decree. Many's the time he had followed girls and
men warily through brush-fringed gullies and over
picturesque ridges, for the
entertainment of shop girls
and their escorts sitting in darkened theaters and
watching
breathlessly the
wicked deeds of Gilbert James
Huntley.
But in his
everyday life, Gil Huntley was very good-
looking, very
good-natured, and very
harmless. His
position and his salary as "heavy" in the Great Western
Company he owed
chiefly to his good
acting and his
thick eyebrows and his
facility for making himself look
treacherous and mean. He followed Jean because the
boss told him to do so, in the first place. In the
second place, he followed her because he was even more
interested in her than his
director had been, and he
hoped to have a chance to talk with her. In his work-
aday life, Gil Huntley was quite accustomed to being
discovered in some
villainy, and to having some man or
woman point a gun at him with more or less antagonism
in voice and manner. But he had never in his
life had a girl ride up and "throw down on him"
with a gun,
actually believing him to be a thief and a
scoundrel whom she would shoot if she thought it
necessary. There was a difference. Gil did not take the
time or trouble to analyze the difference, but he knew
that he was glad the boss had not sent Johnny or Bill
in his place. He did not believe that either of them
would have enough sense to see the difference, and they
might
offend her in some way,--though Gil Huntley
need not have worried in the least over any man's
treatment of Jean, who was eminently qualified to attend to
that for herself.
He grinned when he saw her turn the cattle loose
down the very next coulee and with a final flip of her
rope loop toward the hindermost cow, ride on without
them. He should have
ridden in haste then to tell
Robert Grant Burns that the cattle could be brought
back in twenty minutes or so and the picture-making
go on as planned. It was not likely that the girl would
come back; they could go on with their work and get
permission from the girl's uncle afterward. But he
did not turn and hurry back. Instead, he waited
behind a rock-huddle until Jean was well out of sight,--
and while he waited, he took his
handkerchief and
rubbed hard at the
make-up on his face, which had
made him look
sinister and
boldly bad. Without mirror
or cold cream, he was not very successful, so that
he rode on somewhat spotted in appearance and looking
even more
sinister than before. But he was much
more comfortable in his mind, which meant a good deal
in the
interview which he hoped by some means to bring
about.
With Jean a couple of hundred yards in advance,
they crossed a little flat so bare of
concealment that
Gil Huntley was worried for fear she might look back
and discover him. But she did not turn her head, and
he rode on more
confidently. At the mouth of Lazy
A coulee, just where stood the
cluster of huge rocks
that had at one time come hurtling down from the
higher slopes, and the clump of
currant bushes beneath
which Jean used to hide her much-despised
saddlewhen she was a child, she disappeared from view. Gil,
knowing very little of the ways of the range folk, and
less of the country, kicked his horse into a swifter pace
and galloped after her.
Fifty yards beyond the
currant bushes he heard a
sound and looked back; and there was Jean, riding out
from her hiding-place, and coming after him almost at
a run. While he was
trying to decide what to do about
it, she
overtook him; rather, the wide loop of her rope
overtook him. He ducked, but the loop settled over
his head and shoulders and pulled tight about the chest.
Jean took two turns of the rope around the
saddle horn
and then looked him over critically. In spite of herself,
she smiled a little at his face, streaked still with
grease paint, and at his eyes staring at her from between
heavily penciled lids.
"That's what you get for following," she said, after
a minute of staring at each other. "Did you think
I didn't know you were trailing along behind me? I
saw you before I turned the cattle loose, but I just let
you think you were being real sly and
cunning about
it. You did it in real moving-picture style; did your
fat Mr. Robert Grant Burns teach you how? What is
the idea, anyway? Were you going to abduct me and
lead me to the
swarthy chief of your gang, or band, or
whatever you call it?"
Having scored a point against him and so put herself
into a good humor again, Jean laughed at him and
twitched the rope, just to
remind him that he was at
her mercy. To be
haughtilyindignant with this honest-
eyed, embarrassed young fellow with the streaky
face and heavily-penciled eyelids was out of the
question. The wind caught his high, peaked-crowned
sombrero and sent it sailing like a great, flapping bird to
the ground, and he could not catch it because Jean had
his arms pinioned with the loop.
She laughed again and rode over to where the hat
had lodged. Gil Huntley, to save himself from being
dragged ignominiously from the
saddle, kicked his horse
and kept pace with her. Jean leaned far over and picked
up the hat, and examined it with amusement.
