dewitt
looked at Burns and Pete Lowry, who was on the front

seat.
"I thought you'd like to take a glance at the lobby

display the Victoria is making," he said casually.
"They are running the Lazy A series, you know,--to

capacity houses, too, they tell me. Shall we get
out?"

The chauffeur reached back with that gesture of
toleration and infinite boredom common to his kind and

swung open the door.
Robert Grant Burns started up. "Come on, Jean,"

he said eagerly. "I don't suppose that eternal calm of
yours will ever show a wrinkle on the surface, but let's

have a look, anyway."
Pete Lowry was already out and half way across the

pavement. Pete had lain awake in his bed, many's the
night, planning the posing of "stills" that would show

Jean at her best; he had visioned them on display in
theater lobbies, and now he collided with a hurrying

shopper in his haste to see the actual fulfillment of those
plans.

Jean herself was not so eager. She went with the
others, and she saw herself pictured on Pard; on her

two feet; and sitting upon a rock with her old Stetson
tilted over one eye and her hair tousled with the wind.

She was loading her six-shooter, and talking to Lite,
who was sitting on his heels with a cigarette in his

fingers, looking at her with that bottled-up look in his
eyes. She did not remember when the picture was

taken, but she liked that best of all. She saw herself
leaning out of the window of her room at the Lazy A.

She remembered that time. She was talking to Gil
outside, and Pete had come up and planted his tripod

directly in front of her, and had commanded her to
hold her pose. She did not count them, but she

had curious impressions of dozens of pictures of
herself scattered here and there along the walls of

the long, cool-looking lobby. Every single one of
them was marked: "Jean, of the Lazy A." Just

that.
On a bulletin board in the middle of the entrance, just

before the marble box-office, it was lettered again in
dignified black type: "JEAN OF THE LAZY A." Below

was one word: "To-day."
"It looks awfully queer," said Jean to Mr. Dewitt,

who wanted to know what she thought of it all; "they
don't explain what it's all about, or anything."

"No, they don't." Dewitt pulled his mustache and
piloted her back to the machine. "They don't have

to."
"No," echoed Robert Grant Burns, with the fat

chuckle of utter content in the knowledge of having
achieved something. "From the looks of things, they

don't have to." He looked at Jean so intently that she
stared back at him, wondering what was the matter;

and when he saw that she was wondering, he gave a
snort.

"Good Lord!" he said to himself, just above a
whisper, and looked away, despairing of ever reading the

riddle of Jean's unshakable composure. Was it pose
Was the girl phlegmatic,--with that face which was so

alive with the thoughts that shuttled back and forth
behind those steady, talking eyes of hers? She was not

stupid; Robert Grant Burns knew to his own discomfiture
that she was not stupid. Nor was she one to

pose; the absolutesincerity of her terrificfrankness was
what had worried Robert Grant Burns most. She must

know that she had jumped into the front rank of popular
actresses, and stood out before them all,--for the time

being, at least. And,--he stole a measuring sidelong
glance at her, just as he had done thousands of times in

the past four months,--here she was in the private
machine of the President of the Great Western Film

Company, with that great man himself talking to her
as to his honored guest. She had seen herself featured

alone at one of the biggest motion-picture theaters in
Los Angeles; so well known that "Jean, of the Lazy

A" was deemed all-sufficient as information and
advertisement. She had reached what seemed to Robert

Grant Burns the final heights. And the girl sat there,
calm, abstracted, actually not listening to Dewitt when

he talked! She was not even thinking about him!
Robert Grant Burns gave her another quick, resentful

glance, and wondered what under heaven the girl WAS
thinking about.

