evidently remembered the disappointment
caused by his
unexpected disappearance,
but this unfriendly attitude
soon gave way to evidences of kindlier
feelings.
Mildred was there, more beautiful
than ever, and to gain her love Diotti
would have bartered his soul that moment.
The first
movement of the suite was
entitled ``Pity,'' and the music flowed
like melodious tears. A subdued sob
rose and fell with the
sadness of the
theme.
Mildred's eyes were moistened as
she fixed them on the lone figure of the
player.
Now the theme of pity changed to
hope, and hearts grew brighter under the
spell. The next
movement depicted joy.
As the virtuoso's fingers darted here and
there, his music seemed the very laughter
of fairy voices, the earth looked roses
and
sunshine, and Mildred, relaxing her
position and leaning forward in the box,
with lips
slightly parted, was the picture
of eager happiness.
The final
movement came. Its subject
was love. The
introduction depicted
the Arcadian beauty of the
trysting place, love-lit eyes sought each
other intuitively and a great peace
brooded over the hearts of all. Then
followed the song of the Passionate Pilgrim:
``If music and sweet
poetry agree,
As they must needs, the sister and the brother,
When must the love be great 'twixt thee and me
Because thou lov'st the one, and I the other.
***
Thou lov'st to hear the sweet melodious sound
That Phoebus' lute (the queen of music) makes;
And I in deep delight, am
chiefly drown'd
When as himself to singing he betakes.
One god is god of both, as poets
One
knight loves both, and both in thee remain.''
Grander and grander the melody
rose, voicing love's
triumph with wondrous
sweetness and palpitating rhythm.
Mildred, her face flushed with excitement,
a
heavenly fire in her eyes and in
an attitude of supplication, reveled in
the glory of a new found emotion.
As the violinist concluded his
performance an
oppressive silence pervaded
the house, then the
audience, wild with
excitement, burst into thunders of
applause. In his dressing-room Diotti
was besieged by hosts of people,
congratulating him in
extravagant terms.
Mildred Wallace came, extending her
hands. He took them almost reverently.
She looked into his eyes, and
he knew he had struck the chord responsive
in her soul.
VIII
The sun was high in the heavens
when the violinist awoke. A great
weight had been lifted from his heart;
he had passed from darkness into dawn.
A
messenger brought him this note:
My Dear Signor Diotti--I am at home this
afternoon, and shall be
delighted to see you and
return my thanks for the
exquisite pleasure you
gave me last evening. Music, such as yours,
is indeed the voice of heaven. Sincerely,
Mildred Wallace.
The
messenger returned with this reply:
My Dear Miss Wallace--I will call at three to-day.
Gratefully,
Angelo Diotti.
He watched the hour drag from eleven
to twelve, then counted the minutes to
one, and from that time until he left the
hotel each second was tabulated in his
mind. Arriving at her
residence, he
was ushered into the drawing-room. It
was
fragrant with the
perfume of violets,
and he stood gazing at her portrait
expectant of her coming.
Dressed in simple white, entrancing
in her
youthfulfreshness, she entered,
her face glowing with happiness, her
eyes languorous and
expressive. She
hastened to him,
offering both hands.
He held them in a
loving, tender grasp,
and for a moment neither spoke. Then
she, gazing clearly and fearlessly into
his eyes, said: ``My heart has found its
melody!''
He, kneeling like Sir Gareth of old:
``The song and the
singer are yours
forever. ''
She, bidding him arise: ``And I forever
yours.'' And wondering at her
boldness, she added, ``I know and feel
that you love me--your eyes confirmed
your love before you spoke.'' Then,
convincingly and ingenuously, ``I knew
you loved me the moment we first met.
Then I did not understand what that
meant to you, now I do.''
He drew her
gently to him, and the
motive of their happiness was defined
in sweet confessions: ``My love, my
life--My life, my love.''
The magic of his music had changed
her very being, the
breath of love was
in her soul, the
vision of love was dancing
in her eyes. The child of
marble,
like the
statue of old, had come to life:
``And not long since
I was a cold, dull stone! I recollect
That by some means I knew that I was stone;
That was the first dull gleam of
consciousness;
I became
conscious of a
chilly self,
A cold,
immovable identity.
I knew that I was stone, and knew no more!
Then, by an imperceptible advance,
Came the dim evidence of outer things,
Seen--darkly and imperfectly--yet seen
The walls
surrounding me, and I, alone.
That pedestal--that curtain--then a voice
That called on Galatea! At that word,
Which seemed to shake my
marble to the core,
That which was dim before, came evident.
Sounds, that had hummed around me, indistinct,
Vague, meaningless--seemed to
resolve themselves
Into a language I could understand;
I felt my frame pervaded by a glow
That seemed to thaw my
marble into flesh;
Its cold, hard substance throbbed with active life,
My limbs grew supple, and I moved--I lived!
Lived in the
ecstasy of a new-born life!
Lived in the love of him that fashioned me!
Lived in a thousand tangled thoughts of hope.''
Day after day he came; they told their
love, their hopes, their ambitions. She
assumed
absolute proprietorship in him.
She gloried in her possession.
He was born into the world, nurtured
in
infancy, trained in
childhood and
matured into
manhood, for one express
purpose--to be hers alone. Her
ownership ranged from
absolute despotism
to
humbleslavery, and he was happy
through it all.
One day she said: ``Angelo, is it your purpose
to follow your
profession always?''
``Necessarily, it is my livelihood,'' he replied.
``But do you not think that after we
stand at the altar, we never should be
separated?''
``We will be together always,'' said
he,
holding her face between his palms,
and looking with tender expression into
her inquiring eyes.
``But I notice that women cluster
around you after your concerts--and
shake your hand longer than they
should--and talk to you longer than
they should--and go away looking self-
satisfied!'' she replied brokenly, much
as a little girl tells of the theft of her
doll.
``Nonsense,'' he said, smiling, ``that
is all part of my
profession; it is not
me they care for, it is the music I
give that makes them happy. If, in my
playing, I
achieve results out of the
common, they admire me!'' and he kissed
away the
unwelcome tears.
``I know,'' she continued, ``but
lately, since we have loved each other,
I can not bear to see a woman near
you. In my dreams again and again
an indefinable shadow mockingly comes;
and cries to me, `he is not to be yours,
he is to be mine.' ''
Diotti flushed and drew her to him
``Darling,'' his voice carrying conviction,
``I am yours, you are mine, all in
all, in life here and beyond!'' And as
she sat dreaming after he had gone, she
murmured petulantly, ``I wish there
were no other women in the world.''
Her father was expected from Europe
on the succeeding day's
steamer. Mr.
Wallace was a busy man. The various
gigantic enterprises he served as president
or
director occupied most of his
time. He had been
absent in Europe
for several months, and Mildred was