"If you could just live up to your hat, my, wouldn't
you be a
villain, though!" she commented, in a soft,
drawling voice. "You don't look so
terribly blood-
thirsty without it; I just guess I'd better keep it for
a while. It would make a dandy waste-basket. Do
you know, if your face were clean, I think you'd look
almost human,--for an outlaw."
She started on up the trail, nonchalantly leading her
captive by the rope. Gil Huntley could have wriggled
an arm loose and freed himself, but he did not. He
wanted to see what she was going to do with him. He
grinned when she had her back turned toward him, but
he did not say anything for fear of spoiling the joke
or
offending her in some way. So
presently Jean began
to feel silly, and the joke lost its point and seemed inane
and weak.
She turned back, threw off the loop that bound
his arms to his sides, and coiled the rope. "I wish
you play-
acting people would keep out of the country,"
she said
impatiently. "Twice you've made me act
ridiculous. I don't know what in the world you wanted
to follow me for,--and I don't care. Whatever it was,
it isn't going to do you one
particle of good, so you
needn't go on doing it."
She looked at him full, refused to meet
half-way the
friendliness of his eyes, tossed the hat toward him, and
wheeled her horse away. "Good-by," she said
shortly,
and touched Pard with the spurs. She was out of
hearing before Gil Huntley could think of the right
thing to say, and she increased the distance between
them so rapidly that before he had quite recovered from
his surprise at her sudden change of mood, she was so
far away that he could not have overtaken her if he had
tried.
He watched her out of sight and rode back to where
Burns mouthed a big, black cigar, and paced up and
down the level space where he had set the interrupted
scene, and waited his coming.
"Rode away from you, did she? Where'd she take
the cattle to? Left 'em in the next gulch? Well, why
didn't you say so? You boys can bring 'em back, and
we'll get to work again. Where'd you say that spring
was, Gil? We'll eat before we do anything else. One
thing about this blamed country is we don't have to be
afraid of the light. Got to hand it to 'em for having
plenty of good, clear
sunlight, anyway?"
He followed Gil to the
feeble spring that seeped from
under a huge
boulder, and stooped uncomfortably to
fill a tin cup. While he waited for the
trickle to yield
him a drink, he cocked his head sidewise and looked up
quizzically at his "heavy."
"You must have come within
speaking distance,
Gil," he guessed shrewdly. "Got any
make-up along?
You look like a mild case of the measles, right now.
What did she have to say, anyhow?"
"Nothing," said Gil
shortly. "I didn't talk to her
at all. I didn't want to run my horse to death
tryingto say hello when she didn't want it that way."
"Huh!" grunted Robert Grant Burns unbelievingly,
and fished a bit of grass out of the cup with his little
finger. He drank and said no more.
CHAPTER VII
ROBERT GRANT BURNS GETS HELP
"You know the brand, don't you?" the
proprietorof the hotel which housed the Great Western
Company asked, with the
tolerant air which the
sophisticated wear when confronted by
ignorance. "Easy
enough to locate the
outfit, by the cattle brand. What
was it?"
Whereupon Robert Grant Burns rolled his eyes
helplessly toward Gil Huntley. "I noticed it at the time,
but--what was that brand, Gil?"
And Gil, if you would believe me, did not remember,
either. He had
driven the cattle half a mile or more,
had helped to "steal" two
calves out of the little herd,
and yet he could not recall the mark of their owner.
So the
proprietor of the hotel, an old cowman who
had sold out and gone into the hotel business when the
barbed-wire came by carloads into the country, pulled
a newspaper towards him, borrowed a pencil from
Burns, and sketched all the cattle brands in that
part of the country. While he drew one after the
other, he did a little thinking.
"Must have been the Bar Nothing, or else the Lazy
A cattle you got hold of," he concluded, pointing to
the pencil marks on the
margin of the paper. "They
range down in there, and Jean Douglas answers your
description of the girl,--as far as looks go. She ain't
all that wild and dangerous, though. Swing a loop
with any man in the country and ride and all that,--
been raised right out there on the Lazy A. Say! Why
don't you go out and see Carl Douglas, and see if you
can't get the use of the Lazy A for your pictures?
Seems to me that's just the kinda place you want.
Don't anybody live there now. It's been left alone ever
since--the trouble out there. House and barns and
corrals,--everything you want." He leaned closer
with a
confidential tone creeping into his voice, for
Robert Grant Burns and his company were
profitable