As a matter of fact, having accepted the fact that she
seemed to have made a success of her pictures, her

thoughts had drifted to what seemed to her more vital.
Had she done wrong to come away out here, away from

her problem? The distance worried her. She had not
even found out who was the mysterious night-prowler,

or what he wanted. He had never come again, after
that night when Hepsy had scared him away. From

long thinking about it, she had come to a vague, general
belief that his visits were somehow connected with the

murder; but in what manner, she could not even form a
theory. That worried her. She wished now that she

had told Lite about it. She was foolish not to have
done something, instead of sticking her head under the

bedclothes and just shivering till he left. Lite would
have found out who the man was, and what he wanted.

Lite would never have let him come and go like that.
But the visits had seemed so absolutely without reason.

There was nothing to steal, and nothing to find. Still,
she wished she had told Lite, and let him find out who

it was.
Then her talk with the great lawyer had been

disquieting. He had not wanted to name his fee for
defending her dad; but when he had named it, it did not

seem so enormous as she had imagined it to be. He
had asked a great many questions, and most of them

puzzled Jean. He had said that he would take up the
matter,--by which she believed he meant an investigation

of her uncle's title to the Lazy A. He said that he
would see her father, and he told her that he had

already been retained to investigate the whole thing, so
that she need not worry about having to pay him a fee.

That, he said, had already been arranged, though he did
not feel at liberty to name his client. But he wanted

to assure her that everything was being done that could
be done.

She herself had seen her father. She shrank within
herself and tried not to think of that horrible meeting.

Her soul writhed under the tormenting memory of how
she had seen him. She had not been able to talk to him

at all, scarcely. The words would not come. She had
said that she and Lite were on their way to Los Angeles,

and would be there all winter. He had patted her
shoulder with a tragicapathy in his manner, and had

said that the change would do her good. And that was
all she could remember that they had talked about.

And then the guard came, and--
That is what she was thinking about while the big,

purple machine slid smoothly through the tunnel, negotiated
a rough stretch where the street-pavers were at

work, and sped purring out upon the boulevard that
stretched away to Hollywood and the hills. That was

what she kept hidden behind the "eternal calm" that
so irritated Robert Grant Burns and so delighted Dewitt

and so interested Jim Gates, who studied her for
what "copy" there was in her personality.

It was the same when, the next day, Dewitt himself
took her over to the big plant which he spoke of as the

studio. It was immense, and yet Jean seemed
unimpressed. She was gladder to see Pard and Lite again

than she was to meet the six-hundred-a-week star whose
popularity she seemed in a fair way to outrival. Men

and women who were "in stock," and therefore within
the social pale, were introduced to her and said nice,

hackneyed things about how they admired her work and
were glad to welcome her. She felt the warm air of

good-fellowship that followed her everywhere. All of
these people seemed to accept her at once as one of

themselves. When she noticed it, she was amused at the
way the "extras" stood back and looked at her and

whispered together. More than once she overheard
what seemed almost to have become a catch-phrase out

here; "Jean of the lazy A" was the phrase.
Jean was not made of wood, understand. In a manner

she recognized all these little tributes, and to a certain
degree she appreciated them. She was glad that

she had made such a success of it, but she was glad
because it would help her to take her dad away from that

horrible, ghastly place and that horrible, ghastly death-
in-life under which he lived. In three years he had

grown old and stooped--her dad!
And Burns twitted her ironically because she could

not simper and lose her head over the attentions these
people were loading upon her! Save for the fact that

in this way she could earn a good deal of money, and
could pay that lawyer Rossman, and trace Art Osgood,

she would not have stayed; she could not have endured
the staying. For the easier they made life for her, the

greater contrast did they make between her and her
dad.

Gil brought her a great bunch of roses, unbelievably
beautiful and fragrant, and laughed and told her they

didn't look much like those snowdrifts she waded
through the last day they worked on the Lazy A serial.

For just a minute he thought Jean was going to throw
them at him, and he worried himself into sleeplessness,

poor boy, wondering how he had offended her, and how
he could make amends. Could he have looked into

Jean's soul, he would have seen that it was seared with
the fresh memory of iron bars and high walls and her



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