19 The Final Space -1
Thursday, 31 December 1992
So said the banner on the top of the newspaper. So proclaimed the revellers who danced
through early evening streets with their
shrill silver whistles and Union Jacks,
trying to whip up the
feeling that goes with the date;
trying to bring on the darkness (it was only five o'clock) so that
England might have its once-a-year party; get fucked up, throw up, snog, grope and impale; stand
in the doorways of trains
holding them open for friends; argue with the sudden inflationary
tacticsof Somalian minicab drivers, jump in water or play with fire, and all by the dim, disguising light of
the street lamps. It was the night when England stops
saying pleasethankyoupleasesorrypleasedidl?
And starts
saying pleasefuckmefuckyoumotherjucker (and we never say that; the accent is wrong;
we sound silly). The night England gets down to the fundamentals. It was New Year's Eve. But
Joshua was having a hard time believing it. Where had the time gone? It had seeped between the
crack in Joely's legs, run into the secret pockets of her ears, hidden itself in the warm, matted hair
of her armpits. And the consequences of what he was about to do, on this the biggest day of his life,
a
critical situation that three months ago he would have dissected, compartmentalized, weighed up
and analysed with Chalfenist
vigour that too had escaped him into her crevices. He had made no
real decisions this New Year's Eve, no resolutions. He felt as
thoughtless as the young men
tumbling out of pubs, looking for trouble; he felt as light as the child sitting astride his father's
shoulders heading for a family party. Yet he was not with them, out there in the streets, having fun
he was here, in here, careening into the centre of town, making a direct line for the
Ferret Institute like a heat-seeking missile. He was here, cramped in a bright red minibus with
ten jumpy members of FATE, hurtling out of Willesden towards Trafalgar Square, half listening to
Kenny read his father's name out loud for the benefit of Crispin who was up front, driving.
'"When Dr. Marcus Chalfen puts his Future Mouse on public display this evening he begins a
new chapter in our genetic future.""
Crispin threw his head back for a loud, "Ha!"
"Yeah, right, exactly," continued Kenny,
trying unsuccessfully to scoff and read
simultaneously,
'like, thanks for the
objective reporting. Umm, where was I ... all right: "More significantly, he
opens up this traditionally secretive, rarefied and complex branch of science to an
unprecedentedaudience. As the Ferret Institute prepares to open its doors around-the-clock for seven years, Dr.
Chalfen promises a national event which will be 'crucially unlike the Festival of Britain in 1951 or
the 1924 British Empire Exhibition because it has no political agenda'."
"Ha!" snorted Crispin once more, this time turning right around in his seat so the FATE minibus
(which wasn't
officially the FATE minibus; it still had ken sal rise family services unit in ten-inch
yellow letters on either side; a loan from a social worker with furry animal sympathies) only
narrowly missed a gaggle of pissed-up high-heeled girls who were tottering across the road. "No
political agenda? Is he
taking the fucking piss?
"Keep your eyes on the road, darling," said Joely, blowing him a kiss. "We want to at least try to
get there in one piece. Umm, left here .. . down the Edgware Road."
"Fucker," said Crispin, glowering at Joshua and then turning back. "What ajucker he is."
'"By 1999," read Kenny, following the arrow from the front to page five, '"the year experts
predict recombinant DNA
procedure will come into its own
approximately fifteen million
people will have seen the Future Mouse
exhibition, and many more worldwide will have
followed the progress of the Future Mouse in the international press. By then, Dr. Chalfen will have
succeeded in his aim of educating a nation, and throwing the ethical ball into the people's court.""
"Pass. Me. The. Fuck. Ing. Buck. Et," said Crispin, as if the very words were vomit. "What do
the other papers say?"
Paddy held up Middle England's bible so Crispin could see it in the rear-view. Headline: mouse mania
"It comes with a free Future Mouse sticker," said Paddy, shrugging his shoulders and slapping
the sticker on his beret. "Pretty cute, actually."
