without thinking, Lady Lyttelton described someone to her as being "as happy
as a queen," and then grew a little confused, "Don't correct yourself, Lady
Lyttelton," said Her Majesty. "A queen IS a very happy woman."
But this new happiness was no lotus dream. On the
contrary, it was bracing,
rather than relaxing. Never before had she felt so acutely the necessity for
doing her duty. She worked more methodically than ever at the business of
State; she watched over her children with untiring
vigilance. She carried on a
large
correspondence; she was occupied with her farm--her dairy--a whole
multitude of household avocations--from morning till night. Her active, eager
little body hurrying with quick steps after the long strides of Albert down
the corridors and avenues of Windsor, seemed the very expression of her
spirit. Amid all the
softness, the deliciousness of unmixed joy, all the
liquescence, the overflowings of inexhaustible
sentiment, her native rigidity
remained. "A vein of iron," said Lady Lyttelton, who, as royal
governess, had
good means of
observation, "runs through her most
extraordinarycharacter."
Sometimes the
delightfulroutine of
domesticexistence had to be interrupted.
It was necessary to exchange Windsor for Buckingham Palace, to open
Parliament, or to
interview official
personages, or,
occasionally, to
entertain foreign visitors at the Castle. Then the quiet Court put on a sudden
magnificence, and
sovereigns from over the seas--Louis Philippe, or the King
of Prussia, or the King of Saxony--found at Windsor an
entertainment that was
indeed a royal one. Few
spectacles in Europe, it was agreed, produced an
effect so
imposing as the great Waterloo banqueting hall,
crowded with guests
in sparkling diamonds and blazing uniforms, the long walls hung with the
stately portraits of heroes, and the tables loaded with the
gorgeous gold
plate of the kings of England. But, in that
wealth of splendour, the most
imposingspectacle of all was the Queen. The little hausfrau, who had spent
the day before walking out with her children, inspecting her livestock,
practicing shakes at the piano, and filling up her
journal with adoring
descriptions of her husband, suddenly shone forth, without art, without
effort, by a
spontaneous and natural
transition, the very culmination of
Majesty. The Tsar of Russia himself was deeply impressed. Victoria on her side
viewed with secret awe the
tremendous Nicholas. "A great event and a great
compliment HIS visit certainly is," she told her uncle, "and the people HERE
are
extremely flattered at it. He is certainly a VERY STRIKING man; still very
handsome. His
profile is BEAUTIFUL and his manners MOST
dignified and
graceful;
extremely civil--quite alarmingly so, as he is so full of attentions
and POLITENESS. But the expression of the EYES is FORMIDABLE and unlike
anything I ever saw before." She and Albert and "the good King of Saxony," who
happened to be there at the same time, and whom, she said, "we like much--he
is so unassuming-" drew together like tame villatic fowl in the presence of
that awful eagle. When he was gone, they compared notes about his face, his
unhappiness, and his despotic power over millions. Well! She for her part
could not help pitying him, and she thanked God she was Queen of England.
When the time came for returning some of these visits, the royal pair set
forth in their yacht, much to Victoria's
satisfaction. "I do love a ship!" she
exclaimed, ran up and down ladders with the greatest agility, and cracked
jokes with the sailors. The Prince was more aloof. They visited Louis Philippe
at the Chateau d'Eu; they visited King Leopold in Brussels. It happened that a
still more
remarkable Englishwoman was in the Belgian capital, but she was not
remarked; and Queen Victoria passed unknowing before the steady gaze of one of
the mistresses in M. Heger's pensionnat. "A little stout, vivacious lady, very
plainly dressed--not much
dignity or pretension about her," was Charlotte
Bronte's
comment as the royal
carriage and six flashed by her, making her wait
on the
pavement for a moment, and interrupting the train of her reflections.
Victoria was in high spirits, and even succeeded in instilling a little
cheerfulness into her uncle's sombre Court. King Leopold, indeed, was
perfectly
contented. His dearest hopes had been fulfilled; all his ambitions
were satisfied; and for the rest of his life he had only to enjoy, in
undisturbed decorum, his
throne, his respectability, the table of precedence,
and the
punctualcharge" target="_blank" title="vt.&n.卸货;释放;解雇">
discharge of his irksome duties. But
unfortunately" target="_blank" title="ad.不幸;不朽;可惜">
unfortunately the
felicity of those who surrounded him was less complete. His Court, it was
murmured, was as
gloomy as a conventicle, and the most
dismal of all the
sufferers was his wife. "Pas de plaisanteries, madame!" he had exclaimed to
the
unfortunatesuccessor of the Princess Charlotte, when, in the early days
of their marriage, she had attempted a
feeble joke. Did she not understand
that the
consort of a
constitutionalsovereign must not be
frivolous? She
understood, at last, only too well; and when the startled walls of the state
apartments re-echoed to the chattering and the
laughter of Victoria, the poor
lady found that she had almost forgotten how to smile.
