her, insensibly, to her slave. At last, however, Diane grew impatient
with an Epictetus of love; and when she thought she had trained him to
the
utmostcredulity, she set to work to tie a thicker
bandage still
over his eyes.
CHAPTER IV
THE CONFESSION OF A PRETTY WOMAN
One evening Daniel found the
princessthoughtful, one elbow resting on
a little table, her beautiful blond head bathed in light from the
lamp. She was toying with a letter which lay on the table-cloth. When
d'Arthez had seen the paper
distinctly, she folded it up, and stuck it
in her belt.
"What is the matter?" asked d'Arthez; "you seem distressed."
"I have received a letter from Monsieur de Cadignan," she replied.
"However great the wrongs he has done me, I cannot help thinking of
his exile--without family, without son--from his native land."
These words, said in a soulful voice, betrayed
angelic sensibility.
D'Arthez was deeply moved. The
curiosity of the lover became, so to
speak, a
psychological and
literarycuriosity. He wanted to know the
height that woman had attained, and what were the injuries she thus
forgave; he longed to know how these women of the world, taxed with
frivolity, cold-heartedness, and egotism, could be such angels.
Remembering how the
princess had already repulsed him when he first
tried to read that
celestial heart, his voice, and he himself,
trembled as he took the
transparent,
slender hand of the beautiful
Diane with its curving finger-tips, and said,--
"Are we now such friends that you will tell me what you have
suffered?"
"Yes," she said, breathing forth the
syllable like the most
mellifluous note that Tulou's flute had ever sighed.
Then she fell into a revery, and her eyes were veiled. Daniel remained
in a state of
anxiousexpectation, impressed with the
solemnity of the
occasion. His
poeticimagination made him see, as it were, clouds
slowly dispersing and disclosing to him the
sanctuary where the
wounded lamb was kneeling at the
divine feet.
"Well?" he said, in a soft, still voice.
Diane looked at the tender petitioner; then she lowered her eyes
slowly, dropping their lids with a
movement of noble
modesty. None but
a
monster would have been
capable of imagining
hypocrisy in the
graceful undulation of the neck with which the
princess again lifted
her
charming head, to look once more into the eager eyes of that great
man.
"Can I? ought I?" she murmured, with a
gesture of
hesitation, gazing
at d'Arthez with a
sublime expression of
dreamytenderness. "Men have
so little faith in things of this kind; they think themselves so
little bound to be discreet!"
"Ah! if you
distrust me, why am I here?" cried d'Arthez.
"Oh, friend!" she said, giving to the
exclamation the grace of an
involuntary avowal, "when a woman attaches herself for life, think you
she calculates? It is not question of
refusal (how could I refuse you
anything?), but the idea of what you may think of me if I speak. I
would
willinglyconfide to you the strange position in which I am at
my age; but what would you think of a woman who could reveal the
secret wounds of her married life? Turenne kept his word to robbers;
do I not owe to my torturers the honor of a Turenne?"
"Have you passed your word to say nothing?"
"Monsieur de Cadignan did not think it necessary to bind me to
secrecy-- You are asking more than my soul! Tyrant! you want me to
bury my honor itself in your breast," she said, casting upon d'Arthez
a look, by which she gave more value to her coming
confidence than to
her personal self.
"You must think me a very ordinary man, if you fear any evil, no
matter what, from me," he said, with ill-concealed bitterness.
"Forgive me, friend," she replied,
taking his hand in hers
caressingly, and letting her fingers
wandergently over it. "I know
your worth. You have
related to me your whole life; it is noble, it is
beautiful, it is
sublime, and
worthy of your name; perhaps, in return,
I owe you mine. But I fear to lower myself in your eyes by relating
secrets which are not
wholly mine. How can you believe--you, a man of
solitude and poesy--the horrors of social life? Ah! you little think
when you
invent your dramas that they are far surpassed by those that
are played in families
apparently united. You are
whollyignorant of
certain gilded sorrows."
"I know all!" he cried.
"No, you know nothing."
D'Arthez felt like a man lost on the Alps of a dark night, who sees,
at the first gleam of dawn, a
precipice at his feet. He looked at the
princess with a
bewildered air, and felt a cold chill
running down his
back. Diane thought for a moment that her man of
genius was a
weakling, but a flash from his eyes reassured her.
"You have become to me almost my judge," she said, with a desperate
air. "I must speak now, in
virtue of the right that all calumniated
beings have to show their
innocence. I have been, I am still (if a
poor recluse forced by the world to
renounce the world is still
remembered) accused of such light conduct, and so many evil things,
that it may be allowed me to find in one strong heart a haven from
which I cannot be
driven. Hitherto I have always considered self-
justification an
insult to
innocence; and that is why I have disdained
to defend myself. Besides, to whom could I
appeal? Such cruel things
can be
confided to none but God or to one who seems to us very near
Him--a
priest, or another self. Well! I do know this, if my secrets
are not as safe there," she said, laying her hand on d'Arthez's heart,
"as they are here" (pressing the upper end of her busk beneath her
fingers), "then you are not the grand d'Arthez I think you--I shall
have been deceived."
A tear moistened d'Arthez's eyes, and Diane drank it in with a side
look, which, however, gave no
motion either to the pupils or the lids
of her eyes. It was quick and neat, like the action of a cat pouncing
on a mouse.
D'Arthez, for the first time, after sixty days of protocols, ventured
to take that warm and perfumed hand, and press it to his lips with a
long-drawn kiss, extending from the wrist to the tip of the fingers,
which made the
princess augur well of
literature. She thought to
herself that men of
genius must know how to love with more perfection
than
conceited fops, men of the world, diplomatists, and even
soldiers, although such beings have nothing else to do. She was a
connoisseur, and knew very well that the
capacity for love reveals
itself
chiefly in mere nothings. A woman well informed in such matters
can read her future in a simple
gesture; just as Cuvier could say from
the
fragment of a bone: This belonged to an animal of such or such
dimensions, with or without horns, carnivorous, herbivorous,
amphibious, etc., age, so many thousand years. Sure now of
finding in
d'Arthez as much
imagination in love as there was in his written
style, she thought it wise to bring him up at once to the highest
pitch of
passion and belief.
She
withdrew her hand
hastily, with a
magnificentmovement full of
varied e
motions. If she had said in words: "Stop, or I shall die," she
could not have
spoken more
plainly. She remained for a moment with her
eyes in d'Arthez's eyes, expressing in that one glance happiness,
prudery, fear,
confidence, languor, a vague
longing, and virgin
modesty. She was twenty years old! but remember, she had prepared for
this hour of comic
falsehood by the choicest art of dress; she was
there in her
armchair like a flower, ready to
blossom at the first
kiss of
sunshine. True or false, she intoxicated Daniel.
It if is permissible to risk a personal opinion we must avow that it
would be
delightful to be thus deceived for a good long time.
Certainly Talma on the stage was often above and beyond nature, but
the Princesse de Cadignan is the greatest true
comedian of our day.
Nothing was
wanting to this woman but an
attentive audience.
Unfortunately, at epochs perturbed by political storms, women
disappear like water-lilies which need a cloudless sky and balmy
zephyrs to spread their bloom to our enraptured eyes.
The hour had come; Diane was now to
entangle that great man in the
inextricable meshes of a
romance carefully prepared, to which he was
fated to listen as the neophyte of early Christian times listened to
the epistles of an apostle.
"My friend," began Diane, "my mother, who still lives at Uxelles,
married me in 1814, when I was seventeen years old (you see how old I
am now!) to Monsieur de Maufrigneuse, not out of
affection for me, but
out of regard for him. She discharged her debt to the only man she had