"The tabloids are a surprise
winner, though," said Minnie. Minnie was a brand-new convert: a
seventeen-year-old Crusty, with matted blonde dreads and pierced nipples, whom Joshua had
briefly considered becoming obsessed with. He tried for a while, but found he just couldn't do it; he
just couldn't leave his miserable little psychotic world-of-Joely and go out seeking life on a new
planet. Minnie, to her credit, had spotted this straight off and gravitated towards Crispin. She wore
as little as the winter weather would allow and took every opportunity to thrust her perky pierced
nipples into Crispin's personal space, as she did now, reaching over to the driver's cab to show him
the front page of the daily rag in question. At one and the same time Crispin tried unsuccessfully to
take the Marble Arch
roundabout, avoid elbowing Minnie in the tits, and look at the paper.
"I can't see it properly. What is it?"
"It's Chalfen's head with mouse ears, attached to a goat's torso, which is attached to a pig's arse.
And he's eating from a
trough that says "Genetic Engineering" at one end and "Public Money" at
the other. Headline: chalfen chows down."
"Nice. Every little helps."
Crispin went round the
roundabout again, and this time got
the turning he required. Minnie reached over him and propped the paper on the dashboard.
"God, he looks more fucking Chalfenist than ever!"
Joshua bitterly regretted telling Crispin about this little idiosyncracy of his family, their habit of
referring to themselves as verbs, nouns and adjectives. It had seemed a good idea at the time; give
everybody a laugh; confirm, if there was any doubt, whose side he was on. But he never felt that
he'd betrayed his father the weight of what he was doing never really hit him until he heard
Chalfenism ridiculed out of Crispin's mouth.
"Look at him Chalfening around in that
trough. Exploit everything and everybody, that's the
Chalfen way, eh Josh?"
Joshua grunted and turned his back on Crispin, in favour of the window and a view of the frost
over Hyde Park.
"That's a
classic photo, there, see? The one they've used for the head. I remember it; that was
the day he gave evidence in the California trial. That look of total fucking
superiority. Very
Chalfenesque!"
Joshua bit his tongue. don't rise to it. if you don't rise
TO IT, YOU GAIN HER SYMPATHY.
"Don't, Crisp," said Joely firmly,
touching Joshua's hair. "Just try to remember what we're about
to do. He doesn't need that tonight."
BINGO.
"Yeah, well
Crispin put his foot down on the accelerator. "Minnie, have you and Paddy checked that
everyone's got everything they need? Balaclavas and that?"
"Yeah, all done. It's cool."
"Good." Crispin pulled out a small silver box filled with all the necessaries to roll a fat joint and
threw it in Joely's direction, catching Joshua
painfully on the shin.
"Make us one, love."
CUNT.
Joely retrieved the box from the floor. She worked crouching with the Rizla resting on Joshua's
knee, her long neck exposed, her breasts falling forward until they were practically in his hands.
"Are you nervous?" she asked him, flicking her head back once the joint was rolled.
"How d'you mean, nervous?"
"About tonight. I mean, talk about conflict of loyalties."
"Conflict?" murmured Josh hazily, wishing he were out there with the happy people, the
conflict-free people, the New Year people.
"God, I really admire you. I mean, FATE are dedicated to extreme action .. . And you know,
even now, I find some of the stuff we do ... difficult. And we're talking about the most firmly held
principle in my life, you know? I mean, Crispin and FATE.. . that's my whole life."
OH GREAT, thought Joshua, OH FANTASTIC.
"And I'm still shit scared about tonight."
Joely sparked the joint and inhaled. She passed it straight to Joshua, as the minibus took a right
past Parliament. "It's like that quote: "If I had to choose between betraying my friend or my country,
I hope I should have the guts to betray my country." The choice between a duty or a principle, you
know? You see, I don't feel torn like that. I don't know if I could do what I do if I did. I mean, if it
was my father. My first commitment is to animals and that's Crispin's first commitment too, so
there's no conflict. It's kind of easy for us. But you, Joshi, you've made the most extreme decision
out of us all ... and you just seem so calm. I mean, it's
admirable .. . and I think you've really
impressed Crispin, because you know, he was a little unsure about whether
Joely kept on talking, and Josh kept on nodding in the necessary
places, but the hardcore Thai weed he was smoking had lassoed one word of hers calm and
reined it in as a question. Why so calm, Joshi? You're about to get into some pretty serious shit why so calm?