Another year, Germany was visited, and Albert displayed the beauties of his
home. When Victoria crossed the
frontier, she was much excited--and she was
astonished as well. "To hear the people speak German," she noted in her diary,
"and to see the German soldiers, etc., seemed to me so singular." Having
recovered from this slight shock, she found the country
charming. She was
feted everywhere, crowds of the
surrounding royalties swooped down to welcome
her, and the prettiest groups of
peasant children, dressed in their best
clothes, presented her with bunches of flowers. The
principality of Coburg,
with its
romanticscenery and its well-
behaved inhabitants, particularly
delighted her; and when she woke up one morning to find herself in "dear
Rosenau, my Albert's birthplace," it was "like a beautiful dream." On her
return home, she expatiated, in a letter to King Leopold, upon the pleasures
of the trip,
dwelling especially upon the
intensity of her
affection for
Albert's native land. "I have a feeling," she said, "for our dear little
Germany, which I cannot describe. I felt it at Rosenau so much. It is a
something which touches me, and which goes to my heart, and makes me inclined
to cry. I never felt at any other place that sort of
pensive pleasure and
peace which I felt there. I fear I almost like it too much."
V
The husband was not so happy as the wife. In spite of the great
improvement in
his situation, in spite of a growing family and the
adoration of Victoria,
Albert was still a stranger in a strange land, and the serenity of spiritual
satisfaction was denied him. It was something, no doubt, to have dominated his
immediate
environment; but it was not enough; and, besides, in the very
completeness of his success, there was a
bitterness. Victoria idolised him;
but it was understanding that he craved for, not
idolatry; and how much did
Victoria, filled to the brim though she was with him, understand him? How much
does the
bucket understand the well? He was
lonely. He went to his organ and
improvised with
learned modulations until the sounds, swelling and subsiding
through
elaborate cadences, brought some
solace to his heart. Then, with the
elasticity of youth, he
hurried off to play with the babies, or to design a
new pigsty, or to read aloud the "Church History of Scotland" to Victoria, or
to pirouette before her on one toe, like a ballet-dancer, with a fixed smile,
to show her how she ought to
behave when she appeared in public places. Thus
did he amuse himself; but there was one distraction in which he did not
indulge. He never flirted--no, not with the prettiest ladies of the Court.
When, during their
engagement, the Queen had remarked with pride to Lord
Melbourne that the Prince paid no attention to any other woman, the cynic had
answered, "No, that sort of thing is apt to come later;" upon which she had
scolded him
severely, and then
hurried off to Stockmar to repeat what Lord M.
had said. But the Baron had reassured her; though in other cases, he had
replied, that might happen, he did not think it would in Albert's. And the
Baron was right. Throughout their married life no rival
female charms ever had
cause to give Victoria one moment's pang of jealosy
What more and more absorbed him--bringing with it a curious comfort of its
own--was his work. With the
advent of Peel, he began to
interveneactively in
the affairs of the State. In more ways than one--in the cast of their
intelligence, in their moral
earnestness, even in the
uneasy formalism of
their manners--the two men resembled each other; there was a
sympathy between
them; and thus Peel was ready enough to listen to the advice of Stockmar, and
to urge the Prince forward into public life. A royal
commission was about to
be formed to enquire whether
advantage might not be taken of the rebuilding of
the Houses of Parliament to
encourage the Fine Arts in the United Kingdom; and
Peel, with great perspicacity, asked the Prince to
reside" target="_blank" title="vi.主持(会议);主管">
preside over it. The work
was of a kind which
precisely suited Albert: his love of art, his love of
method, his love of coming into contact--close yet
dignified--with
distinguished men--it satisfied them all; and he threw himself into it con
amore. Some of the members of the
commission were somewhat alarmed when, in
his
opening speech, he
pointed out the necessity of dividing the subjects to
be considered into "categories-" the word, they thought, smacked dangerously
of German metaphysics; but their confidence returned when they observed His
Royal Highness's
extraordinarytechnicalacquaintance with the processes of
fresco
painting. When the question arose as to whether the decorations upon
the walls of the new buildings should, or should not, have a moral purpose,
the Prince spoke
strongly for the affirmative. Although many, he observed,
would give but a passing glance to the works, the
painter was not
therefore to
forget that others might view them with more
thoughtful eyes. This argument
convinced the
commission, and it was
decided that the subjects to be depicted
should be of an improving nature. The frescoes were carried out in accordance
with the
commission's instructions, but
unfortunately" target="_blank" title="ad.不幸;不朽;可惜">
unfortunately before very long they
had become, even to the most
thoughtful eyes,
totallyinvisible. It seems that
His Royal Highness's
technicalacquaintance with the processes of fresco
painting was incomplete!
The next task upon which the Prince embarked was a more
arduous one: he
determined to
reform the organisation of the royal household. This
reform had
been long overdue. For years past the
confusion,
discomfort, and extravagance
in the royal
residences, and in Buckingham Palace particularly, had been
scandalous; no
reform had been
practicable under the rule of the Baroness; but
her functions had now devolved upon the Prince, and in 1844, he boldly
attacked the problem. Three years earlier, Stockmar, after careful enquiry,