Because he imagined he seemed calm from the outside, preternaturally calm, his adrenalin
enjoying an inverse
relationship with the rising New Year sap, with the jittery nerves of the FATE
posse; and the effect of the skunk on top of it all ... it was like walking under water, deep under
water, while children played above. But it wasn't calm so much as inertia. And he couldn't work out,
as the van progressed down Whitehall, whether this was the right reaction to let the world wash
over him, to let events take their course or whether he should be more like those people, those
people out there, whooping, dancing, fighting, fucking .. . whether he should be more what was that
horrible late twentieth-century tautology? Proactive. More proactive in the face of the future.
But he took another deep hit on the joint and it sent him back to twelve, being twelve; a
precocious kid, waking up each morning fully expecting a twelve hours until nuclear apocalypse
announcement, that old cheesy end-of-the-world scenario. Round that time he had thought a lot
about extreme decisions, about the future and its deadlines. Even then it had struck him that he was
unlikely to spend those last twelve hours fucking Alice the fifteen-year-old babysitter next door,
telling people that he loved them, converting to
orthodox Judaism, or doing all the things he wanted
and all the things he never dared. It always seemed more likely to him, much more likely, that he
would just return to his room and calmly finish constructing Lego Medieval Castle. What else
could you do? What other choice could you be certain about? Because choices need time, the
fullness of time, time being the
horizontal axis of
morality you make a decision and then you wait
and see, wait and see. And it's a lovely
fantasy, this
fantasyof no time (TWELVE HOURS LEFT TWELVE HOURS LEFT), the point at which
consequences disappear and any action is allowable (Tm mad I'm fucking mad for it' came the cry
from the street). But twelve-year-old Josh was too neurotic, too anal, too Chalfenist to enjoy it,
even the thought of it. Instead he was there thinking: but what if the world doesn't end and what if I
fucked Alice Rodwell and she became
pregnant and what if
It was the same now. Always the fear of consequences. Always this terrible inertia. What he was
about to do to his father was so huge, so
colossal, that the consequences were inconceivable he
couldn't imagine a moment occurring after that act. Only blankness. Nothingness. Something like
the end of the world. And facing the end of the world, or even just the end of the year, had always
given Josh a strangely detached feeling.
Every New Year's Eve is
impending apocalypse in
miniature. You fuck where you want, you
puke when you want, you glass who you want to glass the huge gatherings in the street; the
television round-ups of the goodies and baddies of time past; the
frantic final kisses; the 10! 9! 8!
Joshua glared up and down Whitehall, at the happy people going about their dress
rehearsal.
They were all
confident that it wouldn't happen or certain they could deal with it if it did. But the
world happens to you, thought Joshua, you don't happen to the world. There's nothing you can do.
For the first time in his life, he truly believed that. And Marcus Chalfen believed the direct opposite.
And there in a nutshell, he realized, is how I got here, turning out of Westminster, watching Big
Ben approach the hour when I shall topple my father's house. That is how we all got here. Between
rocks and hard places. The frying pan and the fire.
Thursday, December 31 at 1992, New Year's Eve
Signalling problems at Baker Street
No Southbound Jubilee Line Trains from Baker Street
Customers are advised to change on to the Metropolitan Line at Finchley Road
Or Change at Baker Street on to the Bakerloo There is no
alternative bus service Last Train 02.00 hours
All London Underground staff wish you a safe and happy New Year!
Willesden Green Station Manager, Richard Daley
Brothers Millat, Hifan, Tyrone, Mo Hussein-Ishmael, Shiva, Abdul-Colin and Abdul-Jimmy
stood stock-still like maypoles in the middle of the station while the dance of the New Year went on
around them.
"Great," said Millat. "What do we do now?"
"Can't you read?" inquired Abdul-Jimmy.
"We do what the board suggests, Brothers," said AbdulColin, short-circuiting any argument
with his deep, calming baritone. "We change at Finchley Road. Allah provides."
The reason Millat couldn't read the writing on the wall was simple. He was stoned. It was the
second day of Ramadan and he was cai ned Every synapse in his body had clocked out for the